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This volume of papers presented at the Architectural Paint Research in Building Conservation conference held at the National Museum of Denmark, Copenhagen, provides a unique overview and discussion of the latest developments within the field.
The versatility of modern commercial house paints has ensured their use in a broad range of applications, including the protection and decoration of historic buildings, the coating of toys and furniture, and the creation of works of art. Historically, house paints were based on naturally occurring oils, gums, resins, and proteins, but in the early twentieth century, the introduction of synthetic resins revolutionized the industry. Good quality ready-mixed products became available and were used by artists worldwide. While the ubiquity of commercial paints means that conservators are increasingly called upon to preserve them, such paints pose unique challenges including establishing exactly which materials are present. This book traces the history of the household paint industry in the United States and United Kingdom over the first half of the twentieth century. It includes chapters on the artistic use of commercial paints and the development of ready-mixed paints and synthetic resins; oil paints, oleoresinous gloss and enamel paints, water paints, nitrocellulose lacquers, oil-modified alkyds, and emulsion paints; and the conservation implications of these materials. The book will be of interest to conservators and conservation scientists working on a broad range of painted surfaces, as well as curators, art historians, and historians of architectural paint.
These are the proceedings of an English Heritage national seminar which was organised to address growing concerns about the variable quality of architectural paint research currently being carried out. The book describes and explains its role in understanding and managing historic buildings. The contributions contained in this book are designed to promote the development of standards and guidelines for use by clients and consultants, helping to shape the development of this vital new discipline. It therefore contains edited transcripts of the ground breaking discussion sessions on the proposed English Heritage guidelines and other important issues. The statutory requirements relating to painted interiors of listed buildings is another very problematical issue which has been considered in detail. In addition, guidance is provided on commissioning paint research and the pitfalls to avoid. The book will be essential reading for paint researched, architects, surveyors, conservation officers and all practitioners involved in commissioning paint research for historic buildings.
Proceedings of the Architectural Paint Research conference held in New York City, Januaryuary 2008
A practical guide to research for architects and designers—now updated and expanded! From searching for the best glass to prevent glare to determining how clients might react to the color choice for restaurant walls, research is a crucial tool that architects must master in order to effectively address the technical, aesthetic, and behavioral issues that arise in their work. This book's unique coverage of research methods is specifically targeted to help professional designers and researchers better conduct and understand research. Part I explores basic research issues and concepts, and includes chapters on relating theory to method and design to research. Part II gives a comprehensive treatment of specific strategies for investigating built forms. In all, the book covers seven types of research, including historical, qualitative, correlational, experimental, simulation, logical argumentation, and case studies and mixed methods. Features new to this edition include: Strategies for investigation, practical examples, and resources for additional information A look at current trends and innovations in research Coverage of design studio–based research that shows how strategies described in the book can be employed in real life A discussion of digital media and online research New and updated examples of research studies A new chapter on the relationship between design and research Architectural Research Methods is an essential reference for architecture students and researchers as well as architects, interior designers, landscape architects, and building product manufacturers.
Architectural heritage is now recognised to be of great importance to the historical identity of a region, town or nation. In order to take care of that heritage, we need to look beyond borders and share experiences and knowledge regarding heritage preservation. This book contains papers covering the latest advances in this field, presented at the twelfth and latest in a series of now-biennial conferences that began in 1989.The series is recognised as the most important conference on the topic. It covers such topics as Heritage architecture and historical aspects, Regional architecture, Preservation of archaeological sites, Maritime heritage, Heritage masonry buildings, Adobe restorations, Wooden structures, Structural issues and restoration, Seismic vulnerability and vibrations, Assessment, retrofitting and reuse of heritage buildings, Surveying and monitoring, Material characterisation and problems, Simulation and modelling, New techniques and materials, Non-destructive techniques, Experimental validation and verification, Performance and maintenance, Environmental damage. Social and economic aspects, and Guidelines, codes and regulations.
The definitive volume on how paint has been used in the U.S. in the last 250 years. Eminent contributors cover the history of this medium in American buildings from the 17th century to the end of the 19th century. Contains a survey of practices and materials in England, cutting-edge techniques used by today's researchers in examining historic paints, fascinating case studies and an important chart of early American paint colors. Explains how to identify pigments and media, how to prepare surfaces for application and apply paint. Includes the chemical properties of paint with a table of paint components, plus a glossary and bibliography.
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
The history of paint and color in interior design, spanning a period of three centuries Why were primary colors popular in postwar kitchens? Why did the Art Deco era prefer clean lines and pastel shades? This comprehensive illustrated history of the use of color and paint in interior decoration answers these questions and many more. Drawing on his huge specialist archive, historian and paint expert Patrick Baty traces the evolution of pigments and paint colors together with color systems and standards, and he examines their impact on the color palettes used in interiors from the 1650s to the 1960s. He charts the creation in paint of the common and expensive colors made from traditional earth pigments between 1650 and 1799. He then explores the emergence of color systems and standards and their influence on paint colors together with the effect of industrialized production on the texture and durability of paints. Finally, Baty turns his attention to twentieth-century color standards. Woven throughout the authoritative and revealing text are specially commissioned photographs of pages from rare color reference books. Reproductions of interiors from home decor books, dating from every era, are included throughout, highlighting the distinctive color trends and styles of painting particular to each period.
A one-of-a-kind, step-by-step guide to compiling an HSR—a document crucial to every professional working on a historic property. Any architect, engineer, or preservation professional renovating a historic property must be familiar with the historic structure report (HSR)—a document that evaluates all aspects of a property to minimize damage during restoration. The only book of its kind, this practical guide walks readers through the process of compiling an HSR. From gathering historical and archival data about the property to analyzing its structural, mechanical, and electrical components to assessing the state of its interior finish, including wood, masonry, and metals, this book covers all the nuts and bolts of an expertly written, informative HSR. Explaining what information should be included in each section and how investigators can work together effectively as a team to produce a comprehensive, coherent report, this handbook is one no professional should be without.