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Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul.
"Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul."--Provided by publisher.
Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.
This book leads the modern traveller along seven medieval pilgrim routes of Britain (those with historic origins, rather than modern constructs), taking in world-famous sites such as Canterbury and Lindisfarne in addition to out-of-the-way locations along paths not so widely travelled. Each route guides pilgrims on a journey of discovery. Illustrated throughout with photographs and colour maps, and written by a renowned expert on pilgrimage, Pilgrim Routes of the British Isles provides clear maps and informative commentary on the history of the most significant landscapes, shrines, art and architecture. Although it offers some fresh walking ideas, primary consideration is given to understanding the history, significance and practices surrounding the pilgrim routes and sites of Britain, helping you to follow in the footsteps of our forebears and gain invaluable insights into their medieval world. It will be of great interest to walkers and historians alike. Illustrated with 80 colour photos and 12 maps.
This volume sheds new light on the significance and meaning of material culture for the study of pilgrimage in the ancient world, focusing in particular on Classical and Hellenistic Greece, the Roman Empire and Late Antiquity. It thus discusses how archaeological evidence can be used to advance our understanding of ancient pilgrimage and ritual experience. The volume brings together a group of scholars who explore some of the rich archaeological evidence for sacred travel and movement, such as the material footprint of different activities undertaken by pilgrims, the spatial organization of sanctuaries and the wider catchment of pilgrimage sites, as well as the relationship between architecture, art and ritual. Contributions also tackle both methodological and theoretical issues related to the study of pilgrimage, sacred travel and other types of movement to, from and within sanctuaries through case studies stretching from the first millennium BC to the early medieval period.
In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
Phenomenologies of the City: Studies in the History and Philosophy of Architecture brings architecture and urbanism into dialogue with phenomenology. Phenomenology has informed debate about the city from social sciences to cultural studies. Within architecture, however, phenomenological inquiry has been neglecting the question of the city. Addressing this lacuna, this book suggests that the city presents not only the richest, but also the politically most urgent horizon of reference for philosophical reflection on the cultural and ethical dimensions of architecture. The contributors to this volume are architects and scholars of urbanism. Some have backgrounds in literature, history, religious studies, and art history. The book features 16 chapters by younger scholars as well as established thinkers including Peter Carl, David Leatherbarrow, Alberto Pérez-Gomez, Wendy Pullan and Dalibor Vesely. Rather than developing a single theoretical statement, the book addresses architecture’s relationship with the city in a wide range of historical and contemporary contexts. The chapters trace hidden genealogies, and explore the ruptures as much as the persistence of recurrent cultural motifs. Together, these interconnected phenomenologies of the city raise simple but fundamental questions: What is the city for, how is it ordered, and how can it be understood? The book does not advocate a return to a naive sense of ’unity’ or ’order’. Rather, it investigates how architecture can generate meaning and forge as well as contest social and cultural representations.
This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.