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This illustrated, annotated catalogue was prepared to accompany a retrospective exhibition curated by the author, who is the assistant curator of Australian art at the National Gallery of Victoria. Presents 83 of Streeton's works and provides biographical details, a discussion of Streeton's style and method, as well as giving information about each painting. The exhibition was one of a series honouring notable historical figures in Australian art. Includes a chronology and references. Also available in paperback.
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Sir Arthur Streeton, a founding member of the Heidelberg School of painters, remains one of Australia's best known artists. He was also a prolific, engaging letter writer. This collection includes letters to fellow artists Tom Roberts, Lionel Lindsay, Frederick McCubbin, Julian Ashton, George Lambert and Sydney Ure Smith. It offers an invaluable record not only of the life and opinions of one man, but of artistic and cultural life in an Australia emerging from the British shadow.With pictures selected by Oliver Streeton, Arthur Streeton's grandson, Letters from Smike was first published in 1989.Editors Ann Galbally and Anna Gray are renowned experts in Australian art and both have published extensively in the area. Ann Galbally is a former academic, and Anna Gray is the former Head of Australian Art at the Australian National Gallery.
'Painting matters to Australia and Australians as it does in few other countries. It has formed our consciousness, our sense of where we come from, and who we are. It cries out for wider recognition and acknowledgement.' - Patrick McCaughey Why has Australia, an island continent with a small population, produced such original and powerful art? And why is it so little known beyond our shores? Strange Country: Why Australian Painting Matters is Patrick McCaughey's answer.
"Telling as much a social, educational, and cultural story as institutional history, this detailed account chronicles the ideological patterns, internal and countrywide conflicts, and student experiences at the University of Melbourne from 1850 to 1939. The daily life of staff, professors, and students are recounted during times of turmoil and peace in Australia, including the depression of the 1890s and World War I. The account offers a window into the pedagogical conflicts and research achievements of one of Australia's oldest continuing educational institutions."