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More than just a stunning book on radical design, this is also an affectionate yet serious look at what's happening in Los Angeles--America's laboratory for new ideas in architecture and interior design. 200 full-color photographs.
Through an in-depth exploration of 9 projects ranging from retail to residential design, Standard highlights the practice of Los Angeles-based interdisciplinary studio Standard while it deconstructs traditional conceptions of interior and exterior space. By honing in on the malleability of the storefront and its transformative role across varying sectors of architecture and design, Standard presents an alternative understanding of the facade. The public/private divide becomes permeable, and cultural narratives can be written from the inside out - flowing from fundamental elements like space and light to the contextual meaning of place. In Standard's world, transitional spaces such as doors, windows, and openings come to define and bring meaning to our collective experience of place. From nooks like Hidden House and Kayne Griffin Corcoran that escape their immediate surroundings to the hybrid retail-gallery venues such as the Helmut Lang Concept Store and Maxfield Gallery in West Hollywood, Standard unveils the studio's unique philosophy in action. Across all of Standard's work is the feeling of osmosis through space and time: where old sites bleed into new structures, and apparently contrasting elements of urban life are artfully exposed to one other, re-producing themselves in the process. The result is a sophisticated rendering of place that is at once as intimate as it is accessible, and as nuanced as it is organic. Standard is the partnership of Jeffrey Allsbrook and Silvia Kuhle, two Los Angeles-based architects whose combined practice stems from a research-based and collaborative approach to architecture, interiors, and design. Standard fuses classical teachings with contemporary applications to arrive at new forms of living and working. 153 colour and b/w illustrations
The energy used to operate buildings is one of the most significant sources of greenhouse gas emissions. While it is possible to reduce emissions through climate-responsive design, many architects are not trained to do this. Filling an urgent need for a design reference in this emerging field, this book describes how to reduce building-related greenhouse gas emissions through appropriate design techniques. It presents strategies to achieve CO2 reductions, with an emphasis on control of energy flows through the building envelope and passive heating and cooling strategies. This new, revised edition is updated throughout, and includes a new chapter on building simulations.
Los Angeles is a breeding ground for adventurous experimental architects and a magnet for their high-profile clients. L.A. 2000+ assembles the best work completed in the city since 2000, offering a snapshot of the region and its architecture at the dawn of the twenty-first century. From the widely celebrated Walt Disney Concert Hall in downtown Los Angeles by ?ber-architect Frank Gehry to lesser known but equally arresting works such as Studio Pali Fekete Architects? Somis Hay Barn in Ventura County and Godfredsen-Sigal's Hustler Casino in Gardena, the picture that emerges is sometimes startling and unexpected but always impressive. The beautifully designed volume collects thirty strikingly original new buildings, designed by both as yet unheralded talents such as null.lab and predock_frane and internationally renowned architects such as Gehry, Thom Mayne of Morphosis, and Eric Owen Moss. The introductory essay by urban designer John Leighton Chase puts these works in historical and architectural context, offering a unique perspective on the opportunities and difficulties inherent in building in a region known not only for its explosive population growth but also for the artistry of its inhabitants. John Leighton Chase, the urban designer for the City of West Hollywood, is a native of Los Angeles. A former architecture critic for the San Francisco Examiner, he is a coeditor of Everyday Urbanism and the author of Glitter Stucco and Dumpster Diving.
This book offers a casual, witty, and approachable retrospective on the characters, environment, and cultural history of L.A. architecture as remembered through a series of oral history interviews with the architects conducted by Stephen Phillips alongside Wim de Wit, Christopher Alexander, and the students of the Cal Poly L.A. Metro Program in Architecture and Urban Design.
Dingbat 2.0 is the first critical study of the most ubiquitous and mundane building type in Los Angeles: the dingbat apartment. Often dismissed as ugly and unremarkable, dingbat apartments have qualities that arguably make them innovative, iconoclastic, and distinctly "L.A." For more than half a century the idiosyncratic dingbat has been largely anonymous, occasionally fetishized and often misunderstood. Praised and vilified in equal measure, dingbat apartments were a critical enabler of Los Angeles' rapid postwar urban expansion. While these apartments are known for their variety of midcentury decorated facades, less explored is the way they have contributed to a consistency of urban density achieved by few other twentieth century cities. Dingbat 2.0 integrates essays and discussions by some of today's leading architects, urbanists and cultural critics with photographic series, typological analysis, and speculative designs from around the world to propose alternate futures for Los Angeles housing and to consider how qualities of the inarguably flawed housing type can foreground many crucial issues facing global metropolises today. Dingbat 2.0 gives an often-maligned Los Angeles building type its long overdue moment in the sun, not only advancing a sophisticated typology of dingbats, but also reimagining the potential of the dingbat for the twenty-first century--at a moment when the imperative to create livable and modest affordable housing is more pressing than ever. - Ken Bernstein, Principal City Planner, Los Angeles Department of City Planning and Office of Historic Resources This book is extremely valuable for designers, particularly when one considers that architects generate species of buildings. An in-depth study of this particularly indigenous species to Los Angeles allows architects to not only become familiar with the causes and effects of the dingbat, but also the many possibilities for its future morphologies. - Jimenez Lai, founder and creator of Bureau Spectacular One of the many brilliances of this great book is the telling comparison of Le Corbusier's Villa Savoye--raised on its skinny pilotis to create an entirely ornamental void--and the dingbat--likewise lally column-upped in the air but usefully making room for cars beneath. Ever not quite modern, Corb pontificated about "machines for living" while never quite knowing what to do with their true enabler: the machine for leaving. The indelible dingbat is a sandwich of necessity and desire that bespeaks the throwaway (and getaway) modernity uniquely Made in L.A. -- Michael Sorkin, Architect, Urbanist and Author; Principal, Michael Sorkin Studio
A magnificent photographic compilation of New York City’s best new architecture, this book features projects by leading firms working today. From Bjarke Ingels Group’s VIA West 57 to SHoP Architects’ Barclays Center, and from Diller Scofidio + Renfro’s High Line to SOM’s One World Trade Center, New York City has been home to some of this century’s most exciting new architecture. Profiling more than fifty projects that are shaping the city’s streets and skylines, this book features color photographs of each building and a brief, informative text about its significance. Renzo Piano Building Workshop, Ateliers Jean Nouvel, Foster + Partners, Selldorf Architects, Gehry Partners, and Adjaye Associates are just some of the firms that have recently completed projects in New York City. Visitors to the city as well as its denizens will find this book an exhilarating guide, while fans of architecture will gain an even greater appreciation of the city’s unprecedented development in the past fifteen years by the world’s best architects.
"A Genealogy of Modern Architecture" is a reference work on modern architecture by Kenneth Frampton, one of today's leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inflected. Richly illustrated, "A Genealogy of Modern Architecture" is a new standard work in architectural education.
"Experimental Architecture in Los Angeles presents, for the first time, the recent work of twenty-two of the most innovative, creative, and challenging young architects on the West Coast of the United States. Each architect, in one way or another, is the spiritual child of Frank Gehry and of the second generation of California architects, such as Morphosis and Eric Owen Moss, who followed in his footsteps. Gehry expresses his support for this third generation of architects in his introduction to this volume." "Each architect or firm--among them Michele Saee, AKS Runo, Josh Schweitzer, Guthrie + Buresh, Koning Eizenberg, and COA--is presented in an individual chapter with lavish illustrations accompanied by a brief outline and analysis of the work. Three critical essays, each addressing a different aspect of these architects' relationship to the West Coast, and to Los Angeles in particular, make this volume an indispensable guide to the latest developments in one of architecture's most exciting centers of activity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved