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This book incorporates literary works, testimonies, autobiographies, women's resistance movements, and films that add to the conversation on the resilience of women in the global south. The essays question historical accuracy and politics of representation that usually undermine women's role during conflict, and they reevaluate how women participated, challenged, sacrificed, and vehemently opposed war discourses that work on obliterating women's role in shaping resistance movements.
A well-known novelist and journalist from the coastal city of Jableh, Samar Yazbek witnessed the beginning four months of the uprising first-hand and actively participated in a variety of public actions and budding social movements. Throughout this period she kept a diary of personal reflections on, and observations of, this historic time. Because of the outspoken views she published in print and online, Yazbek quickly attracted the attention and fury of the regime, vicious rumours started to spread about her disloyalty to the homeland and the Alawite community to which she belongs. The lyrical narrative describes her struggle to protect herself and her young daughter, even as her activism propels her into a horrifying labyrinth of insecurity after she is forced into living on the run and detained multiple times, excluded from the Alawite community and renounced by her family, her hometown and even her childhood friends. With rare empathy and journalistic prowess Samar Yazbek compiled oral testimonies from ordinary Syrians all over the country. Filled with snapshots of exhilarating hope and horrifying atrocities, she offers us a wholly unique perspective on the Syrian uprising. Hers is a modest yet powerful testament to the strength and commitment of countless unnamed Syrians who have united to fight for their freedom. These diaries will inspire all those who read them, and challenge the world to look anew at the trials and tribulations of the Syrian uprising.
“Cross Fire, like Exo, is a knockout . . . Lee’s recalibrating of traditional YA dystopian narratives continues to be a strength.” —MuggleNet It’s time to take back Earth. Earth’s century of peace as a colony of an alien race has been shattered. As the alien-run government navigates peace talks with the human terrorist group Sapience, Donovan tries to put his life back together and return to his duty as a member of the security forces. But a new order comes from the alien home planet: withdraw. Earth has proven too costly and unstable to maintain as a colony, so the aliens, along with a small selection of humans, begin to make plans to leave. As word of the withdrawal spreads through the galaxy, suddenly Earth becomes vulnerable to a takeover from other alien races. Aliens who do not seek to live in harmony with humans, but will ravage and destroy the planet. As a galactic invasion threatens, Donovan realizes that Sapience holds the key that could stop the impending war. Yet in order to save humankind, all species on Earth will have to work together, and Donovan might just have to make the ultimate sacrifice to convince them. “Brutal, intense action scenes . . . ultimately wins through to a hard-fought triumph.” —Kirkus Reviews “Cross Fire is a solid sequel to Exo and maintains the exciting pace, twisty plot, and ethical quandaries.” —Fantasy Literature
D*Face has been a leading figure in urban art for well over a decade. A contemporary of Banksy, he is at the forefront of the urban art movement and has had a constant presence throughout its meteoric rise into popular culture. This long-awaited monograph shows the development of his career as an artist to date, encompassing his continuing street work and the path that led him from the early beginnings of the street art genre to multiple sell-out solo exhibitions around the world. Containing previously unseen images of his working processes and studio as well as firsthand anecdotes and the stories behind his extraordinary work, the book provides an insider's view of one of Britains most important urban artists. D*Face is one of Britain's leading newbrow artists, and damn if he isn't as sharp and clever - if not quite as surreptitious - as Banksy (and sharper and cleverer by half than Damien Hirst). - Peter Frank, Los Angeles Art Critic, 2011 Collector's Edition A limited edition collector's edition of 100 copies will also be available, including: a signed and numbered 2 colour screenprint on archival paper, packed with a limited edition of the book in a specially designed box.
Abdul Shokoor Khusrawy developed a passion for art at age seven while recovering from a broken femur bone in his right leg, which was in a cast for more than two years in Kabul, Afghanistan. He discovered that he was not going to fully recover and walk normally, and he was diagnosed and declared as a disabled person for the rest of his life. Shokoor at the age of seven was supposed to enroll in first grade, but instead he was in and out of the hospitals for two years. He eventually got a little better and entered school at the age of nine, but not without first going through repeated rejections because of his age. Shokoor was about to graduate from high school when Afghanistan was invaded by the USSR. The atrocities of the brutal invasion of the USSR led to a massive refugee influx and mass murder of Afghan civilians. Soon, Afghanistan turned into a battle zone, marked as the darkest chapter of the Afghan recent history. The United Nations and the NATO got involved in bringing peace to Afghanistan; but after decades of trying they eventually realized that the Afghans oppose any sort of foreign interference, fighting the puppet government of Afghanistan and the NATO forces simultaneously. Millions have lost their lives; cities and villages are in ruins. Fear, anxiety, financial hardships, health crises, and chaos continue to threaten the lives of Afghans. Shokoor, as a young yet vulnerable young man, has developed a passion for painting while witnessing these horrors, and he started to draw and paint these events, many images of which are very disturbing. While the war was going on, most schools around the capital city of Kabul were open on and off and were sometimes hit by bullets and rockets. Yet students continued to go to school, risking their lives by being only a bullet away from being killed. Shokoor was among them. He eventually graduated and was enrolled to Kabul University, where every student was living their lives day by day, not knowing whether or not they would make it to school the next day. Shokoor was interested in marrying someone whom he loved, but he was going through financial hardship and had to finish school. He found a job working after school at a construction site to cover his expenses, buy art supplies, and bring food to the table for his new bride who was a housemaker without any educational background. Once, while Shokoor was digging at the base of a building, one of his coworkers accidentally hit Shokoor in the side with a pick mattock, which punctured his kidney. He was taken to a hospital while he was unconscious. He had to stay home for a while to recover while going through financial hardship. However, the newlywed was happy to be alive. War was intensifying around Kabul, and Shokoor as a new graduate had just gotten a new job at the National Gallery and later on at Kabul Museum, not knowing that he was going to be stuck for a week inside the museum while the militants were fighting each other right outside the museum at Darul-Aman, Kabul. A week later Shokoor managed to get home, and he was happy to see his wife. Soon they packed and left their beloved home and sought refuge in the neighboring country of Pakistan, only to find out that they were going to be further devastated. They later return to Kabul hoping to rebuild their shattered lives, not knowing that they were returning to the ruined city where his wife would die during childbirth. Shokoor saw no other choice but to endure, persevere, and stay alive. He left Afghanistan and came to America for safety and a better life, away from fear and wars. Shokoor is one of the luckiest people to get out of a war zone and come to America, where he had hopes and dreams of establishing a new life and make a difference in people’s lives through his art and story. His art exhibition in the US had received great awards and recognitions. Some of his paintings were displayed at the Museum of the Sun City in Arizona. Next, Shokoor wanted to open an art gallery and an art class; he wanted to teach others about art in order to build bridges and bring people together. After a long journey, Shokoor and his five children finally settled in America. They hope to become productive contributors to their community.
The instant number one bestseller FROM #1 INTERNATIONAL BESTSELLING AUTHOR SYLVIA DAY The final chapter in the global blockbuster Crossfire quintet Gideon Cross. Falling in love with him was the easiest thing I’ve ever done. It happened instantly. Completely. Irrevocably. Marrying him was a dream come true. Staying married to him is the fight of my life. Love transforms. Ours is both a refuge from the storm and the most violent of tempests. Two damaged souls entwined as one. We have bared our deepest, ugliest secrets to one another. Gideon is the mirror that reflects all my flaws ... and all the beauty I couldn’t see. He has given me everything. Now, I must prove I can be the rock, the shelter for him that he is for me. Together, we could stand against those who work so viciously to come between us. But our greatest battle may lie within the very vows that give us strength. Committing to love was only the beginning. Fighting for it will either set us free ... or break us apart. Heartbreakingly and seductively poignant, One with You is the breathlessly awaited finale to the Crossfire saga, the searing love story that has captivated millions of readers worldwide.
“Edgy, sexy, endlessly exciting, Lisa Marie Rice never disappoints! I can’t get enough of Lisa Marie Rice’s sensual, hard hitting stories!” —New York Times bestselling author Shannon McKenna A rising star in erotica, author Lisa Marie Rice launches her Protectors series with Into the Crossfire—introducing the first of three super-hot ex-Special Forces operatives willing to walk through fire for the women they love. Romantic suspense has never been this thrilling and scintillating!
A collection of poetry by the world-renowned LGBTQ poet and spoken-word artist dealing with themes of identity and love. Crossfire brings together Staceyann Chin’s empowering, feminist-LGBTQ-Caribbean, activist-driven poetry for the first time in a single book. According to The New York Times, Chin is “sassy, rageful and sometimes softly self-mocking.” The Advocate says that her poems, “combine hilarious one-liners with a refusal to conform” and note “Chin is out to confront more than just the straight world.” Winner of the American Book Award Features a foreword by Jaqueline Woodson Praise for Crossfire “A remarkable collection from a dynamic and talented writer, whose urgent storytelling and commanding voice feel vital for our times.” —Edwidge Danticat “With this astounding new collection of poems, Crossfire, it is evident that Staceyann Chin has come into her raw, sexual, revolutionary, poetic power. These poems are jet fuel from the hot center of the body—from rage, from sorrow, from pure, unmitigated life-force.” —Eve Ensler “We’ve all been waiting for this collection—all of us that know the brilliance, the heartbreaking truth telling, and the magic of Staceyann’s cadences. Now all of us who have been lucky enough to have seen her on stage, heard her from the ramparts, can be joined at last by readers in the quiet spaces to properly celebrate this remarkable voice and watch her take her place in American letters.” —Walter Mosley
A MASTERFUL BOOK ABOUT BREATHING LIFE INTO ART AND ART INTO LIFE "Stephen Nachmanovitch's The Art of Is is a philosophical meditation on living, living fully, living in the present. To the author, an improvisation is a co-creation that arises out of listening and mutual attentiveness, out of a universal bond of sharing that connects all humanity. It is a product of the nervous system, bigger than the brain and bigger than the body; it is a once-in-a-lifetime encounter, unprecedented and unrepeatable. Drawing from the wisdom of the ages, The Art of Is not only gives the reader an inside view of the states of mind that give rise to improvisation, it is also a celebration of the power of the human spirit, which — when exercised with love, immense patience, and discipline — is an antidote to hate." — Yo-Yo Ma, cellist
Pulitzer prize-winning photographer Lucian Perkins captures four electrifying punk shows in Washington, DC, in 1979, with narrative by Alec MacKaye and an essay by Henry Rollins.