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A collection of 12 of Brite's peculiarly creepy short works, including "Self-Made Man."
Tales of “fearlessly offbeat” horror from the author of Lost Souls and Exquisite Corpse (Locus). Poppy Z. Brite, an acclaimed horror fan favorite, is known for going to the edge and back—and this collection of stories, many set against the backdrop of the author’s native New Orleans, explores the outermost regions of murder, sex, death, and religion. Featuring titles such as “In Vermis Veritas,” “Entertaining Mr. Orton,” and “Mussolini and the Axeman’s Jazz,” as well as collaborations with Christa Faust and David Ferguson, this volume also offers notes on each story by the author, an introduction by #1 NewYork Times–bestselling author Peter Straub, and an afterword by Caitlín R. Kiernan. Are You Loathsome Tonight? is an edgy, gruesome tour of “the darkness at the heart of things [with] a number of superb stories, powerful in style and characters” (Locus).
Available for the first time as an ebook pairing, these two short stories were specifically chosen by the author Poppy Z. Brite and her fans as favorite examples of her work. Mussolini and the Axeman's Jazz is a thrilling mix off historical fact and fiction surrounding Freemasons, WWI, and New Orleans’ only verified serial killer, the Axeman. Are You Loathsome Tonight? showcases the author’s dark, unique take on the man and the myth that was Elvis Presley.
Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. “A major new voice in horror fiction . . . an electric style and no shortage of nerve.”—Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds—Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes—are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.”—Science Fiction Chronicle
From the acclaimed author of Lost Souls, Drawing Blood, and Wormwood comes the provocative and thrilling serial killer novel that #1 New York Times bestselling author Peter Straub calls “a guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the ambition of bringing his art to new heights. Tortured by his own perverse desires and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his own art to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of New Orleans’s French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. With “intelligence, sweep, nerve, knowledge, and deeply unsettling erotic power” (Dennis Cooper, author of Frisk), Exquisite Corpse is a novel for those who dare trespass where the sacred and profane become one.
Poppy Z. Brite re-imagines the haunted house novel, creating a fresh, sensual, and totally original reading experience. IT'S A PASSION. IT'S AN ART. IT'S THE ONLY WAY OUT. . . In the house on Violin Road he found the bodies of his brother, his mother, and the man who killed them both—his father. From the house on Violin Road, in Missing Mile, North Carolina, Trevor McGee ran for his sanity and his soul, after his famous cartoonist father had exploded inexplicably into murder and suicide. Now Trevor is back. In the company of a New Orleans computer hacker on the run from the law, Trevor has returned to face the ghosts that still live on Violin Road, to find the demons that drove his father to murder his family—and worse, to spare one of his sons. . . . But as Trevor begins to draw his own cartoon strip, he loses himself in a haze of lines and art and thoughts of the past, the haunting begins. Trevor and his lover plunge into a cyber-maze of cartoons, ghosts, and terror that will lead either to understanding—true understanding—or to a blood-raining repetition of the past. . . . Praise for Drawing Blood “Electrifying . . . explosive lyricism . . . [a] soul-sucking antagonist . . . rich background descriptions. That there is a Brite future never doubt.”—Kirkus Reviews “Exotica . . . disaffected youth . . . a spicy gumbo of sub-cultural hipness simmered in a cauldron of modern horror fiction.”—Fangoria “Darker and more exotic than Anne Rice, more cerebral than Stephen King . . . Horror is rarely this good.”—Echo
hese two short novels bookend Poppy Z. Brite's cheerfully chaotic series starring two chefs in New Orleans. The Value of X introduces G-man and Rickey, who grew up in New Orleans' Lower Ninth Ward and who are slowly realizing there are only two important things in life: cooking and each other. Rickey's parents aren't quite so taken with the boy's plans and get him an impossible-to-resist place at the Culinary Institute of America. In D*U*C*K, Rickey and G-man's restaurant, Liquor, is doing well but there are the usual complications of running a kitchen: egos get bruised, people get fired . . . and then Rickey is jumped in an alley by one of their ex-waiters. On the mend, Rickey takes a side job to cater the annual Ducks Unlimited banquet, where every course must, of course, include the ducks the hunters have bagged. Rickey's crew are ready to meet the challenge, but Rickey's not sure he can do it all and deal with the guest of honor--his childhood hero, former New Orleans Saints quarterback Bobby Hebert. "Fun foodie fiction, and readers will scarf it down as quickly as a plate of blackened crawfish."--Publishers Weekly Originally published in limited hardcover editions, these two novels are full of the pure joy of love, hard work, and great food and are a tremendous extension (or introduction) to Brite's series. Praise fo the Rickey and G-man stories: "A high-end restaurant is...a gift that keeps on giving. The heat, the bickerings and intrigue, the pursuit of perfection, the dodgy money keeping it all afloate: the setting spawns plots...Can the [Liquor] franchise sustain itself? The answer is yes."--New York Times "World-class satire and perfect New Orleans lit."--Andrei Codrescu "Steeped in spicy dialogue and [New Orleans] flavor...a behind-the-swinging-door peek into the world of chefs."--Entertainment Weekly Poppy Z. Brite's fiction set in the New Orleans restaurant world includes Prime, Liquor, and Soul Kitchen. She has also published five other novels and three short story collections. She lives with her husband Chris, a chef, in New Orleans.
Be warned. If you found Love in Vein too disturbingly dark, too exquisitely explicit, too deliciously erotic in the secrets it revealed -- you're going to adore Love in Vein II. Poppy Z. Brite has done it again with a provocative new collection even more dangerously seductive, more boldly erotic than her first. It is not for everyone. But it may be what you need.
The incredible story of one of rock's most controversial stars, featuring excerpts from her letters and journals, interviews with friends speaking openly for the first time, and dozens of revealing, candid photos.
"Atediuvian tales contains five stories of the Stubbs family, the New Orleans clan who adventures Brite has chronicled in her popular Liquor novels and other works. Two more stories revisit the author's fictious alter ego Dr. Brite, the coroner of New Orleans. Completing the book is "The last good of my life," a nonfiction look at the changes the past two years have wroght on Brite, filtered through a reminiscence about a day she spent knocking around Cairns, Australia" -- inside cover.