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The Regia was the house of the Pontifex Maximus, Rome's High Priest, who lived in the Forum. The men who held this office played an important role in the life of the Roman state for centuries: the earliest Regia dates to the seventh century B.C.E., and it was rebuilt frequently. Susan B. Downey has extensively studied the sixth-century phase of the building, and in this valuable work she lays out the scheme for the architectural terracottas. These fragments allow the reconstruction of almost the entire decorative system for the building. Art historians and archaeologists will welcome this book. It also contains much of interest for Roman social historians and for students and scholars of early Italy and its communities.
Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people whoused them.
This book examines the development of Roman temple architecture from its earliest history in the sixth century BC to the reigns of Hadrian and the Antonines in the second century AD. John Stamper analyzes the temples' formal qualities, the public spaces in which they were located and, most importantly, the authority of precedent in their designs. He also traces Rome's temple architecture as it evolved over time and how it accommodated changing political and religious contexts, as well as the affects of new stylistic influences.
A collection of papers on architectural terracottas revealing aspects of ancient history and the classical world from mainland Greece, Northern Greece and Albania, the Black Sea, Aegean Islands and Asia Minor, South Italy and Sicily.
Every society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as “monuments” or “monumental” buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term “monumental” is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is “monumental” about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and Early Roman Architecture addresses such questions as, “What factors drove the emergence of scale as a defining element of ancient Italian architecture?” and “How did monumentality arise as a key feature of Roman architecture?” Contributors Elizabeth Colantoni, Anthony Tuck, Nancy A. Winter, P. Gregory Warden, John N. Hopkins, Penelope J. E. Davies, and Ingrid Edlund-Berry reflect on the ways in which ancient Etruscans and Romans utilized the concepts of commemoration, durability, and visibility to achieve monumentality. The editors’ preface and introduction underscore the notion of architectural evolution toward monumentality as being connected to the changing social and political strategies of the ruling elites. By also considering technical components, this collection emphasizes the development and the ideological significance of Etruscan and early Roman monumentality from a variety of viewpoints and disciplines. The result is a broad range of interpretations celebrating both ancient and modern perspectives.
Axel Boethius's account begins about 1400 B.C. with the primitive villages of the Italic tribes. The scene was transformed by the arrival of the Greeks and by the Etruscans who by about 600 had Rome and Central Italy under their cultural spell.
Murlo and the Etruscans explores this and other mysteries in a collection of twenty essays by leading specialists of Etruscan and classical art, all of whom have been associated with the Murlo site. Numerous photographs and drawings accompany the essays. The first eleven chapters survey specific groups of Etruscan objects and challenge the view of Etruscan art as provincial or derivative. Interpretations of the magnificent series of decorated terra cotta frieze plaques and other architectural elements contribute to an understanding of Murlo and related Etruscan centers. Plaques depicting a lively Etruscan banquet offer a way to detect differences between Etruscan and ancient Greek society. The remaining nine chapters treat various aspects of Etruscan art, often moving beyond ancient Murlo, both geographically and temporally. They examine funerary symbolism, sculpted amber, and amber trade contacts along the ancient Adriatic Coast; depictions of domesticated cats; votive terra cottas of human anatomical parts and how they help in understanding Etruscan medicine; and the adaptation of Greek style, myth, and iconography in Etruscan art. "These essays will have a broad impact on the study of the ancient Mediterranean. They will certainly be required reading not only for Etruscologists but for anyone with an interest in the world of classical antiquity. The range of subjects, moving in wide arcs around the archaeological site at Murlo, brings the site into focus in a way that a series of standard archaeological site reports could not."--Kenneth Hamma, J. Paul Getty Museum "There is a fine and commendable interweaving and intertwining of thoughts and scholarly research throughout Murlo and the Etruscans. It will be a useful reference source for the art of Etruscan coroplast, wherein lies the forte of the Etruscan sculptor!"--Mario A. Del Chiaro, University of California
Nearly every aspect of daily life in the Mediterranean world and Europe during the florescence of the Greek and Roman cultures is relevant to the topics of engineering and technology. This volume highlights both the accomplishments of the ancient societies and the remaining research problems, and stimulates further progress in the history of ancient technology. The subject matter of the book is the technological framework of the Greek and Roman cultures from ca. 800 B.C. through ca. A.D. 500 in the circum-Mediterranean world and Northern Europe. Each chapter discusses a technology or family of technologies from an analytical rather than descriptive point of view, providing a critical summation of our present knowledge of the Greek and Roman accomplishments in the technology concerned and the evolution of their technical capabilities over the chronological period. Each presentation reviews the issues and recent contributions, and defines the capacities and accomplishments of the technology in the context of the society that used it, the available "technological shelf," and the resources consumed. These studies introduce and synthesize the results of excavation or specialized studies. The chapters are organized in sections progressing from sources (written and representational) to primary (e.g., mining, metallurgy, agriculture) and secondary (e.g., woodworking, glass production, food preparation, textile production and leather-working) production, to technologies of social organization and interaction (e.g., roads, bridges, ships, harbors, warfare and fortification), and finally to studies of general social issues (e.g., writing, timekeeping, measurement, scientific instruments, attitudes toward technology and innovation) and the relevance of ethnographic methods to the study of classical technology. The unrivalled breadth and depth of this volume make it the definitive reference work for students and academics across the spectrum of classical studies.