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For over five hundred years the Russians wondered what kind of people their Arctic and sub-Arctic subjects were. "They have mouths between their shoulders and eyes in their chests," reported a fifteenth-century tale. "They rove around, live of their own free will, and beat the Russian people," complained a seventeenth-century Cossack. "Their actions are exceedingly rude. They do not take off their hats and do not bow to each other," huffed an eighteenth-century scholar. They are "children of nature" and "guardians of ecological balance," rhapsodized early nineteenth-century and late twentieth-century romantics. Even the Bolsheviks, who categorized the circumpolar foragers as "authentic proletarians," were repeatedly puzzled by the "peoples from the late Neolithic period who, by virtue of their extreme backwardness, cannot keep up either economically or culturally with the furious speed of the emerging socialist society."Whether described as brutes, aliens, or endangered indigenous populations, the so-called small peoples of the north have consistently remained a point of contrast for speculations on Russian identity and a convenient testing ground for policies and images that grew out of these speculations. In Arctic Mirrors, a vividly rendered history of circumpolar peoples in the Russian empire and the Russian mind, Yuri Slezkine offers the first in-depth interpretation of this relationship. No other book in any language links the history of a colonized non-Russian people to the full sweep of Russian intellectual and cultural history. Enhancing his account with vintage prints and photographs, Slezkine reenacts the procession of Russian fur traders, missionaries, tsarist bureaucrats, radical intellectuals, professional ethnographers, and commissars who struggled to reform and conceptualize this most "alien" of their subject populations.Slezkine reconstructs from a vast range of sources the successive official policies and prevailing attitudes toward the northern peoples, interweaving the resonant narratives of Russian and indigenous contemporaries with the extravagant images of popular Russian fiction. As he examines the many ironies and ambivalences involved in successive Russian attempts to overcome northern—and hence their own—otherness, Slezkine explores the wider issues of ethnic identity, cultural change, nationalist rhetoric, and not-so European colonialism.
Provides an all-encompassing look at the history of Russia, Central Asia, and Mongolia Beginning with the breakup of the Mongol Empire in the mid-thirteenth century, Volume II of this comprehensive work covers the remarkable history of “Inner Eurasia,” from 1260 up to modern times, completing the story begun in Volume I. Volume II describes how agriculture spread through Inner Eurasia, providing the foundations for new agricultural states, including the Russian Empire. It focuses on the idea of “mobilization”—the distinctive ways in which elite groups mobilized resources from their populations, and how those methods were shaped by the region’s distinctive ecology, which differed greatly from that of “Outer Eurasia,” the southern half of Eurasia and the part of Eurasia most studied by historians. This work also examines how fossil fuels created a bonanza of energy that helped shape the history of the Communist world during much of the twentieth century. Filled with figures, maps, and tables to help give readers a fuller understanding of what has transpired over 750 years in this distinctive world region, A History of Russia, Central Asia and Mongolia: Volume II: Inner Eurasia from the Mongol Empire to Today, 1260-2000 is a magisterial but accessible account of this area’s past, that will offer readers new insights into the history of an often misunderstood part of the world. Situates the histories of Russia, Central Asia, and Mongolia within the larger narrative of world history Concentrates on the idea of Inner Eurasia as a coherent ecological and geographical zone Focuses on the powerful ways in which the region’s geography shaped its history Places great emphasis on how “mobilization” played a major part in the development of the regions Offers a distinctive interpretation of modernity that highlights the importance of fossil fuels Offers new ways of understanding the Soviet era A History of Russia, Central Asia and Mongolia: Volume II is an ideal book for general audiences and for use in undergraduate and graduate courses in world history. The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.
Photographer Paul Souders considered himself a lucky guy. He traveled the world and got paid to take pictures. Yet at age fifty he seemed an unlikely explorer. Recently married, he was leading a generally contented life as an urban homebody, ending most days with a cold martini and a home-cooked meal. So how did he find himself alone aboard a tiny boat, enduring bad weather and worse cooking, while struggling to find his way across more than a thousand miles of of Hudson Bay? It was all for a picture. He dreamed of photographing the Arctic’s most iconic animal, the polar bear, in its natural habitat. It was a seemingly simple plan: Haul a 22-foot fishing boat northeast a few thousand miles, launch, and shoot the perfect polar bear photo. After an inauspicious start and endless days spent driving to the end of northern Canada’s road system, he backed his C-Dory, C-Sick, into a small tributary of Hudson Bay. Battered by winds and plagued by questionable navigation, Paul slowly motored C-Sick north in the hopes of finding the melting summer ice that should be home to more than a thousand polar bears. He struggled along for weeks, grounding on rocks, hiding from storms, and stopping in isolated Inuit villages, until finally, he found the ice and the world was transformed. The ice had brought hundreds of walrus into the bay and dozens of polar bears arrived to hunt and feed. For a few magical days, he was surrounded by incredible wildlife photo ops . He was hooked. A hilarious and evocative misadventure, Arctic Solitaire shares Paul Souders exploits across four summers, six hundred miles of a vast inland sea, and the unpredictable Arctic wilderness—and also offers an insightful look at what compels a person to embark on adventure. The accompanying images of the landscape, people, and wildlife of the remote Hudson Bay region are, in a word, stunning.
The astonishing and impressive first collection of short stories from New York Times bestselling author Neil Gaiman An elderly widow finds the Holy Grail beneath an old fur coat in a second-hand store . . . A stray cat fights and refights a nightly battle to protect his adoptive family from an unimagiable evil . . . A young couple receives a wedding gift that will reveal a chilling alternate history of their marriage . . . Beneath a bridge by the railroad tracks, a frightened little boy bargains for his life with a most persistent troll . . . Such miraculous inventions and more await within Neil Gaiman’s first collection of short fiction, a gift of wonder and delight from one of the most unique literary artists of our day. In his capable hands, magic is no mere illusion, but a powerful means to reveal the nature of our humanity obscured in the smoke of our fears and anxieties . . . and reflected in the funhouse mirrors of our dreams.
Was a member of the Fiala-Ziegler Expedition, 1903-1905.
Since its publication in 1993, Nations and Politics in the Soviet Successor-States edited by Ian Bremmer and Ray Taras has established itself internationally as the genuinely comprehensive, systematic and rigorous analysis of the nation- and state-building processes of the fifteen states that grew out of the 1991 collapse of the Soviet Union. New States, New Politics: Building the Post-Soviet Nations was first published in 1997 and succeeds and replaces the editors' earlier book with a fresh collection of specially commissioned studies from the world's foremost specialists. Far from eradicating tensions among the former Soviet peoples, the disintegration of empire saw national minorities rediscovering long-suppressed identities. The contributors to New States, New Politics bring together historical and ethnic backgrounds with penetrating political analysis to offer an intriguing record of the different roads to self-assertion and independence being pursued by these young nations.
Without exception, all people are faced with the inevitability of death, a stark fact that has immeasurably shaped societies and individual consciousness for the whole of human history. Mirrors of Passing offers a powerful window into this oldest of human preoccupations by investigating the interrelationships of death, materiality, and temporality across far-flung times and places. Stretching as far back as Ancient Egypt and Greece and moving through present-day locales as diverse as Western Europe, Central Asia, and the Arctic, each of the richly illustrated essays collected here draw on a range of disciplinary insights to explore some of the most fundamental, universal questions that confront us.
Stretching from the tributaries of the Danube to the Urals and from the Russian forests to the Black and Caspian seas, the vast European steppe has for centuries played very different roles in the Russian imagination. To the Grand Princes of Kiev and Muscovy, it was the "wild field," a region inhabited by nomadic Turko-Mongolic peoples who repeatedly threatened the fragile Slavic settlements to the north. For the emperors and empresses of imperial Russia, it was a land of boundless economic promise and a marker of national cultural prowess. By the mid-nineteenth century the steppe, once so alien and threatening, had emerged as an essential, if complicated, symbol of Russia itself.Traversing a thousand years of the region's history, Willard Sunderland recounts the complex process of Russian expansion and colonization, stressing the way outsider settlement at once created the steppe as a region of empire and was itself constantly changing. The story is populated by a colorful array of administrators, Cossack adventurers, Orthodox missionaries, geographers, foreign entrepreneurs, peasants, and (by the late nineteenth century) tourists and conservationists. Sunderland's approach to history is comparative throughout, and his comparisons of the steppe with the North American case are especially telling.Taming the Wild Field eloquently expresses concern with the fate of the world's great grasslands, and the book ends at the beginning of the twentieth century with the initiation of a conservation movement in Russia by those appalled at the high environmental cost of expansion.
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous 'Peoples of the North' in Soviet cinema and television evolved between 1920 and 1980. Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (1961 & 1975), Tymancha's Friend (1969) and The Most Beautiful Ships (1972), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasises the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikunova, and Iurii Rytkheu. In doing so, Damiens emphasises the multifaceted nature of film, where interpretations differ based on the perspectives of those involved. Using a decolonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centring indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.
Rising from the Ashes explores continuing Native American political, social, and cultural survival and resilience with a focus on the life of Numiipuu (Nez Perce) anthropologist Archie M. Phinney. He lived through tumultuous times as the Bureau of Indian Affairs implemented the Indian Reorganization Act, and he built a successful career as an indigenous nationalist, promoting strong, independent American Indian nations. Rising from the Ashes analyzes concepts of indigenous nationalism and notions of American Indian citizenship before and after tribes found themselves within the boundaries of the United States. Collaborators provide significant contributions to studies of Numiipuu memory, land, loss, and language; Numiipuu, Palus, and Cayuse survival, peoplehood, and spirituality during nineteenth-century U.S. expansion and federal incarceration; Phinney and his dedication to education, indigenous rights, responsibilities, and sovereign Native Nations; American Indian citizenship before U.S. domination and now; the Jicarilla Apaches’ self-actuated corporate model; and Native nation-building among the Numiipuu and other Pacific Northwestern tribal nations. Anchoring the collection is a twenty-first-century analysis of American Indian decolonization, sovereignty, and tribal responsibilities and responses.