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Based on the true story of the murder of Thomas Arden by his wife, her lover and accomplices in 1551, Arden of Faversham is one of the earliest domestic tragedies and a play which has continued to thrill audiences since its first staging. This comprehensive edition situates the play in its social, cultural and political context while exploring its performance and critical history through a range of historical and contemporary productions, including William Poel's Lilies That Fester (1897) and the Royal Shakespeare Company's 2014 production. Throughout, the edition aims to reanimate the play's engagement with the material culture of domestic life, using little-known evidence for the objects and spaces implicated in the murder. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The comprehensive, illustrated introduction combined with detailed on-page commentary notes and glosses make this an ideal edition for students and teachers.
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
"And while other forms of public literature provided blueprints for ordering the household, domestic tragedies continued to reveal the tensions lying under the surface there: inconsistencies in the prescribed role of women, contradictions within patriarchal ideology, conflicts between political and economic interests in the household, inadequacies in the old ideals of friendship and benefice, and anxieties about the control of material possessions."--BOOK JACKET.
"On This Day in Tudor History" gives a day-by-day look at events from the Tudor era, including births, deaths, baptisms, marriages, battles, arrests, executions and more. This must-have book for Tudor history lovers is perfect for: - Dipping into daily over your morning coffee - Using in the classroom - Trivia nights and quizzes - Finding out what happened on your birthday or special day - Wowing friends and family with your Tudor history knowledge - Researching the Tudor period Written by best-selling Tudor history author Claire Ridgway, "On This Day in Tudor History" contains a wealth of information about your favourite Tudor monarchs, their subjects and the times they lived in. Did you know: on 17th January 1569 Agnes Bowker gave birth to a cat?
The Classical Monologue in two volumes, one for men and one for women, is a fresh selection of the best speeches from the repertoire of the classical theatre, from the Greeks to the beginning of the 20th century. These great dramatic monologues--from all periods and styles, all varied in tone and genre--make an indispensable actor's companion for auditioning, rehearsing and performing. Each monologue is accompanied by textual notes explaining any unusual vocabulary or syntax, and by commentary in which the editors offer interpretative points and practical advice in preparing the speech for performance. Both beginners and experienced actors will find TheClassical Monologue a treasury of theatrical riches waiting to be released on stage.
One of the central assumptions of established Shakespeare scholarship has been that the playwright produced flawless work needing no revision--that if a text was inferior in style, it could be assumed that Shakespeare did not write it. Thus Shakespeare had nothing to do with the "bad" quartos; these were instead the work of "memorial reconstruction," in which actors remembered and subsequently wrote down entire texts composed by others. In this controversial book, Eric Sams suggests that there is no evidence to substantiate memorial reconstruction, that Shakespeare very probably revised his plays repeatedly, and that he may therefore be the author of the "bad" quartos and of other works not attributed to him. Drawing on testimony from Shakespeare's contemporaries and on documents concerning his family, Sams presents a vivid biographical picture of the first thirty years of the playwright's life. He establishes that Shakespeare's origins were humble: his parents were illiterate Catholics and the family trade was farming and animal husbandry. During this period Shakespeare acquired some knowledge of legal practice, served as the legal hand in an attorney's office, married, and moved to London to join a theatre company and to establish a career as an actor and playwright. Sams traces the impact of Shakespeare's upbringing in the plays themselves--not only those of the Folio edition but others, including the "bad" quartos. He finds that these texts are filled with figurative language that would have been gleaned from a rural upbringing and legal experience. Using detailed textual analysis, he argues compellingly that during these early "lost" years, Shakespeare was in fact writing first versions of his later great works.