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Jason Polan is on a mission to draw every person in New York, from cab drivers to celebrities. He draws people eating at Taco Bell, admiring paintings at the Museum of Modern Art, and sleeping on the subway. With a foreword by Kristen Wiig, Every Person in New York, Volume 1 collects thousands of Polan's energetic drawings in one chunky book. As full as a phone book and as invigorating as a walk down a bustling New York street, this is a new kind of love letter to a beloved city and the people who live there.
The meaning of art has not been determined till date. The word art is such a broad and dynamic concept that despite thousands of definitions of various scholars touch on only one particular aspect of art but when the consciousness awakened, that form of energy gives form to the joy arising inside the mind of the artist. This book ( Art and Artists- vol 2 ) is a small part of the blissful energy of some such artists. Hopefully it will give a comprehensiveness to the thinking by erasing the boundaries of selfishness, family, region, religion, language and caste etc. formed in the mind of every person and will satisfy the aesthetic appetite of art lovers and artists.
A comprehensive art book on the work of Mike Ploog. This oversize 9" x 12", 320-page retrospective covers every aspect of Ploog's career, from his earliest days of working with "Leatherneck Magazine," while still a young man serving in the Marines, to his extremely popular work in comics and film, right up through his latest work on "Goliath." "THE ART OF PLOOG" reproduces, quite literally, hundreds of pieces of art, as well as commentary by the likes of Ralph Bakshi, John Carpenter, Frank Oz, Roy Thomas, and the master himself; Mike Ploog.You will find Ploog's best known artwork contained in this book. Included is work he did for Marvel comics (on titles such as "Frankenstein," "Ghost Rider," "Man-Thing," "Planet of the Apes," and "Werewolf By Night"), as well as a wide range of his film work on animated features (such as "Lord of the Rings," "Shrek," and "Wizards") and live-action features (including "Little Shop of Horrors," "John Carpenter's THE THING," and "X-MEN"). The book also contains many of his most popular paintings; paintings that were created for his own fantasy art trading card series; as well as paintings he worked on for the collectible card games "Guardians" and "Magic the Gathering," most of which have never been reproduced larger than trading card size. This is the ultimate collection spanning Ploog's entire career.
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
This book looks at the manga artist, Gensho Sugiyama.
The first comprehensive overview of an important genre of American art, Souls Grown Deep explores the visual-arts genius of the black South. This first work in a multivolume study introduces 40 African-American self-taught artists, who, without significant formal training, often employ the most unpretentious and unlikely materials. Like blues and jazz artists, they create powerful statements amplifying the call for freedom and vision.
In this second volume of Tino Balio’s history of United Artists, he examines the turnaround of the company in the hands of Arthur Krim and Robert Benjamin in the 1950s, when United Artists devised a successful strategy based on the financing and distribution of independent production that transformed the company into an industry leader. Drawing on corporate records and interviews, Balio follows United Artists through its merger with Transamerica in the 1960s and its sale to MGM after the financial debacle of the film Heaven’s Gate. With its attention to the role of film as both an art form and an economic institution, United Artists: The Company That Changed the Film Industry is an indispensable study of one company’s fortunes from the 1950s to the 1980s and a clear-eyed analysis of the film industry as a whole. This edition includes an expanded introduction that examines the history of United Artists from 1978 to 2008, as well as an account of Arthur Krim’s attempt to mirror UA’s success at Orion Pictures from 1978 to 1991.