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For the first time, a color fascimile and translation will be available from this important 15th century master of late Italian Medieval swordsmanship. Master Fillipo Vadi's work, previously overlooked and underestimated by fencing scholars, presents the student of historical swordsmanship or of miltiary history a fresh, stunningly beautiful look into the mind of an Italian fencing master.Accompanying the exquisitely wrought text, finely translated by Luca Porzio, are 56 color plates showing many of the techniques explained in the chapters and by other historical masters, but in this case, with such a beautiful rendering that they are works of art unto themselves.An absolute must for the bookshelf of anyone interested in the history of fencing or late medieval warfare, this rich volume will also appeal to collectors of illuminated manuscripts, reeactors, and literary traditions of 15th century Italy.
This book is a simple, straight forward translation of Philippo di Vadi's "De Arte Gladiatoria Dimicandi" (1482), which covers a theoretical framework for the Italian longsword as well as plays of the sword, sword in armor, spear, poleaxe, and dagger.
“Guy has the rare talent of making this material accessible” -Neal Stephenson (from his Foreword to Swordfighting) “Guy Windsor's greatest gift to WMA/HEMA is his marvellous ability to translate period language into a meaningful experience for modern WMA/HEMA practitioners and he has once more shown his ability to do exactly that.” - Adam (review of Veni Vadi Vici) NOTE: THIS EDITION DOES NOT INCLUDE A FACSIMILE OF THE MANUSCRIPT From the late fifteenth century comes a detailed manuscript on knightly combat, written by Philippo Vadi. Dedicated to one of the most famous Italian condottiere of the age, Guidobaldo, Duke of Urbino, this book covers the theory of combat with the longsword, as well as dozens of techniques of the sword, the spear, the pollax, and the dagger. The Art of Sword Fighting in Earnest includes a detailed introduction, setting Vadi and his combat style in their historical context, a complete translation of the manuscript, and a detailed commentary from the perspective of the practising martial artist. Please note it does not include a facsimile of the manuscript, but that may be downloaded from a link provided in the text. This volume is the second edition of Dr. Windsor’s earlier work, Veni Vadi Vici, updating the translation and the introduction. This is essential reading for any practitioner of knightly combat, academic historian, or enthusiast for the quattrocento period of Italian history.
This book builds on the foundation laid in The Medieval Longsword, and teaches you how to train Fiore dei Liberi’s Art of Arms, as shown in his 1410 manuscript ll Fior di Battaglia. Renowned swordsman and author Guy Windsor explains three of the longsword forms that are used every day in The School of European Swordsmanship: The Cutting Drill, The Farfalla di Ferro, and The Longsword Syllabus Form. Each form is explained step by step and application by application, with abundant photographs and images from Fiore’s manuscript. Guy takes you through each step first as a pair drill, then as part of the form, then as a starting point for further training, or for further research into Il Fior di Battaglia. Within these pages you will find in-depth instructions and analysis, dozens of tips for how to improve your skills, and enough material for years of study.
The Flower of Battle is Colin Hatcher's translation of Fiore dei Liberi's art of combat from the early 15th century. The work included high-resolution images and English text laid out in the manner of the original.
Full colour facsimile of Philippo Vadi's important fifteenth century manuscript on knightly commentary, with a detailed introduction, accurate translation and practical commentary from world-renowned swordsmanship instructor and researcher Dr. Guy Windsor.
First translation into English of a wide-ranging military treatise from the late middle ages.
This manual has grown out of all the courses given by Dominique Prinet, a certified Instructor-Evaluator for Sail Canada who has been teaching celestial navigation since 2000. It has benefitted from the thoughtful contributions of over 100 students. The aim of Celestial Navigation is to give a sufficient grounding in the subject to determine position at sea using a sextant for fixes on the sun, moon, stars and planets. Furthermore, the material presented will prepare a reader who wishes to pursue a Celestial Navigation Certificate through self-study. The subject requires some comfort with the basic concepts of navigation, but the prospective navigator only needs to know how to add and subtract either times or angles. Lucid and well-paced, Celestial Navigation starts with fundamentals and definitions which ensure that a motivated student need not bring anything more to the table than his or her willingness to master the subject. Richly illustrated, it includes a chapter with more than forty pages of review exercises covering all topics. The cleverness of many of the concepts, explained here, will bring about great intellectual joy and satisfaction. Whether you are a recreational sailor or an individual pursuing professional certification as a navigator, Celestial Navigation will teach you what you need to know.