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Trench art is the evocative but misleading name given to a dazzling array of objects associated mainly with the First World War and the inter-war years (191439). Many items are recycled battlefield debris, notably artillery shell cases, often decorated with Art Nouveau motifs. Other objects, made from bullets and shrapnel, include letter-openers, cigarette lighters, enigmatic crucifixes, and artful miniature aeroplanes and tanks. Equally ingenious are talismanic and 'sweetheart' jewellery, embroideries, and items carved from stone, bone and wood. This book describes the different types of trench art, the techniques used to make them, and their historical and personal values to the soldiers, prisoners-of-war and families who made and bought them. Long ignored, trench art reveals a lost world of the Great War and its aftermath.
This 1999 reference grammar, written for advanced students of French, their teachers, and others who want a better understanding of the French language, combines the best of modern and traditional approaches. Its objective is not only practical mastery of the language, but familiarity with its structure. Taking into account modern linguistic research, Advanced French Grammar approaches the French language primarily through the study of syntactic structures, but without excessive emphasis on formalism. It provides a generous number of examples, based on the author's own experience of teaching French to English-speakers, to help the student to understand the different meanings of apparently similar syntactic alternatives. The norms of 'correct expression' are given together with current usage and deviations, and appendixes provide information on the 1990 spelling reforms and on numbers. A substantial index of French and English words and of topics provides easy access to the text itself.