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Taking an early look at the work of one of comicdom's most esteemed artists, Jack Davis. This chronology of his earliest work reveals the incredible diversity of a master cartoonist. Here is a chance to see many rare pieces of art from Jack's early years. From his beginning days as a cartoonist to his role as one of the first cartoonists on Mad Magazine, this volume spotlights the earliest days of the legendary cartoonist. Note: This was originally released by Stabur Corporation and has been out of print for nearly 25 years. This edition has been updated by the author.
Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection ― in terms of both quantity and quality ― of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’sBananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations fromPlayboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects ― and even illustrations unearthed in the Davis archives that the artist himself can’t identify!
You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.
A lovely book that tells the true story of how the classic Universal Studios Monsters were born from a centenarian who was there when it happened. Enjoy Carla's tale of growing up on her uncles Universal Studio Lot from 1921 to 1937 and not only witnessing the filming of such early classics as The Hunchback of Notre Dame in 1923, but actually being in The Phantom of the Opera in 1925 and Dracula in 1931, where her "bit" part was that of having the first line of spoken dialogue in that perennial classic vampire film. Beware of vampires and hearses, but enjoy her story's verses! Wonderfully illustrated by MAD Magazines Jack Davis and Hermann Mejia. Foreword provided by master of horror and sci-fi, Ray Bradbury.
Best Books of the Month: Wall Street Journal, Kirkus Reviews From the Pulitzer Prize–winning author of The Gulf, a sweeping cultural and natural history of the bald eagle in America. The bald eagle is regal but fearless, a bird you’re not inclined to argue with. For centuries, Americans have celebrated it as “majestic” and “noble,” yet savaged the living bird behind their national symbol as a malicious predator of livestock and, falsely, a snatcher of babies. Taking us from before the nation’s founding through inconceivable resurgences of this enduring all-American species, Jack E. Davis contrasts the age when native peoples lived beside it peacefully with that when others, whether through hunting bounties or DDT pesticides, twice pushed Haliaeetus leucocephalus to the brink of extinction. Filled with spectacular stories of Founding Fathers, rapacious hunters, heroic bird rescuers, and the lives of bald eagles themselves—monogamous creatures, considered among the animal world’s finest parents—The Bald Eagle is a much-awaited cultural and natural history that demonstrates how this bird’s wondrous journey may provide inspiration today, as we grapple with environmental peril on a larger scale.
Walter Ridgemont got revenge against his fellow campers who wouldn't show him respect, but he didn't know the price he would have to pay for it.
Heard about Mad? Sad? Don't be! Get GLAD with this new collection of rarely seen art by one of their greatest illustrators, done outside their work at Mad magazine. The book is a treasure trove of rare humor comics mostly unseen for over 30 years from the pages of Mad's #1 competitor, Cracked magazine. They are curated by two folks with Cracked bona fides, Mark Arnold, author of the definitive two volume history of the magazine If You're Cracked, You're Happy!, and Mort Todd, the former Editor-in-Chief of the magazine during one of its most creative periods. The comics presented are from the 1950s and 1960s during the title's early years and while Jack Davis was at the top of his game as a creator. There are TV and movie parodies, tons of celebrities, along with satire on current events, trends and culture of the era.Bhob Stewart, author of The Life and Legend of Wallace Wood, has an in-depth overview of the career of the artist in The Comedy of Jack Davis. The book features an afterword by Mort Todd reflecting on Davis and the magazine's legacy. The Comedy of Jack Davis is 100 pages, all in glorious vintage black & white! The book features a gorgeous array of his work, showcasing the many mediums they work in, from pen and ink, wash, guoache, duoshade paper, zipatone and color paintings as they applied it to tweaking a variety of amusing topics. Also available: The Comedy of John Severin.
Demonstrates the computer graphics program's newest features and offers advice integrating Photoshop with other applications, special effects, layering, lighting, and photograph repair.