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Reprint of the original, first published in 1874.
The story behind D-Day begins in 1939 when Nazi Germany, led by Adolf Hitler, attacked Poland and ignited World War Two. The following year, the Germans occupied France and Western Europe and launched a vicious air war against Britain. In 1941, they invaded the Soviet Union. Seemingly unstoppable, the Nazis now held virtually all of Europe. They imposed a ruthless system of control and unleashed the horror of the Holocaust. However, by 1943, the tide had begun to turn in favor of the Allies, the forces opposed to Germany. In the east, despite huge losses, the Soviets began to force the Germans back.
This wide-ranging book explores the architecture—principally ecclesiastical—of Normandy from 1120 to 1270, a period of profound social, cultural, and political change. In 1204, control of the duchy of Normandy passed from the hands of the Anglo-Norman/Angevin descendants of William the Conqueror to the Capetian kingdom of France. The book examines the enormous cultural impact of this political change and places the architecture of the time in the context of the Normans’ complicated sense of their own identity. It is the first book to consider the inception and development of gothic architecture in Normandy and the first to establish a reliable chronology of buildings. Lindy Grant extends her investigation beyond the buildings themselves and also offers an account of those who commissioned, built, and used them. The humanized story she tells provides sharp insights not only into Normandy’s medieval architecture, but also into the fascinating society from which it emerged.
For most of the twentieth century John Sell Cotman (1782 - 1842) was the most widely admired English watercolourist, surpassing even Turner in popularity. This major exhibition will look at the central chapter of the artist's career featuring over 100 watercolours, drawings and prints sketches setting Cotman's Normandy studies against the background of his earlier architectural work. The exhibition will also feature a further 20 sketches by other artists including Turner, Samuel Prout and Henry Edridge who also visited Normandy.
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