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Arthania By: Ihor Pavlyuk Arthania is a personal prayer to God, which can be heard and read by people, and animals, and plants, and stars. New song rhythm forms and meanings are proposed in this book; the truth of author Ihor Pavlyuk’s life (as a citizen of Ukraine, who lived and worked in many countries of the world) is consonant with all the people of the planet who can take the subtle energy they need from this book if they adequately catch the wave of his soul through an interpretation. Within are themes of freedom, of the individual and society, the theme of love for nature, for the homeland, for one’s parents, other people, the theme of freedom, orphanhood (the author grew up an orphan), the struggle for independence—all expressed in this autobiographical book in a poetic style. His life credo is expressed in this book with these words: “I am ready to live for ages and I am ready to die at every moment.”
This book describes the millennia-long process of the genesis, formation, struggle, and change of views on the management of social organizations in various countries around the world; in other words, it characterizes the worldwide evolution of the History of Management Thought (HMT) - ideas, concepts, theories, paradigms, and scientific schools - from Antiquity to the present. The book is the outcome of extensive research, based on the analysis, generalization, and systematization of foreign and domestic published literature, as well as on the gathering and analysis of unique archival materials. For the first time in the historical and managerial literature, the book puts forward original definitions of three historical and managerial sciences - the History of Management, the History of Management Thought, and the Historiography of Historical and Managerial Research. It addresses the main challenges in pursuing Historical and Scientific Research (HSR), the main “subject” levels of HSR and specific methodological problems concerning HMT, as well as epistemological methods for identifying key factors in and causes of the advent and evolution of HMT. This book presents both the origins of management thought dating back to the 5th millennium BC and the latest management concepts of the early 21st century. In particular, it traces the origins and sources of management thought, reflected in the works of thinkers and statesmen of the Ancient World (Egypt, Western Asia, China, India, Greece, and Rome), the era of feudalism, and the Middle Ages (Byzantium, Western Europe, and England), the era of inception capitalism (Western Europe and the USA), as well as the new and recent history of management thought of the 20th and 21st centuries. In addition, for the first time in History of Management literature, it presents the history of Russian management thought from the 9th century to modern concepts and scientific schools.
I understand that Ihor Pavlyuk is from Polissya. The name of this region sounds magical to my ear. I have never visited such a place as Polissya... I think that Ihor Pavlyuk is a good poet and in his heart he resembles the unique natural spirit of his birthplace. My first impression from these English translations of Ihor Pavlyuk's poems was that I was reading Seamus Heaney's book. I am grateful to Ihor Pavlyuk for the energy of true humanity which I found in his poems. I know that a nebulous terrain exists in the hearts and minds of every person, a terrain that cannot be adequately characterized in simple terms of right and wrong or good and bad. I see this ambiguity in Ihor Pavlyuk's works and I am happy in the knowledge that there is a very good poet in Ukraine. Mo Yan, who was awarded the Nobel Prize for Literature in 2012 Ihor Pavlyuk's poems have been sensitively rendered into English. The subtle music of Stephen Komarnykyj's translations echoes the delicacy and depth of the poet's visions, where despair is always infused with tenderness and personal desires drink from the well of collective dreams. Naomi Foyle, British poet Although Pavlyuk writes in his own highly original style, the fierce humanity of his poems reminded me of Seamus Heaney. There is also a sense as in Heaney of how intrinsically linked the present is with the past our language and our landscape scattered with pagan remnants which live inside each of us. However Pavlyuk's pagans are very much alive and dwell in the primal landscape of Polissya with its impenetrable forests and marshes. What is it that is unique about Pavlyuk's work and about Ukrainian literature? Why should any English language reader who picks up this book bother to turn the pages? There is, of course, a moral argument, a national literature which has been sundered from the mainstream of Europe is being returned to its rightful place. However, many people might feel that there is a 'Slavic' quality to this literature which has been adequately conveyed by Akhmetova, Chekhov etc., but in this they would be mistaken. Pavlyuk's poetic world, the inter¬nal cosmos he created in exile in St. Petersburg, has resulted in a rare example of a subjective, confessional poetry in a Slavic language. Equally, the traditions on which he draws, in particular the modern baroque of the authors of the Executed Renaissance, are almost unknown in the English speaking world and have qualities which could influence and enrich English poetry. As we have also seen, Pavlyuk is an emissary from a forgotten pagan Europe of open pastures where the horses of Makhno's anarchists roam. There was, of course, much that was wrong with that world, but equally, our estrangement from the lives once lived in the fields outside our cities has impoverished us. Pavlyuk's voice is the voice of these nowun-peopled fields. I invite you to sit with us and converse with anolder forgotten Europe whose vestiges linger in the names given to the days of the week and the outlines of iron age forts glimpsed from the air. Steve Komarnyckyj, translator But through the power of his rhythms and images, Pavlyuk has the capability of adjusting the reality of the 'Imperial' Russophone world into something that more resembles an East Slavic world, one that shares its riches with its immediate neighbours. The fact that I might be on hand as a translator of this workmanship of genius into an understandable and accessible English language. Thom Moore, Irish poet, bard READ MORE REVIEWS ABOUT THE BOOK BY IHOR PAVLYUK «A FLIGHT OVER THE BLACK SEA» http: //www.stridemagazine.co.uk/Stride%20mag%202014/sept2014/Hart.Tukka.htm http: //dura-dundee.org.uk/author/glow/
This book, by one of the foremost authorities on the subject, explores the complex nature of Russian nationalism. It examines nationalism as a multilayered and multifaceted repertoire displayed by a myriad of actors. It considers nationalism as various concepts and ideas emphasizing Russia’s distinctive national character, based on the country’s geography, history, Orthodoxy, and Soviet technological advances. It analyzes the ideologies of Russia’s ultra-nationalist and far-right groups, explores the use of nationalism in the conflict with Ukraine and the annexation of Crimea, and discusses how Putin’s political opponents, including Alexei Navalny, make use of nationalism. Overall the book provides a rich analysis of a key force which is profoundly affecting political and societal developments both inside Russia and beyond.
The author contends that all generaly accepted historical chronology prior to the 16th century is inaccurate, often off by many hundreds or even thousands of years. Volume 1 of a proposed seven volumes.
This is a seven volume treatise on historical dating and scientific arguments regarding the truth or falsehoods in currently accepted historical concepts. It claims the 16th century as the time during which history was created by medieval scribes and cemented by the power of the ecclesial authorities. It is theorized for example that Jesus was actually born in 1053 A.D. and crucified in 1086 A.D.; the Old Testament refers to medieval events and the Apocalyse was written after 1486 A.D.
The drama that shaped today’s Iran, from the Revolution to the present day. In 1979, seemingly overnight—moving at a clip some thirty years faster than the rest of the world—Iran became the first revolutionary theocracy in modern times. Since then, the country has been largely a black box to the West, a sinister presence looming over the horizon. But inside Iran, a breathtaking drama has unfolded since then, as religious thinkers, political operatives, poets, journalists, and activists have imagined and reimagined what Iran should be. They have drawn as deeply on the traditions of the West as of the East and have acted upon their beliefs with urgency and passion, frequently staking their lives for them. With more than a decade of experience reporting on, researching, and writing about Iran, Laura Secor narrates this unprecedented history as a story of individuals caught up in the slipstream of their time, seizing and wielding ideas powerful enough to shift its course as they wrestle with their country’s apparatus of violent repression as well as its rich and often tragic history. Essential reading at this moment when the fates of our countries have never been more entwined, Children of Paradise will stand as a classic of political reporting; an indelible portrait of a nation and its people striving for change.
How the delicate and civilized Europe escaped from Great Tartary. The consensual world history was manufactured in Europe in XVI-XIX centuries with political agenda of powers of that period on the basis of erroneous clerical chronology elaborated by Jesuits Joseph Justus Scaliger and Dionysius Petavius. - By the middle of XVI th century the prime political agenda of Europe that reached superiority in Sciences and Technologies, but was still inferior militarily to the Evil Empire of Eurasia, was to free Europe. - The concerted effort of European aristocracy, black and white Catholic clergy, Protestants, humanists and scientists in XV-XVII centuries in creation and dissemination of fictional Ancient World served this agenda. - The fictional Ancient World was created by representing events of XI-XVI centuries as ones that happened thousands of years before according to the ancient sources they wrote by authorities they invented. - The European aristocracy, a considerable part of which were fugitives from Byzantine and/or the inheritors of Eurasian warlords, supported the myth of Ancient World to justify its claims to countries they ruled. - The black and white Catholic clergy, Protestants developed and supported the myth of Ancient World to justify their claims of being more ancient and to separate themselves from Eurasian orthodoxy in the countries ruled by European aristocracy. - The scientists supported the myth of Ancient World as safe cover for their heretic research that produced results contrarian to the tenets of Christianity. They justified their discoveries by authorities of ancient scientists they themselves invented and used as pseudonyms. - The humanists developed and supported the myth of Ancient World as a cozy safe haven for their ideas that conflicted with Christianity and aristocracy. They disguised and justified their ideas on authorities of ancient authors of their own making and wrote under their glorious aliases. Saint Augustin being prescient said .."beware of mathematicians, especially when they speak the truth! "