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A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.
Robert Hughes begins where American art itself began, with the Native Americans and the first Spanish invaders in the Southwest; he ends with the art of today. In between, in a scholarly text that crackles with wit, intelligence and insight, he tells the story of how American art developed. Hughes investigates the changing tastes of the American public; he explores the effects on art of America's landscape of unparalleled variety and richness; he examines the impact of the melting-pot of cultures that America has always been. Most of all he concentrates on the paintings and art objects themselves and on the men and women - from Winslow Homer and Thomas Eakins to Edward Hopper and Georgia O'Keeffe, from Arthur Dove and George Bellows to Jackson Pollock and Mark Rothko -awho created them. This is an uncompromising and refreshingly opinionated exploration of America, told through the lens of its art.
Explores how one group of Latin American artists express their relationship to American art, history and culture.
Experience the creative explosion that transformed American art—in the words of the artists, writers, and critics who were there In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor, art critic, and historian Jed Perl, “there has never been a period when the visual arts have been written about with more mongrel energy—with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy.” In this Library of America volume, Perl gathers for the first time the most vibrant contemporary accounts of this momentous period—by artists, critics, poets, gallery owners, and other observers—conveying the sweep and energy of a cultural scene dominated (in the poet James Schuyler’s words) by “the floods of paint in whose crashing surf we all scramble.” Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol; James Agee on Helen Levitt; James Baldwin on Beauford Delaney; Truman Capote on Richard Avedon; Tennessee Williams on Hans Hofmann; and Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.
A radical re-evaluation of American modernism through four generations of artists and their work – now in paperback. "That rarity of rarities, an opinionated but not eccentric scholarly history by a veteran museum curator whose every page crackles with original thinking and bears the stamp of a preternaturally sharp eye? Excellent reproductions and crisp typography complement the lucid prose." —Wall Street Journal Twentieth-century art in America has long been understood in two very separate distinct halves: pre-World War II, often considered as inferior and provincial; and the triumphant, international post-war work that made a complete break with everything that went before. Agee discovers exciting new connections between artists and artworks, which strongly suggest that 1945 was not such a dividing line in art history after all. His fresh research offers an innovative approach and a brilliant take on art history.
This fascinating look at artist Thomas Cole's life takes readers from his humble beginnings to his development of a new painting style that became America's first formal art movement: the Hudson River school of painting. Thomas Cole was always looking for something new to draw. Born in England during the Industrial Revolution, he was fascinated by tales of the American countryside, and was ecstatic to move there in 1818. The life of an artist was difficult at first, however Thomas kept his dream alive by drawing constantly and seeking out other artists. But everything changed for him when he was given a ticket for a boat trip up the Hudson River to see the wilderness of the Catskill Mountains. The haunting beauty of the landscape sparked his imagination and would inspire him for the rest of his life. The majestic paintings that followed struck a chord with the public and drew other artists to follow in his footsteps, in the first art movement born in America. His landscape paintings also started a conversation on how to protect the country's wild beauty. Hudson Talbott takes readers on a unique journey as he depicts the immigrant artist falling in love with--and fighting to preserve--his new country.
Celebrating the reopening of the newly restored Smithsonian American Art Museum, a premier collection of American art features more than 250 reproductions of great works of American painting, sculpture, folk art, and photography, by such artists as Edward Hopper, Georgia O'Keeffe, Nam June Paik, and other luminaries.
"The need for a guidebook enabling all those interested in Dutch art to find out at a glance which paintings and drawings by particular artists or which works of applied art of various periods are to be found in the major American public collections is so obvious that it comes as a surprise to discover that none as ever been written. Until now anyone wishing to know where Dutch art from past centuries or the not-so-distant past could be seen or studied had to rely on memory or hearsay, or had to consult the countless catalogues and publications of the far flung individual museums. Since a fundamental goal of American collecting has been to educate people about all cultures, Dutch art, like the art of so many other nations, is found in virtually every city and town across the country. . . Now we have a guide that tells us where to find the art that we seek and that gives us a lively but professional analysis of the historical significance of these treasures."--Preface
A classic reference to the rise in popularity of folk artists in America, this book presents 258 photos of early folk art pieces, including decoys, whirligigs and carvings, and tells the history of the folk art movement from the early 20th century and the founding of the Museum of American Folk Art in New York. Anecdote is blended with history as pioneer collector Earnest shares her experiences and folk art treasures with readers.
Large-format and illustrated with original photography: a fresh look at the current scene for art lovers and a unique introduction to the art world for the novice For centuries, America's permutations of climate and landscape and its tantalizing suggestion of unlimited possibilities have inspired some of history's greatest minds to embark on both literal and imaginary journeys of exploration, none more so than its visual artists. Contrasting intimate visits to artists' studios with explorations of the country's sweeping landscapes of light and form that have inspired artists since the Luminists and the Hudson River School, here is a privileged look at the dreams, ideas, and thoughts of more than one hundred American artists who are active today. From established figures such as Marina Abramovic, John Baldessari, Chris Burden, Francesco Clemente Chuck Close, John Currin, Rachel Feinstein, Richard Prince, Robert Irwin, Kiki Smith, Bill Viola, and Lawrence Weiner to members of the new guard, including Diana Al-Hadid, Tauba Auerbach, Mark Bradford, Theaster Gates, Rashid Johnson, and Sterling Ruby, this profusely and beautifully illustrated journey through artists' studios provides an unprecedented look into the workings of one of the world's largest artistic communities. From New York's skyline to Southern California's sunny boardwalks, Art Studio America will embolden readers the chance to embark on transformative journeys of their own. The book includes essays by Robert Storr, Mark Godfrey, and Ben Genocchio.