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"This book accompanies the exhibition Monet and the Seine: Impressions of a River, Philbrook Museum of Art, Tulsa, June 29-September 21, 2014, The Museum of Fine Arts, Houston, October 26, 2014-February 1, 2015."
This volume pays tribute to 4 early American painters, Benjamin West, John Singleton Copley, Charles Wilson Peale, and Gilbert Stuart.
The six glorious scenes that make up the Triumph of the Eucharist series by Peter Paul Rubens (1577–1640) are highlights of the Museo Nacional del Prado’s superb collection of Flemish paintings. Completed in 1626, these brilliantly detailed sketches were painted at the behest of the Infanta Isabel Clara Eugenia in preparation for a series of monumental tapestries that are now considered among the finest made in Europe in the seventeenth century. Unfortunately, additions to the wooden supports, introduced after the paintings were created, made the panels considerably larger than Rubens intended and over time caused serious damage to the original sections. With the aid of the Getty Foundation’s Panel Paintings Initiative, the panels have been restored and returned to their original dimensions by the Prado, and the magnificent oil sketches can once again be placed on public view. This lushly illustrated and illuminating volume provides new insight into the history of the Eucharist series of paintings and tapestries and attests to Rubens’s exhilarating art. Spectacular Rubens is published on the occasion of an exhibition of the paintings, on view at the Museo Nacional del Prado from March 25 through June 29, 2014, and at the J. Paul Getty Museum from October 14, 2014, through January 4, 2015.
"Illuminating essays and more than two hundred images offer a compelling account of the 18th-century contemporary history painters John Singleton Copley and Benjamin West--America's first global art superstars"--Provided by publisher.
18 contributed articles interspersed with 21 short studies (one page of text and 3 pages of pictures) of particular artists/photographers.
Furniture generated by smart algorithms, the first fully functional 3-D printed steel bridge, and a 3-D printable chair that can be downloaded from the Internetthese are but a few examples of the ingenious oeuvre of Dutch designer and inventor Joris Laarman (b. 1979), who works at the intersection of design, art and engineering. Part of the recent high-profile Dutch design movement, Laarman quickly set himself apart from his peers with the Heat Wave Radiator, which erases the lines between the functional and the decorative. Quickly embracing digital technologies and applying them to the traditional field of design, Laarman has produced instant icons such as the Bone Chair designs, which harnesses a computer algorithm to mimic bone growth for the form of the designs. He has also bridged the distance between digital technology and craftsmanship with his Makerchair, downloadable as an open-source design. Abolishing the distinctions between natural and manmade, Laarmans work opens a new avenue for the future of design. In parallel with the touring exhibition, this handsome hardcover catalog with over 300 color illustrations goes far beyond the exhibition, revealing Laarmans process, his studio and numerous designs in office, home and workshop settings. Flowing throughout the book are informative project descriptions, a statement from the LAB and assorted essays. The American museum tour includes the Cooper Hewitt, NY (2017), the High Museum, Atlanta, and MFA, Houston (201718).
Published to accompany the exhibition of the same title presented at the Museum of Fine Arts, Houston, November 22, 2015 - February 28, 2016.
"This book was published to accompany the exhibition of the same title that was presented at the Museum of Fine Arts, Houston, from June 23 to September 2, 2013."--T.p. verso.