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Didier Maleuvre argues that works of art in Western societies from Ancient Greece to the interconnected worlds of the Digital Age have served to rationalize and normalize an engagement with bourgeois civilization and the city. Maleuvre details that the history of art itself is the history civilization, giving rise to the particular aesthetics and critical attitudes of respective moments and movements in changing civilizations in a dialogical mode. Building a visual cultural account of shifting forms of culture, power, and subjectivity, Maleuvre illustrates how art gave a pattern and a language to the model of social authority rather than simply functioning as a reflective one. Through a broad cultural study of the relationship between humanity, art, and the culture of civilization, Maleuvre introduces a new set of paradigms that critique and affirm the relationship between humanity and art, arguing for it as an engine of social reproduction that transforms how culture is inhabited.
Discusses prehistoric civilization as represented by art and artifacts of the period, including weapons and tools, architecture, cave paintings, engravings, and statues.
This book interprets for the Western mind the key motifs of India`a legends myth, and folklore, taken directly from the sanskrit, and illustrated with seventy plates of Indian art. It is primarily an introduction to image thinking and picture reading in Indian art and thought and it seeks to make the profound Hindu and Buddhist intuitions of the riddles of life and death recongnizable not merely as Oriental but as universal elements.
A former director of the Metropolitan Museum of Art in New York chooses the 111 works of art--culled from the entire history of Western civilization--that have influenced him most, reproduced in full-color and complemented by his interpretations. Tour.
This book explores the concept of civilization in terms of ways of thinking, building, painting, sculpting, writing and making music. It focuses on specific works, artistic and literary. each of the eight parts begins with a general introduction to the historical backgroun, and then explores in turn the major developments, of that era.
In this book of essays Anthony Daniels tackles the complex relation between good and bad art on the one hand and good and bad ideas on the other. In several essays he contrasts authors or artists whom he considers good with those he considers bad, and tries to explain why his opinion is not merely a matter of individual taste but is based upon reason as well as taste. He argues that judgment and discrimination (between good and bad, beautiful and ugly) are intrinsic to any conceivable human existence, indeed to thought itself, and that the pretense that they are avoidable, that one can indefinitely suspend judgment, are merely a means by which bad or false judgments are smuggled into public life.
Erligang bronzes and the discovery of the Erligang culture / Robert Bagley -- Erligang : a perspective from Panlongcheng / Zhang Changping -- China's first empire? : interpreting the material record of the Erligang expansion / Wang Haicheng -- Civilizations and empires : a perspective on Erligang from early Egypt / John Baines -- Erligang : a tale of two "civilizations" / Roderick Campbell -- The politics of maps, pottery, and archaeology : hidden assumptions in Chinese Bronze Age archaeology / Yung-ti Li -- Erligang and the southern bronze industries / Kyle Steinke -- Erligang contacts south of the Yangzi River : the expansion of interaction networks in early Bronze Age Hunan / Robin McNeal -- Bronzes and the history of Chinese art / Maggie Bickford.