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Literary Nonfiction. Translated from the German by James J. Conway. Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions. In THE BEAUTY OF THE METROPOLIS he views the oft-maligned urban environment, acknowledging its shortcomings while also finding in it an aesthetic enrichment to rival any romanticised landscape. This forward-thinking essay raises the workaday city to rapturous heights, with flights of prose aspiring to the quality of music. Endell advocates a complete engagement with the here and now, drawing numerous examples from his own home, Berlin. From the clamour of Potsdamer Platz to quiet outlying districts, the author discovers visual pleasure in the rapidly expanding German capital where detractors found little more than squalor. Along the way Endell reconsiders the peculiarly German concept of heimat, incompletely translated as "homeland." THE BEAUTY OF THE METROPOLIS is joined here by articles Endell wrote for a progressive journal in 1905 covering subjects as diverse as modern art and the passing of the seasons. Endnotes and an afterword provide further insight into Endell's visionary texts.
Swamp Thing sneaks aboard a train to the Louisiana swamp where he was 'born.' However, he is unaware that an alien has landed there to repair its spaceship.
Advanced art education is in the process of developing research programs throughout Europe. What does the term research actually means in the practice of art? What is the relation to the scientific methods of alpha, beta or gamma sciences, directed toward knowledge production and the development of a certain scientific domaine? What will be the influence of scientific research on the art forms?
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.
A Finalist for the Pulitzer Prize and Winner of the Bancroft Prize. "No one has written a better book about a city…Nature's Metropolis is elegant testimony to the proposition that economic, urban, environmental, and business history can be as graceful, powerful, and fascinating as a novel." —Kenneth T. Jackson, Boston Globe
List of Oral History and Interview Participants -- Notes -- Index
This Weimar-era novel of a futuristic society, written by the screenwriter for the iconic 1927 film, was hailed by noted science-fiction authority Forrest J. Ackerman as "a work of genius."
Before leaving for parts unknown, Clark Kent entrusted Earth’s safety to his son. Now, Jonathan Kent is Superman! Top priority for this new Superman: to protect Metropolis. When a new version of Brainiac attacks, Jon takes drastic measures-which result in the Bottle City of Metropolis! But watch out, Jon, because Supergirl is on her way, and she is not happy with your decision. Meanwhile, in the new bottle city, a new hero has risen. Jake Jordan, the former Manhattan Guardian, came to the City of Tomorrow to start over. But he’s not the only one who wants a new beginning. An anarchist calling herself Honest Mary sees this time of trouble as an opportunity for rebirth-and she’ll tear down the entire city to prove her point. Does Jake have what it takes to save his new home from disasters both inside and out of the bottle? Superman’s former pal Jimmy Olsen is going to make sure he does! Finally, the current Mister Miracle, Shilo Norman, is also in the bottle, and he’s looking for a way out! He’d better be careful, though, or he may end up someplace unexpected. It’s a story that continues in Superman: Worlds of War #1!
Braincells, the advanced offshoot of the diabolical Brainiac, continues to lure Jonathan Kent down the wrong path-but things go from bad to this can’t get any worse when it appears it has also taken some manner of control over Supergirl! If the Kryptonians clash, nothing will be able to protect the bottled city of Metropolis! Meanwhile, inside the bottle itself, the Guardian is doing everything he can to stop the city from destroying itself from within, while Mister Miracle has discovered the trail of a strange signal that he doesn’t realize will take him to Warworld.Braincells, the advanced offshoot of the diabolical Brainiac, continues to lure Jonathan Kent down the wrong path-but things go from bad to this can’t get any worse when it appears it has also taken some manner of control over Supergirl! If the Kryptonians clash, nothing will be able to protect the bottled city of Metropolis! Meanwhile, inside the bottle itself, the Guardian is doing everything he can to stop the city from destroying itself from within, while Mister Miracle has discovered the trail of a strange signal that he doesn’t realize will take him to Warworld.
A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz