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The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes. With the coming of motion pictures, Arthur was destined to hit the screen. This edition of Cinema Arthuriana, revised in 2002, presents 20 essays on the topic of the recurring presence of the legend in film and television from 1904 to 2001. They cover such films as Excalibur (1981) and Monty Python and the Holy Grail (1975), television productions such as The Mists of Avalon (2001), and French and German films about the quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table.
This book collects together the academic and popular articles which have been published on the author's 'Arthurian Resources' website -- www.arthuriana.co.uk -- between 1998 and 2009.Praise for Thomas Green's 'Concepts of Arthur' (Tempus, 2007)'Valuable to anyone studying the Arthurian legend... vigorous and comprehensive' [Speculum, the Journal of the Medieval Academy of America]'Concepts of Arthur is that rare thing: a book that offers an original and refocused view of the nature of Arthur... I cannot fault or praise highly enough his respectful handling of British myth' [Arthuriana, the Journal of Arthurian Studies]'Demanding but very important' [Simon Young, author of 'AD 500']
First in a sumptuous, female-led Arthurian Fantasy Romance trilogy When Anna Pendragon was born, Merlin prophesied: "Through all the ages, and in the hearts of men, you will be forgotten." Married at twelve, and a mother soon after, Anna - the famed King Arthur's sister - did not live a young life full of promise, myth, and legend. She bore three strong sons and delivered the kingdom of Orkney to her brother by way of her marriage. She did as she was asked, invisible and useful for her name, her status, her dowry, and her womb. Twenty years after she left her home, Anna returns to Carelon at Arthur's bidding, carrying the crown of her now-dead husband, Lot of Orkney. Past her prime and confined to the castle itself, she finds herself yet again a pawn in greater machinations and seemingly helpless to do anything about it. Anna must once again face the demons of her childhood: her sister Morgen, Elaine, and Morgause; Merlin and his scheming Avillion priests; and Bedevere, the man she once loved. To say nothing of new court visitors, like Lanceloch, or the trouble concerning her own sons. Carelon, and all of Braetan, is changing, though, and Anna must change along with it. New threats, inside and out, lurk in the shadows, and a strange power begins to awaken in her. As she learns to reconcile her dark gift, and struggles to keep the power to herself, she must bargain her own strength, and family, against her ambition and thirst for revenge.
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
Studies Arthur of Celtic legend and reveals that he was the defender of Britain from threats, with an intimate connection with the Underworld.
The book introduces the reader to the stories about King Arthur and his knights and the lovers Tristan and Isolt that flourished in the Scandinavian countries-in Denmark, Iceland, Norway, and Sweden-in the Middle Ages and in early modern times. The versions of the Arthurian legend that were popular in the North were translations of mostly French literature. Although they were similar to their sources in many respects, the stories nonetheless underwent change in order to appeal to a culturally quite different audience in the North.
Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.
This volume is a collection of fourteen original essays and one poem in honor of the prominent medievalist Gerard J. Brault, upon the occasion of his retirement from teaching at the Pennsylvania State University. World-renowned for his contributions to the French medieval epic (in particular "La Chanson de Roland") and French-Canadian cultural studies, Professor Brault is affectionately remembered as "Mr. Song of Roland" by his colleagues for his unique interpretation of Roland as a triumphant christian hero, rather than a tragic feudal warrior. Among the friend, former students, colleagues, and admirers who contributed to this festschrift are; William Calin (preface), Jeanette Beer, Keight Busby, Kimberlee Campbell, Robert Francis Cook, Bernard Guidot, Edward Heinemann, Catherine Jones, Hans-Erich Keller, Donald Maddox, Andre de Mandach, Emanuel Mickel, Rupert Pickens, Jean Subrenat, Joan Williamson, Jacques Ribard, and the editors, David and Mary Jane Schenck. All essays center on aspects of "La Chanson de Roland" and the French medieval epic in general.
King Arthur in America analyzes the tremendous appeal of the Arthurian legends in America by examining the ways that Americans have found to democratize the Matter of Britain and to incorporate aspects of it not only into America's own mythologies but also into literature, film, social history, and popular culture.
First published in 1992. This is a collection of works around the legend of King Arthur from both English and American sources. They range from the sixteenth century to the 1980s and includes authors such as Spenser, Swift, Fielding, Wordsworth, Tennyson, Swinburne, Morris, Carr, Hawthorne, Pyle, Richard Wilbur and Wendy M. Mnookin.