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Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university. It will give you answers to questions like: What is art and art history? What are the main methodologies used to understand art? How have ideas about form, sex and gender shaped representation? What connects art with psychoanalysis, semiotics and Marxism? How are globalization and postmodernism changing art and art history? Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.
Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
This is an analysis of complex forms of art history. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. The book begins by introducing the concept of theory and explains why it is important to the practice of art history.
Teach Yourself Art History Second Edition is the essential guide for anyone studying art or anyone who wants to get more out of visiting galleries and exhibitions.
This fully revised edition of the History of Art: A Student's Handbook introduces students to the kinds of practices, challenges, questions and writings they will encounter in studying the history of art. Marcia Pointon conveys the excitement of Art History as a multi-faceted discipline addressing all aspects of the study of media, communication and representation. She describes and analyses different methods and approaches to the discipline, explaining their history and their effects on the day-to-day learning process. She also discusses the relationship of Art History to related disciplines including film, literature, design history and anthropology. The fifth edition of this classic text includes: • information on why Art History is important and relevant in today’s world guidance on choosing a degree course case studies of careers pursued by Art History graduates advice on study skills and reading methods a bibliography and further reading detailed up to date advice on electronic resources and links to essential websites History of Art covers academic, training and vocational aspects of Art History, providing a wealth of information on the characteristics of courses available and on the relationship between Art History and the world of museums and heritage.
In this art dictionary like no other, The Art History Babes (the hosts behind the prolific podcast) break down the elitist world of art with definitions of over 300 essential art terms. Art speak is infamously alienating, strange, and confusing as hell. Think stereotypical, stylish art dealers who describe art as 'derivative' and 'dynamic' – or stuffy auction houses filled with portraits of dead white people called 'Old Masters'. What do these words mean? Where did they come from? And how can you actually use them? Spanning art history, iconic movements, peculiar words, and pretentious phrases – after reading this book, you'll be able to lay down that art jargon with the best of them. From avant-garde to oeuvre, the Harlem Renaissance to New Objectivity, museum fatigue to memento mori – the Babes use their whip-smart humor, on-point knowledge, and a heavy dose of candor to explain even the most complex ideas in bite-sized definitions, as in: ACTION PAINTING (n.) – If Jackie Chan had buckets of paint strapped to his arms and legs in Rush Hour 2, and there just happened to be a blank canvas nearby, you would end up with action painting. […] IMPASTO (n.) – Have you ever gotten up close to a painting, looked at it, and thought: “Those brushstrokes are sensual as hell.”? That’s how I feel about impasto, a painting style that involves applying thick, textured strokes of paint using a brush or palette knife or other tool of your choice. […] UKIYO-E (n.) – Beautiful ladies, kabuki actors, epic landscapes, sumo wrestlers, people navigating city streets, and sex stuff! These are some of the common subjects of ukiyo-e art produced in Japan during the Edo period (1603–1868.) […] With illustrations from Carmen Casado – The Honest Art Dictionary is a valuable starter pack for those new to the study of art history, those re-exploring the discipline, or those simply interested in impressing their friends during a trip to the local art museum.
This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.