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Can a creative mind thrive in a corporate landscape? Can a business leader use creativity to guide teams more effectively? From one of today’s leading creative minds comes a book for modern rebels on building a rewarding life without losing your edge. Written for uncompromising creative thinkers and aspiring changemakers, The Art of Creative Rebellion encapsulates insights and wisdom collected over a life of creative and professional prosperity. In these frank and insightful reflections, John S. Couch shares with young free thinkers the uncompromising principles needed to thrive in a world that seems to reward conformity. Above all, The Art of Creative Rebellion is a guide to shaping a life, career and reality that nourishes the spirit and feeds the soul—without compromises or apologies.
Art has always been central to moments of great social change. From the avant-garde to the ages of revolution, the act of rebellious creation has been crucial to bringing people and ideas together. However, in an increasingly fractured world characterised by upheaval and crisis, what role can art play in ushering in transformation? Malcolm Miles offers a guide to contemporary art and activism, setting it firmly within the context of the avant garde and its legacies in the postwar period. He explores the rise of direct action to replace representational politics in organizations like Occupy and Extinction Rebellion, and in the movements to destroy or remove statues of slavers, and finds parallels in anti-institutional art practices. By engaging with the significant theoretical innovations of the last 50 years - modernism, postmodernism and contemporary critical thinking - Miles provides both an overview of political aesthetics and an introduction to how art activism works in its most memorable moments in history. Art Rebellion argues that beauty is radically other to the dominant society; that power relations can be transformed; that protest cultures and contemporary art grow together; and that art has a crucial interruptive role in forming new, more equal and just, realities.
The focus of this book is not on the ubiquitous stickers and stencils graffitied everywhere today; instead, Hundertmark uses his insider knowledge to carefully curate the selection, showcasing only the most outstanding and engaging work. With more than 200 full colour pages, THE ART OF REBELLION 3 is an unforgettable visual journey through the latest and greatest street art.
One of the most successful street art series ever published with 100,000 copies in print, Art of Rebellion presents the finest artwork ever created by artists on the street worldwide. This new volume features approximately 100 artists with their personal favourites - innovative work in a variety of media that arrests our attention and transforms our cities into open air museums. Artists featured include: Dave the Chimp, SPY, KRVlady Art, Skewville, WK Interact, Dmote, Nomad, Mark Drew, The Wa, Roadsworth, M-City, Kami & Sasu, East Eric, Supakitch, Koralie, Bo & Microbo, Bla+ and many more.
How creative freedom, race, class, and gender shaped the rebellion of two visionary artists Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons. In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.
Art of Rebellion 2 features an up to the minute international survey of street art, spotlighting dozens of new and unknown protagonists alongside many well-known and respected artists who have been at it for years. Since the publication of the first volume, there has been a surge in street art activity and a growing awareness of the art form in the public eye; this volume takes the reader on a lush visual journey through that artistic explosion and features tons of new work with original styles, techniques and intent.
One of the most explosive radicalisations of the twenty-first century swept Hong Kong in 2019-20 as a campaign against an extradition bill transformed into a mass rebellion for democratic rights. After millions took to the streets in peaceful demonstrations, the local government unleashed waves of repression. Undeterred, tens of thousands of young workers and high school and university students, backed by an immense solidarity movement, held their ground against heavily armed police across the territory. This collection of writings, complemented by vivid images and artwork of the revolt, provides a frontline account of a city fighting to preserve its autonomy in the face of the Chinese Communist Party's encroachments.
Punk Orientalism explores the spaces and places associated with the former Soviet Union, focusing on the artists and ideas hailing from Central Asia and the Caucasus, which were long perceived as an extension, or "client" states, of the USSR. The theme of non-conformity and the punk rejection of state authority is a continuous thread throughout the book.