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In Chronicles of King Arthur, Andrea Hopkins brings to life the great medeval story-cycle known as the Matter of Britain, drawing on the romance masterpieces of such writers as Geoffrey of Monmouth, Sir Thomas Malory, and Chretien de Troyes. She recounts the myths of Arthur and his knights in the authentic voices of the medieval authors.
FROM THE NO. 1 BESTSELLING AUTHOR OF WAR LORD COMES AN EPIC RETELLING OF THE ARTHURIAN LEGEND 'THE BEST King Arthur adaptation I've ever read' 5***** Reader Review 'An absolute winner from the master of historical fiction' 5***** Reader Review 'Outstanding. The best take on the iconic Arthur story I've read or watched' 5***** Reader Review In the Dark Ages, a legendary warrior arises to unite a divided land . . . _________ Uther, the High King of Britain, is dead. His only heir is the infant Mordred. Yet each of the country's lesser kings seek to claim the crown for themselves. While they squabble and spoil for war, a host of Saxon armies gather, preparing for invasion. But no one has counted on the fearsome warlord Arthur. Handed power by Merlin and pursuing a doomed romance with the beautiful Guinevere, Arthur knows he will struggle to unite the country - let alone hold back the Saxon enemy at the gates. Yet destiny awaits him . . . From the epic and bestselling author who has gripped millions. _________ PRAISE FOR BERNARD CORNWELL: 'Strong narrative, vigourous action and striking characterisation, Cornwell remains king of the territory he has staked out as his own' SUNDAY TIMES 'Like Game of Thrones, but real' OBSERVER 'Blood, divided loyalties and thundering battles' THE TIMES 'The best battle scenes of any writer I've ever read, past or present. Cornwell really makes history come alive' GEORGE R.R. MARTIN 'He's called a master storyteller. Really he's cleverer than that' TELEGRAPH 'A reminder of just how good a writer he is' SUNDAY TIMES 'Nobody in the world does this better than Cornwell' LEE CHILD
From the No. 1 bestselling author of WAR LORD comes an epic retelling of the Arthurian legend, from the bestselling Last Kingdom series Uniting the restive British kingdoms behind him, Arthur believes he can now hold back the Saxons threatening the country. Meanwhile, Merlin sets out on a quest to uncover the sacred Treasures of Britain, hoping they will prove decisive in the coming battle. But in a country where the cult of the Christians is spreading, Merlin's quest is divisive. And the ambitions of the rival warlord Lancelot threaten the delicate peace. Could even those closest to Arthur be moved to betray him? From the epic bestselling author, Enemy of God brilliantly retells the Arthurian legend, combining myth, history and thrilling battlefield action. ______ 'Wonderful and haunting' People Magazine 'Of all the books I have written these are my favourites' Bernard Cornwell
Bernard Cornwell's internationally bestselling King Arthur Trilogy tells the mythic saga of King Arthur and is the work of a magnificent storyteller at the height of his powers. THE WINTER KING The novel is set in Dark Age Britain in a land where Arthur has been banished and Merlin has disappeared, where a child-king sits unprotected on the throne, where religion vies with magic for the souls of the people. It is to this desperate land that Arthur returns, a man at once utterly human and truly heroic; a man who loves Guinevere more passionately than he should; a man whose life is at once tragic and triumphant. ENEMY OF GOD Having defeated the last holdouts of civil war in southern Britain, Arthur has secured Mordred's throne. But he must still face raging conflicts between the old ways and the new, as well as foes more powerful and more dangerous--because they pose as friends. EXCALIBUR The unforgettable tale of Arthur's final struggles against the Saxons and his last attempts to triumph over a ruined marriage and ravaged dreams as forces both earthly and unearthly threaten everything Arthur stands for. Peopled by princesses and bards, by warriors and magicians, Excalibur is the story of love, war, loyalty, and betrayal.
In The Winter King and Enemy of God Bernard Cornwell demonstrated his astonishing ability to make the oft-told legend of King Arthur fresh and new for our time. Now, in this riveting final volume of The Warlord Chronicles, Cornwell tells the unforgettable tale of Arthur's final struggles against the Saxons and his last attempts to triumph over a ruined marriage and ravaged dreams. This is the tale not only of a broken love remade, but also of forces both earthly and unearthly that threaten everything Arthur stands for. Peopled by princesses and bards, by warriors and magicians, Excalibur is the story of love, war, loyalty, and betrayal-the work of a magnificent storyteller at the height of his powers.
King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.
'The Brut' or 'Roman de Brut' by the poet Wace is a loose and expanded translation in almost 15,000 lines of the Norman-French verse of Geoffrey of Monmouth's Latin History of the Kings of Britain. Its genre is equivocal, being more than a chronicle but not quite a fully-fledged romance.The book narrates a largely fictional version of Britain's story from its settlement by Brutus, a refugee from Troy, who gives the poem its name, through a thousand years of pseudohistory, including the story of king Leir, up to the Roman conquest, the introduction of Christianity, and the legends of sub-Roman Britain, ending with the reign of the 7th-century king Cadwallader. Especially prominent is its account of the life of King Arthur, the first in any vernacular language, which instigated and influenced a whole school of French Arthurian romances dealing with the Round Table – here making its first appearance in literature – and with the adventures of its various knights.
Born of the chaos of the Dark Ages, the Dream of Eagles produced a king, a country and an everlasting legend—Camelot Publius Varrus is a veteran Roman officer and a maker of swords. In the early fifth century, amid the violent struggles between the people of Britain and the invading Saxons, Picts and Scots, he and his former general, Caius Britannicus, forge the government and military system that will become known as the Round Table, and initiate a chain of events that will lead to the coronation of the High King we know today as Arthur. Rich in historical detail, brimming with drama, intrigue and passion, The Skystone gives new resonance to an enduring and powerful legend.
In the summer of 1996 the first international conference was held on the medieval chronicle, a genre which until then had received but scant attention from historians or specialists in literary history or art history. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. It is the aim of the present volume to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.