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Se reúne 27 ensayos de jóvenes investigadores quienes estudian el desarrollo de la sociedad Mochica y otras sociedades complejas de la costa norte del Perú. Los temas tratados fueron: prácticas funerarias, sistemas de producción, identidades individuales y colectivas, arquitectura, etc.
Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100-800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.
This edited volume focuses on the funerary archaeology of the Pan-Andean area in the pre-Hispanic period. The contributors examine the treatment of the dead and provide an understanding of how these ancient groups coped with mortality, as well as the ways in which they strove to overcome the effects of death. The contributors also present previously unpublished discoveries and employ a range of academic and analytical approaches that have rarely - if ever - been utilised in South America before. The book covers the Formative Period to the end of the Inca Empire, and the chapters together comprise a state-of-the-art summary of all the best research on Andean funerary archaeology currently being carried out around the globe.
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.
Moche civilization flourished on the north coast of Peru between approximately AD 100 and 800. Although the Moche had no writing system, they left a vivid artistic record of their beliefs and activities in beautifully modeled and painted ceramic vessels, remarkable objects of gold, silver, and copper, sumptuous textiles, and carved and inlaid bone, wood, and stone. Tens of thousands of these objects can be seen today in museums and private collections throughout the world. Unfortunately, nearly all of them have been looted from Moche tombs by grave robbers, and thus there is no record of the grave, or the archaeological site, or even the valley from which they came. This lack of information severely limits what could have been learned about the Moche if the graves had been excavated archaeologically and their contents systematically recorded. This study focuses on five extraordinary Moche tombs that were archaeologically excavated at the site of Dos Cabezas. The tombs are remarkable not only for the wealth of objects they contained but also because we know how the tombs were constructed, how they relate to one another both spatially and temporally, and what individuals they contained. The tombs provide an unusual opportunity to understand aspects of Moche funerary practice that are lost when tombs are looted, and to appreciate the extraordinary artistic and technological sophistication of this ancient Peruvian civilization.
Archaeologists working in the Moche Valley of Peru have uncovered a number of tombs representing various cultures that flourished there prior to European contact. This book provides a full description of 103 such burials, spanning a period of more than 3,500 years. Each burial is documented with an accurate illustration of every artifact found, as well as details on the location, matrix, and construction of the graves, the individuals in the graves, and the placement of all the associated goods. This information constitutes an important resource for solving problems of ceramic chronology and style change. Age and sex data given for the burials will also enable scholars to establish status differences that existed in the pre-Columbian past. Finally, the authors have compared their sample with all the north coast burials previously reported, showing how their findings may be used to ascertain similarities and differences throughout the highland Andean region. Ancient Burial Patterns of the Moche Valley, Peru is the first diachronic study of burial practices for any Andean region. It not only demonstrates changes in funerary practices in the area but also provides insight into the nature of local cultural development. It will be useful to specialists in Andean and New World archaeology as well as to collectors of pre-Columbian art.
In this book leading experts uncover and discuss archaeological topics and themes surrounding the long-term trajectory of camelid (llama and alpaca) pastoralism in the Andean highlands of South America. The chapters open up these studies to a wider world by exploring the themes of intensification of herding over time, animal-human relationships, and social transformations, as well as navigating four areas of recent research: the origins of domesticated camelids, variation in the development of pastoralist traditions, ritual and animal sacrifice, and social interaction through caravans. Andeanists and pastoral scholars alike will find this comprehensive work an invaluable contribution to their library and studies.
The Moche, or Mochica, created an extraordinary civilization on the north coast of Peru for most of the first millennium AD. Although they had no written language with which to record their history and beliefs, the Moche built enormous ceremonial edifices and embellished them with mural paintings depicting supernatural figures and rituals. Highly skilled Moche artisans crafted remarkable ceramic vessels, which they painted with figures and scenes or modeled like sculpture, and mastered metallurgy in gold, silver, and copper to make impressive symbolic ornaments. They also wove textiles that were complex in execution and design. A senior scholar renowned for her discoveries about the Moche, Elizabeth P. Benson published the first English-language monograph on the subject in 1972. Now in this volume, she draws on decades of knowledge, as well as the findings of other researchers, to offer a grand overview of all that is currently known about the Moche. Touching on all significant aspects of Moche culture, she covers such topics as their worldview and ritual life, ceremonial architecture and murals, art and craft, supernatural beings, government and warfare, and burial and the afterlife. She demonstrates that the Moche expressed, with symbolic language in metal and clay, what cultures in other parts of the world presented in writing. Indeed, Benson asserts that the accomplishments of the Moche are comparable to those of their Mesoamerica contemporaries, the Maya, which makes them one of the most advanced civilizations of pre-Columbian America.
This volume gathers papers written by archaeologists utilising the methods of historical materialism, attesting not only to what Marxism has contributed to archaeology, but also to what archaeology has contributed, and can contribute, to Marxism as a method for interpreting the history of humanity. The book’s contributors consider the question of what archaeology can contribute to a historical perspective on the overcoming of present-day capitalism, synthesising developments in world archaeology, and supplying concrete case studies of the archaeology of the Americas, Europe and the Near East. Contributors are: Guillermo Acosta Ochoa, Marcus Bajema, Bernardo Gandulla, Alex Gonzales-Panta, Pablo Jaruf, Vicente Lull, Savas Michael-Matsas, Rafael Micó, Ianir Milevski, Patricia Pérez Martínez, Cristina Rihuete Herrada, Roberto Risch, Steve Roskams, Henry Tantaleán, Marcelo Vitores, and LouAnn Wurst.