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From the time of John Milton to that of William Blake, the literature of Britain absorbed the impact of two major military developments. In the early modern era, the military revolution strove to establish permanent armies under state discipline and, in England, the resistance to this development exhibited in the controversy over standing armies. In this penetrating and highly original study, Gordon demonstrates that military debate, encouraged by Britain's semi-secure insular situation, had a remarkable impact on the British imagination and its narratives. Affected were structure and closure; character evaluation; heroic and mock-heroic styles; attitudes toward love and marriage; and the roles of locality and environment in the shaping of the national and personal character. More remarkable still, these effects signaled the emergence of a civilian consciousness that still influences our literary preference and expectations.
"Daddy's Arms," tells the story of a young boy's imagination as he plays with his dad. Inspired by the real-life everyday fun had by the author and his son.
Escape with a disaffected young sculptor from a desert dystopia to “heaven,” a blue ocean realm ruled by a perverse, tentacled god with a mysterious purpose. Your trust may be outraged, but dive deeper and you’ll uncover clues to the creative sea change in our ideals that could redeem a desolate world.
A dramatic comedy combines high comedy with social commentary in deflating misconceptions about love and warfare.
In this new and expanded edition of an already classic work, H. Bruce Franklin brings the epic story of the superweapon and the American imagination into the ominous twenty-first century, demonstrating its continuing importance both to comprehending our current predicament and to finding ways to escape from it. Sweeping through two centuries of American culture and military history, Franklin traces the evolution of superweapons from Robert Fulton's eighteenth-century submarine through the strategic bomber, atomic bomb, and Star Wars to a twenty-first century dominated by "weapons of mass destruction," real and imagined. Interweaving culture, science, technology, and history, he shows how and why the American pursuit of the ultimate defensive weapon -- guaranteed to end all war and bring universal triumph to American ideals -- has led our nation and the world into an epoch of terror and endless war.
A New York Times Best Illustrated Children's Book of the Year. In Arm in Arm, Remy Charlip, the great children’s book author and illustrator, is at his most playful, his zaniest, funniest, and cleverest. He rewrites the rules of riddles, tongue twisters, puns, and performance-based play, or rather, throws all rules out the window. Some pages require turning the book completely around, 360 degrees. A magnifying glass may also be useful. It is a book for kids of all ages.
The story of how a lunatic fringe science project became favored by Rumsfeld's Pentagon.
The book's first three chapters-by Sheehan and Robertson; Wagstaff; Council, Kirsch, and Grant - conclude that three different factors turn imagination into hypnosis. The next three chapters-by Lynn, Neufeld, Green, Rhue, and Sandberg; Rader, Kunzendorf, and Carrabino; and Barrett-explore the hypnotic and the clinical significance of absorption in imagination. Three subsequent chapters-by Coe; Gwynn and Spanos; and Gorassini-examine the role of compliance and imagination in various hypnotic phenomena. Pursuing the possibility that some hypnotic hallucinations are experienced differently from normal images, the following two chapters-by Perlini, Spanos, and Jones; and Kunzendorf and Boisvert-focus on negative hallucinating, which reportedly "blocks out" perceptual reality. The remaining three chapters-by Wallace and Turosky; Crawford; and Persinger-pursue other physiological differences, and possible physiological connections, between hypnosis and imagination.
How can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today? This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings. This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.