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This new book showcases a vast array of ironwork commissioned for new commercial and residential building projects. Traditional styles in modern settings and designs that reach for new visual impact help to redefine ironwork's status in our current society. There are over 375 spectacular examples from more than 100 of today's top blacksmiths, supplemented with historical works from 15 countries, some derived from old French and English ironwork. These include doors and hardware, staircases and railings, and gates and fences. This book will inspire architects, builders, homeowners, and artist-blacksmiths with the wealth of beautiful ideas it contains.
Baltimore was an innovator in the development of cast-iron architecture, but the city's heritage of buildings in this genre, once numbering more than a hundred, has dwindled to only a handful today. The Baltimore region also had a long tradition in iron production, beginning with the colonial era and continuing through the 1950s as Sparrows Point became the single largest steel complex in the world. Baltimore's Cast-Iron Buildings is a celebration of a unique aspect of Baltimore's architectural and industrial history. The authors examine cast-iron buildings in an integrated way to show how the material was fabricated and the buildings erected. They also explore the cast and wrought ironwork used for gates, fences, railings, and ornaments. The heavily illustrated work includes ironwork catalogs from the mid-1800s.
The peak of architectural ironwork in the 19th Century saw the spread of ornate decorative ironwork across the world. In recent years there has been a significant increase in conservation and restoration projects aiming to protect the artistry of traditional ironwork for future generations. Conservation of Architectural Ironwork is the first book to provide a complete guide to the conservation and maintenance of traditional architectural ironwork. First introducing the contextual history and key material features of architectural ironwork, the book goes on to guide readers through the management and delivery of conservation projects from start to finish, explaining the very latest in conservation technology. At its peak, architectural ironwork was used on a vast global scale in buildings, bridges, street furniture and ornamental structures. With international case studies and detailed illustrations, this book will be an essential reference for heritage professionals and students of architectural conservation around the world.
This classic work documents the many uses and ingenious adaptations of wrought iron in architecture, with numerous examples from the fourteenth century through the twentieth centuries. Gerald Geerlings' extensive introduction details the properties of wrought iron; its textures; tools and terms of the trade; architectural applications, design, motifs, and ornamentation; economic considerations; finishing; and more. The author illuminates the history of wrought iron with carefully researched surveys of the craft in several countries, including Italy, Spain, England, Germany, France, Belgium, Holland, and America. Nearly 400 illustrations, including 73 clear drawings and 307 sharply focused photographs of gates, railings, screens, lighting fixtures, bannisters, balconies, door knockers, and other objects, chronicle the evolution of wrought iron as both a structural and decorative material. Special attention is devoted to early-twentieth-century developments and applications of this highly useful metal.
Over 1,500 attractive black-and-white illustrations — drawn from balconies, gates, grilles, stair railings, and elsewhere — incorporate floral and foliate designs, human and animal figures, musical motifs, heraldic crests, mythological figures, geometrics, more.
Forty plates of meticulously rendered hinges, grilles, railings, latches, door knockers, and more — selected from English chapels, tombs, castles, and other structures — span more than 600 years of metalworking history.
In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture.
Artists, illustrators, architectural and art historians, restorers, dealers, collectors--anyone interested in historical ironwork--will welcome this magnificent treasury of decorative designs produced between the twelfth and seventeenth centuries. Over 400 illustrations on 86 plates, reprinted from a rare nineteenth-century French volume of copperplate engravings, reveal a remarkable variety of decorative and utilitarian objects. Focusing primarily on German Gothic ironwork designs that embellished palaces, cathedrals, castles, houses, and other structures, the plates depict hinges ornamented with mythical sea creatures and dragons, door knockers decorated with female figures and human heads, keyhole plates wreathed in foliage, chests reinforced with iron bands displaying elaborate artwork, intricately laced metalwork on screens and grilles, elaborately designed keys, finials, candle stands, and a host of other architectural and ornamental elements. Notes to the plates identify the objects and provide, when available, a source and date for each. A splendid record of the inspired decorative flourishes of the past, these beautifully detailed plates will also serve as a lavish source of inspiration for today's designers. Dover (1996) republication of the plates from "Serrurerie, ou les Ouvrages en Fer Forgedu Moyen-Age et de la Renaissance, " published by Librairie Tross, Paris, 1870.
Edgar Brandt: Master of Art Deco Ironwork is the first book to document the life and work of the premier metalsmith of the twentieth century. A member of a group of extraordinary artist-craftsmen that included Emile-Jacques Ruhlmann, Jean Puiforcat, and Jean Dunand, among others, Edgar Brandt (1880-1960) was a leading force during a period of great achievement in French decorative arts and design, creating an entirely new aesthetic for the medium of wrought iron.