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Reproduction of the original.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Provides examinations and interpretations of several works by Wharton, and concentrates on the theme of women as artist
While she might be best known as the author of ‘The Age of Innocence’ (adapted for film, and starring Michelle Pfeiffer, and Daniel Day-Lewis), Edith Wharton wrote an extensive range of novels, journals, and poetry. Containing 24 poems, ‘Artemis to Actaeon’ muses on the themes of life, love, death, and the passing of time, with a few well-chosen words set aside for her beloved France. As the title suggests, there is plenty of classical inspiration as Wharton draws on ancient legends surrounding mythical figures, such as Orpheus, and Actaeon. Her writing is lyrical and has a yearning quality to it, particularly in poems such as ‘All Souls,’ and ‘Vesalius in Zarate.’ A superb collection for those familiar with Wharton’s work, and those new to her. Edith Wharton (1862 – 1937) was an American designer and novelist. Born in an era when the highest ambition a woman could aspire to was a good marriage, Wharton went on to become one of America’s most celebrated authors. During her career, she wrote over 40 books, using her wealthy upbringing to bring authenticity and detail to stories about the upper classes. She moved to France in 1923, where she continued to write until her death.
"Artemis to Actaeon and Other Verses" by Edith Wharton is a collection of poetry that transcends the boundaries of the page, immersing readers in the timeless and evocative world crafted by the renowned novelist. Published in the early 20th century, Wharton's verses showcase a departure from her narrative prose, revealing a lyrical and introspective facet of her literary talent. Within this collection, Wharton's poetic voice unfolds with grace and sophistication, offering readers a poetic journey that traverses classical mythology, human relationships, and the complexities of the human psyche. "Artemis to Actaeon" serves as a poetic dialogue between the goddess of the hunt and the ill-fated mortal, exploring themes of transformation and consequence. Wharton's exploration of mythological narratives is not mere homage; it is a reimagining that breathes new life into age-old tales. The collection goes beyond myth, delving into the emotional landscapes of love, desire, and introspection. Each verse is a brushstroke on the canvas of human experience, inviting readers to contemplate the nuances of existence.
A collection of twenty four poems from one of the best writers of prose from her generation. As the title suggests, many of the poems draw on classical antiquity, be it lyrical re-imaginings about or based on mythic figures (Actaeon, Marsyas in 'Life', 'Orpheus'), or elsewhere merely drawing on that vast pool of allusions.
Emily Dickinson and Walt Whitman were not the poetic stars of their day; only a few friends knew that Dickinson wrote, and Whitman's following was minuscule, if influential. But the contemporaries who eclipsed these major poets now have largely disappeared from our literary landscape. In this distinctive anthology, Robert Bain gathers together thirteen other scholars to re-present the poetry of these former luminaries, allowing readers to rediscover them, reconstruct the poetic contexts of their age, and better understand why Whitman and Dickinson now overshadow other poets of their time. Arranged chronologically according to the birth dates of the poets, this anthology introduces each poet's work, providing biographical information and discussing the major forms and themes of the work. Each introduction places the poet in a literary and historical context with Whitman and Dickinson and provides a bibliography of secondary sources. This remarkable book recovers a part of our literary heritage that has been lost.