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'. . . the more honourable animals have been allotted a more honourable soul. . . ' What is the nature of the soul? It is this question that Aristotle sought to answer in De Anima (On the Soul). In doing so he offers a psychological theory that encompasses not only human beings but all living beings. Its basic thesis, that the soul is the form of an organic body, sets it in sharp contrast with both Pre-Socratic physicalism and Platonic dualism. On the Soul contains Aristotle's definition of the soul, and his explanations of nutrition, perception, cognition, and animal self-motion. The general theory in De Anima is augmented in the shorter works of Parva Naturalia, which deal with perception, memory and recollection, sleep and dreams, longevity, life-cycles, and psycho-physiology. This new translation brings together all of Aristotle's extant and complementary psychological works, and adds as a supplement ancient testimony concerning his lost writings dealing with the soul. The introduction by Fred D. Miller, Jr. explains the central place of the soul in Aristotle's natural science, the unifying themes of his psychological theory, and his continuing relevance for modern philosophy and psychology.
Divides Aristotle's concept of lexis into three interconnected levels, exposing numerous valuable statements on language and style.
Originally published in 1973. Aristotle’s early works probably belong to the formative era of his philosophic thought and as such contribute vitally to the understanding and evaluation of the development of his philosophy. This book shows that the philosophy propagated in these lost works indicates an undeniable Platonism, and thus seems to conflict with the basic doctrines in the traditional treatises collected in the Corpus Aristotelicum. Was the author of the lost early works and the later preserved treatises one and the same person, or were some of these treatises written by members of the Early Peripatus? This, the second of two volumes, discusses in detail certain decisive aspects of Aristotle’s early works. Fascinating hypotheses and conjectures put forward here provoke discussion and further investigation in the ‘Aristotelian Problem’.
Originally published in 1973. The predominantly historical approach in this book heralds a belief that a better understanding of Aristotle the man, and the salient events of his life, leads to a greater insight into his work as a philosopher. This, the first of two volumes, presents interpretations of Aristotle’s life, widely interesting to any Aristotle scholars.
Edited by Richard McKeon, with an introduction by C.D.C. Reeve Preserved by Arabic mathematicians and canonized by Christian scholars, Aristotle’s works have shaped Western thought, science, and religion for nearly two thousand years. Richard McKeon’s The Basic Works of Aristotle—constituted out of the definitive Oxford translation and in print as a Random House hardcover for sixty years—has long been considered the best available one-volume Aristotle. Appearing in ebook at long last, this edition includes selections from the Organon, On the Heavens, The Short Physical Treatises, Rhetoric, among others, and On the Soul, On Generation and Corruption, Physics, Metaphysics, Nicomachean Ethics, Politics, and Poetics in their entirety.
This book articulates a new approach to Aristotle's lost works by providing a reassessment and new methodological explorations of the fragments. The individual essays use the fragments as tools of interpretation, shed new light on different areas
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."