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"Emily travels to the sleepy coastal village of Stony Beach, Oregon, to claim her inheritance, centered in a beautiful Victorian estate called Windy Corner but also including a substantial portion of the real estate of the whole town. As she gets to know the town's eccentric inhabitants--including her own once-and-possibly-future love, Sheriff Luke Richards--she learns of a covert plan to develop Stony Beach into a major resort. She also hears hints that her aunt may have been murdered. Soon another suspicious death confirms this, and before long Emily herself experiences a near-fatal accident"--
When Jane Austen dies at the age of just 41, Anne, governess to her brother, Edward Austen, is devastated and begins to suspect that someone might have wanted her out of the way. Now, 20 years on, she hopes that medical science might have progressed sufficiently to assess the one piece of evidence she has - a tainted lock of Jane's hair. Natural causes or murder? Even 20 years down the line, Anne is determined to get to the bottom of the mysterious death of the acclaimed Miss Austen.
When the murdered body of a contractor is discovered at a Halloween murder-mystery fundraiser, detective Luke Richards reluctantly investigates Windy Corner's single-mother housekeeper, Katie; while owner Emily Cavanaugh identifies common traits shared by the victim and St. John Rivers from Charlotte Brontë's Jane Eyre.
A trip back to the world of Jane Austen and the homes she lived in with noted historian Lucy Worsley.
A game of charades ends in coldblooded murder in this entertaining cozy mystery, third in the Crime with the Classics series. Having finished transforming Windy Corner, the grand Victorian mansion she inherited from her great aunt, into a writers’ retreat, widowed literature professor Emily Cavanaugh is ready to receive her first set of guests. But her careful planning is thrown into disarray by the unexpected arrival of outrageous true-crime writer, Cruella Crime, whose unpardonably rude behaviour is causing great offence. As a ferocious ice storm rages outside, the guests entertain one another with a game of charades. But their revelries are brought to a sudden halt by the discovery of a body in one of the guest bedrooms. When it transpires the victim was poisoned, Emily decides to take a leaf out of the book of her favourite detective writer, Agatha Christie, and investigate. But as she pursues her enquiries, it becomes chillingly clear that she herself may have been the intended victim...
Emily Cavanaugh walks into a family drama that recalls Forster's classic work while honeymooning at an English country house in the gripping fifth Crime with the Classics cozy. Retired professor Emily Cavanaugh and her husband, Luke, are taking a much-needed break from Windy Corner and spending their honeymoon five thousand miles away as paying guests at Fizhugh Manor in Oxfordshire. Quaint nearby villages and the manor's impressive turrets and arches capture Emily's Anglophile heart, but when she meets its dashing young heir, James Fitzhugh and his American wife, Allison, James's cousin Penelope, his dithering uncle Roger and the manor's formidable dowager, Lady Margaret Fitzhugh, it's clear that class prejudice, resentment and secrets threaten to tear the family apart. Is there more to a fatal accident than meets the eye? Emily soon finds herself in the middle of a family drama redolent of Forster's classic novels, but can she pull off her own masterstroke to catch a killer?
National Book Award Finalist • Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities—with the help of amphetamines, arsenic, and radioisotopes. One of The Atlantic’s Great American Novels of the Past 100 Years Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.
Arsenic is rightly infamous as the poison of choice for Victorian murderers. Yet the great majority of fatalities from arsenic in the nineteenth century came not from intentional poisoning, but from accident. Kept in many homes for the purpose of poisoning rats, the white powder was easily mistaken for sugar or flour and often incorporated into the family dinner. It was also widely present in green dyes, used to tint everything from candles and candies to curtains, wallpaper, and clothing (it was arsenic in old lace that was the danger). Whether at home amidst arsenical curtains and wallpapers, at work manufacturing these products, or at play swirling about the papered, curtained ballroom in arsenical gowns and gloves, no one was beyond the poison's reach. Drawing on the medical, legal, and popular literature of the time, The Arsenic Century paints a vivid picture of its wide-ranging and insidious presence in Victorian daily life, weaving together the history of its emergence as a nearly inescapable household hazard with the sordid story of its frequent employment as a tool of murder and suicide. And ultimately, as the final chapter suggests, arsenic in Victorian Britain was very much the pilot episode for a series of environmental poisoning dramas that grew ever more common during the twentieth century and still has no end in sight.