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From the Author of Frida, the Moving and Heroic Story of One of the Central Painters of the Twentieth Century Born in Turkey around 1900, Vosdanik Adoian escaped the massacres of Armenians in 1915 only to watch his mother die of starvation and his family scatter in their flight from the Turks. Arriving in America in 1920, Adoian invented the pseudonym Arshile Gorky-and obliterated his past. Claiming to be a distant cousin of the novelist Maxim Gorky, he found work as an art teacher and undertook a program of rigorous study, schooling himself in the modern painters he most admired, especially Cézanne and Picasso. By the early forties, Gorky had entered his most fruitful period and developed the style that is seen as the link between European modernism and American abstract expressionism. His masterpieces influenced the great generation of American painters in the late forties, even as Gorky faced a series of personal catastrophes: a studio fire, cancer, and a car accident that temporarily paralyzed his painting arm. Further demoralized by the dissolution of his seven-year marriage, Gorky hanged himself in 1948. A sympathetic, sensitive account of artistic and personal triumph as well as tragedy, Hayden Herrera's biography is the first to interpret Gorky's work in depth. The result of more than three decades of scholarship-and a lifelong engagement with Gorky's paintings-Arshile Gorky traces the progress from apprentice to master of the man André Breton called "the most important painter in American history."
A reexamination of the art of Arshile Gorky (1904-1948), and an exploration of his role in the development of modern abstraction in America.
Harry Rand's critically acclaimed study of Gorky's brief, troubled life and artistic development is finally available in paperback. All of Gorky's major themes are touched on and his major paintings dealt with in some depth, with attention to the details of the individual works, and frequently to the drawings and preliminary studies from which the paintings evolved. The discussion centers on the images that united the pieces as they develop from work to work. Rand explores Gorky as well as possible sources and their relationship to the body of Gorky's art. A concluding chapter reassesses Gorky's impact on the New York School in light of a new understanding of his aims and methods. Through close study of Gorky's oeuvre, the author deciphers an iconography revealing the unexpected and systematic use of explicit ideas and symbols as well as commonplace objects, settings, and personas from the artist's life. Harry Rand's critically acclaimed study of Gorky's brief, troubled life and artistic development is finally available in paperback. All of Gorky's major themes are touched on and his major paintings dealt with in some depth, with attention to the details of the individual works, and frequently to the drawings and preliminary studies from which the paintings evolved. The discussion centers on the images that united the pieces as they develop from work to work. Rand explores Gorky as well as possible sources and their relationship to the body of Gorky's art. A concluding chapter reassesses Gorky's impact on the New York School in light of a new understanding of his aims and methods. Through close study of Gorky's oeuvre, the author deciphers an iconography revealing the unexpected and systematic use of explicit ideas and symbols as well as commonplace objects, settings, and personas from the artist's life.
Published on the occasion of the exhibition Ardent Nature: Arshile Gorky Landscapes, 1943-47, presented at Hauser & Wirth New York, November 2-December 23, 2017.
"One of the finest biographies of an artist I have ever read."—John Ashbery
Published to accompany the exhibition held at Tate Modern, London, 3 Feb.-3 May 2010.
Winner of the Pulitizer Prize and National Book Critics Award Circle Award. An authoritative and brilliant exploration of the art, life, and world of an American master. Willem de Kooning is one of the most important artists of the twentieth century, a true “painter’s painter” whose protean work continues to inspire many artists. In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s. The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!