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By the turn of the twentieth century, Beaumont, Texas had acquired a reputation as a rough place. Situated in the oil-soaked chaos of Spindletop, Jefferson County was a hotbed of vice. For decades, gambling and prostitution thrived as elected officials either looked the other way or took money to keep quiet. That is, until 1960 when a swashbuckling young state legislator blew into town and spearheaded an intensive investigation into the rampant vice and governmental corruption that supported it. And, at a time when such things were virtually unheard of, he and his committee played it out on live television. When the dust finally cleared, the local governments of Jefferson County were turned inside out.
A selection of Tocqueville's writings on America together with letters and sketches from his traveling companion, Gustave de Beaumont.
Some vols. have appendices consisting of reports of various state offices.
Gustave de Beaumont's 1835 work, Marie, or Slavery in the United States is structured as a fascinating essay on race interwoven with a novel. It is the story of socially forbidden love between an idealistic young Frenchman and an apparently white American woman with African ancestry. The couple's idealism fades as they repeatedly face racial prejudice and violence, and are eventually forced to seek shelter among exiled Cherokee people. Notable as the first abolitionist novel to focus on racial prejudice rather than bondage as a social evil, Beaumont's work was also the first to link prejudice against Native Americans to prejudice against blacks. This translation, with a new introduction by Gerard Fergerson, provides modern readers with interesting insights into the inconsistencies and injustices of democratic Jacksonian society.
Longlisted for the 2020 Andrew Carnegie Medals for Excellence This blazingly intimate biography of Janis Joplin establishes the Queen of Rock & Roll as the rule-breaking musical trailblazer and complicated, gender-bending rebel she was. Janis Joplin’s first transgressive act was to be a white girl who gained an early sense of the power of the blues, music you could only find on obscure records and in roadhouses along the Texas and Louisiana Gulf Coast. But even before that, she stood out in her conservative oil town. She was a tomboy who was also intellectually curious and artistic. By the time she reached high school, she had drawn the scorn of her peers for her embrace of the Beats and her racially progressive views. Her parents doted on her in many ways, but were ultimately put off by her repeated acts of defiance. Janis Joplin has passed into legend as a brash, impassioned soul doomed by the pain that produced one of the most extraordinary voices in rock history. But in these pages, Holly George-Warren provides a revelatory and deeply satisfying portrait of a woman who wasn’t all about suffering. Janis was a perfectionist: a passionate, erudite musician who was born with talent but also worked exceptionally hard to develop it. She was a woman who pushed the boundaries of gender and sexuality long before it was socially acceptable. She was a sensitive seeker who wanted to marry and settle down—but couldn’t, or wouldn’t. She was a Texan who yearned to flee Texas but could never quite get away—even after becoming a countercultural icon in San Francisco. Written by one of the most highly regarded chroniclers of American music history, and based on unprecedented access to Janis Joplin’s family, friends, band mates, archives, and long-lost interviews, Janis is a complex, rewarding portrait of a remarkable artist finally getting her due.