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Alexander Pilis construct a sci-fi architectural event with text and images - an architect fanatic sectioning through the megapolis of São Paulo.
Architecture Parallax: The Sao Paulo Maddest About You book was curated and edited by Alexander Pilis. Since 1987 Alexander assembled especially solicited articles, hybrid architecture, art construct and urban theory exploring the unusual metropolitan condition of Sao Paulo. The first edition was published in 2006 with an installation curated by Ivo Mesquita at the Pinacoteca do Estado de Sao Paulo. 38 distinct contributors reflected and developed opinions and issues regarding the mad metropolis of Sao Paulo; Agnaldo Farias, Antoni Abad, Aziz Ab'Saber, Cristiano Mascaro, Dietmar Kamper, Guto Lacaz, Horacio Costa, Hugo Segawa, Ihor Holubizky, Israel D. Novaes, Jeanne Randolph, Joaquin Barriendos, Jorge L. Marzo, Lina B. Bardi, Lucio Costa, Luis Carlos de Menezes, Milton Machado, Nicolau Sevcenko, Norval Baitello jr., Paulo Mendes da Rocha, Eduardo Aquino and Karen Shanski, Renato S. Anelli, Roberto Loeb and Lucia Loeb, Ruth V. Zein, Suely Rolnik, Teixeira Coelho, Vilem Flusser and many others...
This two-volume set LNCS 11576 and 11577 constitutes the thoroughly refereed proceedings of the 11th International Conference on Cross-Cultural Design, CCD 2019, which was held as part of the 21st HCI International Conference, HCII 2019, in Orlando, FL, USA, in July 2019. The total of 1275 papers and 209 posters included in the 35 HCII 2019 proceedings volumes were carefully reviewed and selected from 5029 submissions. CCD 2019 includes a total of 80 papers; they were organized in topical sections named: Part I, Methods, Tools and User Experience: Cross-cultural design methods and tools; culture-based design; cross-cultural user experience; cultural differences, usability and design; aesthetics and mindfulness. Part II, Culture and Society: Cultural products; experiences and creativity; design for social change and development; cross-cultural product and service design; intercultural learning.
Structures and Architecture – Bridging the Gap and Crossing Borders contains the lectures and papers presented at the Fourth International Conference on Structures and Architecture (ICSA2019) that was held in Lisbon, Portugal, in July 2019. It also contains a multimedia device with the full texts of the lectures presented at the conference, including the 5 keynote lectures, and almost 150 selected contributions. The contributions on creative and scientific aspects in the conception and construction of structures, on advanced technologies and on complex architectural and structural applications represent a fine blend of scientific, technical and practical novelties in both fields. ICSA2019 covered all major aspects of structures and architecture, including: building envelopes/façades; comprehension of complex forms; computer and experimental methods; futuristic structures; concrete and masonry structures; educating architects and structural engineers; emerging technologies; glass structures; innovative architectural and structural design; lightweight and membrane structures; special structures; steel and composite structures; structural design challenges; tall buildings; the borderline between architecture and structural engineering; the history of the relationship between architects and structural engineers; the tectonic of architectural solutions; the use of new materials; timber structures, among others. This set of book and multimedia device is intended for a global readership of researchers and practitioners, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers and product manufacturers, and other professionals involved in the design and realization of architectural, structural and infrastructural projects.
Indexes 9 architectural journals.
Colour permeates contemporary visual and material culture and affects our senses beyond the superficial encounter by infiltrating our perceptions and memories and becoming deeply rooted in thought processes that categorise and divide along culturally constructed lines. Colour exists as a cultural as well as psycho-physical phenomenon and acquires a multitude of meanings within differing historical and cultural contexts. The contributors examine how colour becomes imbued with specific symbolic and material meanings that tint our constructions of race, gender, ideal bodies, the relationship of the self to others and of the self to technology and the built environment. By highlighting the relationship of colour across media and material culture, this volume reveals the complex interplay of cultural connotations, discursive practices and socio-psychological dynamics of colour in an international context.
A series of blind architect images produced by Alexander Pilis with three texts by Ihor Holubizky, Juan Antonio Montiel and Jeanne Randolph. The book is a critical analysis of contemporary visuality.