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This book interrogates the problems of how and why largely unseen matter, in this case groundwater, has found limited expression in climate fiction. It explores key considerations for writing groundwater narratives in the Anthropocene. The book investigates a unique selection of climate fiction alongside an exploration of hydrosocial environmental humanities through a focus on groundwater and groundwater narratives. Providing eco-critical analysis, with creative fiction and non-fiction excerpts interwoven throughout, and drawing on Indigenous Australian and Australian settler novels and poems alongside European, American and Japanese texts, the book illuminates the processes of ‘storying with’ subterranean waters – their facts, uncertainties, potencies and vulnerabilities. In a time when the water crisis in an Australian and worldwide context is escalating in response to global warming, giving voice to the complexities of groundwater extraction and pollution is vital. Drawing from non-representational, posthumanist and feminist perspectives, the book provides an important contribution to transnational, comparative climate fiction analysis, enabling an interdisciplinary exchange between hydrogeological science and the eco-humanities. This book is an engaging read for scholars and students in creative writing, environmental humanities, cultural and post-colonial studies, Australian studies, and eco-critical literary studies. Writers and thinkers addressing the problems of the Anthropocene are called to pay attention to the importance of subterranean imaginaries and groundwater narratives.
Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era. Culture was no longer to be framed by ‘progress’. In 1970, taking stock of the situation, he announced that he was a copyist, there being no such thing as a new creation in art, shaped as it was by visual languages. Nor did he intend to limit his curiosity about the relation of art to life by restricting himself to a ‘personal’ style. There followed a long and passionately adventurous exploration into many subjects and styles, during which Watkins was often the first to signal changes taking place in Western culture. The result is that for half a century he has been a major, if controversial figure in Australian art.
A major, fully illustrated publication featuring more than 50 essays on the work of contemporary Australian artists has been produced in conjunction with 'Contemporary Australia: Optimism'. The publication includes engaging essays by authors John Birmingham and Melissa Lucashenko, filmmaker Elissa Down and Queensland Art Gallery staff. It is available in hard and soft cover from the Gallery Store and online at www.australianartbooksonline.com.au
A biographic reference to notable people in Australia. Entrants are drawn from all areas of Australian life, including the arts, politics, education, medicine, defence, business, diplomatic service, and recipients of honours and awards.
A new look at Modernism in this century. Demonstrates why Australian contemporary art is such an important component of the world scene.
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
A biographic reference to notable people in Australia. Entrants are drawn from all areas of Australian life, including the arts, politics, education, medicine, defence, business, diplomatic service, and recipients of honours and awards.