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Interview by Louise Neri and Edited by Diego Cortez '...delivers of the private moments and personal signifiers of the professional snowboarder's life with the inventiveness of a freestyler and the silent stillness of a mountain's virgin snow' - Paper magazine Following the seasons to keep up with the 21st century's newest tribe of nomads, Marcopoulous here captures the snowboarding lifestyle, from the excitement and awesome tricks to the injuries and bad-weather boredom. With 230 full-colour photos.
Edited and with Text by Stephanie Cannizzo.
Expressing the immediacy And The continuity of Ari Marcopoulos's work, Directory is a 1200 page volume composed of approximately 1200 black and white photographs from throughout his near-30 year career. Marcopoulos's prints, which he often creates with a standard black and white copy machine, appear in this limited edition tome that is printed on an uncoated newsprint and bound to mimic a phonebook. Curator and critic Neville Wakefield provides insightful commentary on Marcopoulos's singular images. Each book in this limited edition includes a photocopied print signed by the artist. For three decades, Marcopoulos has been documenting not only contemporary subcultures, including skateboarders and graffiti artists, but also celebrities, landscapes, and his own family and friends. Since his days printing photographs For The Warhol Factory, he has amassed a huge body of work marked by its unsentimental and arresting intimacy. He is known not only for his work as a fine photographer, but is also is well respected in the world of fashion, advertising, and celebrity portraiture. Directory presents a collection of Marcopoulos's photographs that span his career, The bulk of which were taken during the late 2000s.
Amsterdam-born photographer and filmmaker Ari Marcopoulos (1957) has become a familiar name to skaters and rockers, as well as to artists and international scenesters. Ad Rock is a concise portrait of Adam Horovitz from the Beastie Boys, filled with years of photographs of the musician at work, with his friends and at home. Following Marcopoulos' study of the internationally renowned snowboarder, Terje Haakonsen, it is the second in a series of portrait books that features subjects up close and unguarded, simply living their lives. Ari Marcopoulos has work in the current international traveling exhibition Beautiful Losers, and recently had solo exhibitions at the Yerba Buena Center for the Arts in California and P.S.1 in New York. His photographs are regularly featured in The New York Times Magazine.
Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a crowd of New York skateboarders ten years his junior, "There was just something in his personality that said, 'Hey man, it's cool.'" It shows. Marcopoulos's self-taught snapshot style brings his subjects in close, and captures, without sentimentality or voyeurism, the intimate feeling of their daily life. Here he focuses on the subculture that is his own family. Even the President of the United States Sometimes Has Got to Stand Naked is a journal-like collection of images of the accidents and pleasures of "normal" life, full of the artist's loved ones, of landscapes and of American social reality.
Air travel has informed Ari Marcopoulos' life more than most. Beyond a necessary mode of transport, the passenger plane has proved something of quiet point of obsession for the Amsterdam-born, New York-based photographer and filmmaker. Before moving to New York in 1980 - where Marcopoulos would carve out a career defined by his raw and intimate renderings of some of America's most significant subcultural protagonists - he spent much of his childhood flying with his father, a commercial airline pilot. A conversation with Marcopoulos reveals a fascination that still burns. He recalls wandering the tarmac, studying the underside of the wings and fuselage; he remembers riding in the cockpit on an overbooked flight en-route to a Euro Cup final; he flaunts an almost encyclopaedic knowledge of new, old and mothballed commercial airplanes - the Lockheed Super Constellation, Douglas DC-8 Stretch and the Boeing 737-MAX among them. Boarding Pass, Marcopoulos' new book for Nieves and Perimeter Editions, takes this experience of flight, and the machines that make it possible, as its defining motifs. Photographed over the last year while in transit, the characteristically intuitive, off-the-cuff images that populate this volume offer countless vantages - near and far - of airplanes on the tarmac or in flight, rerouting our gaze from the pragmatic and economic towards the poetic. Here, Marcopoulos appeals to the notion that flying - for all its supposed monotony - is still something close to a miracle. -Publisher's website.
Photographer Ari Marcopoulos' newest publication takes an in-depth look into the studio process of American artist and filmmaker Matthew Barney. Shot over four years, Fumes depicts the activity within Barney's Long Island City studio from 2011 to 2014. Marcopoulos documented the day-to-day activity in the workspace, from the digging of an Egyptian death chamber to the flooding during Hurricane Irene, to the ongoing preparation for Barney's 2014 film epic River of Fundament: "I got sucked into taking photographs of the people working on the various projects, more and more it felt almost like a performance." The publication is comprised of black-and-white and full-color spreads showing workers transporting, molding and fusing toxic materials, interwoven with an array of intricate pictorial montages, mirroring those of a negative. Marcopoulos captures the human figure at work, in motion, pursuing life in its most ordinary moments in order to create something extraordinary.
The early '90s, considered the golden age of hip-hop, saw the release of the Beastie Boys' groundbreaking and hugely popular LPs, 'Check Your Head' and 'Ill Communication'. Beginning in 1991 and continuing through 1996, photographer and filmmaker Marcopoulos was both onstage and behind the scenes, capturing Mike D, MCA and the King Ad Rock with captivating never-before-published fly-on-the-wall photos of the three emcees at work and at play during these pivotal years. Illustrated with 161 b/w and 6 full-colour photos.
Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban portrait comes to light, as if Marcopoulos was scanning the area through his camera lens. The entire series remains unedited in the layout of the book, presenting an accurate reflection of a district that still preserves the memory of decades of resistance to state repression.
Go to Hell or Atlanta, Whichever Comes First is a special printed project created by the celebrated American artist Kara Walker in collaboration with Ari Marcopoulos.The project, which comprises a twenty-four-page booklet with an accordion cover, was produced to accompany Walker's first exhibition at Victoria Miro, London, in autumn 2015.The project documents a trip by the artist and Marcopoulos to Stone Mountain in Georgia. The main tourist attraction there is a large stone mountain into which has been carved a monument to three Confederate generals.Consecrated in the 1970s, the monument, and hence the mountain itself, is thus a contentious symbol of white supremacy and the struggle for race equality in the South and beyond.Featuring a newly commissioned text from James Hannaham and a conversation between Walker and Marcopoulos, the project presents photographic documentation along with a selection of the powerful drawings and paintings produced by Walker during and following her trip.