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Current architecture in Mexico reflects the rich variety of local, exotic traditions and international avant-garde design. The authors present examples of architectural forms in Mexico City that express every aspect of Mexican life.
Mexico City has withstood enormous changes throughout its history. Once the capital of the Aztec Empire, it has continuously evolved over the centuries to become one of the largest megalopolises in the world. The exuberant metropolis of the present day can be seen as a patchwork of Aztec, Hispanic, and contemporary Western cultures. Both local and internationally renowned artists and architects have brought their talents to this capital, which has also been the site of large-scale urban projects such as the construction of the National Autonomous University of Mexico (UNAM). The city has also been placed on the UNESCO World Heritage List, thanks to its wealth of artworks and innovative designs. The Architectural Guide Mexico City takes readers on a tour of 100 buildings and monuments from across the city. The entries are illustrated with 230 photographs, drawings, and maps. This updated second-edition of the guide includes two new essays presenting the legacy of the architect Luis Barragan and contemporary architecture in Mexico.
From the capital of the Aztec Empire to one of the largest megalopolises today, Mexico City has withstood enormous changes throughout its history. An overarching mosaic of Aztec, Hispanic and contemporary Western cultures has determined the exuberant metropolis we know today, with both local and world-renowned artists and architects having invested their talents in this capital. Large-scale urban projects such as the construction of the National Autonomous University of Mexico (UNAM) have furthermore placed this city on the UNESCO World Heritage List owing to their tremendous artistic detail and innovative designs. With its array of 230 photographs, drawings and specified maps, the Architectural Guide Mexico City will take you on an exhaustive tour of 100 buildings and monuments dispersed throughout the city.
Mexico City became one of the centers of architectural modernism in the Americas in the first half of the twentieth century. Invigorated by insights drawn from the first published histories of Mexican colonial architecture, which suggested that Mexico possessed a distinctive architecture and culture, beginning in the 1920s a new generation of architects created profoundly visual modern buildings intended to convey Mexico's unique cultural character. By midcentury these architects and their students had rewritten the country's architectural history and transformed the capital into a metropolis where new buildings that evoked pre-conquest, colonial, and International Style architecture coexisted. Through an exploration of schools, a university campus, a government ministry, a workers' park, and houses for Diego Rivera and Luis Barragan, Kathryn O'Rourke offers a new interpretation of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform. This book demonstrates why creating a distinctively Mexican architecture captivated architects whose work was formally dissimilar, and how that concern became central to the profession.
This guide offers an extensive trip to 72 of the most recent constructions in the pulsating Mexico City. Compiling outstanding architectural and interior design projects from Teodoro Gonzalez de Leon (Museo de Arte Popular), Taller de Arquitectura X/Alberto Kalach (Biblioteca Vasconcelos), TEN Arquitectos/Enrique Norten (Chopo Museum), as well as the newest hotels, restaurants, shops, and public projects. Informative texts, addresses and a map are included.
Wallpaper* City Guides are a ruthlessly-researched, design-conscious guide, for the discerning traveller who wants to come away with a true taste of the best a city has to offer.
This stylish, gorgeously photographed guide to Mexico City will help you get the most out of this vibrant, culturally rich destination—or make you want to plan a trip! Vast and exciting, Mexico City has so much to offer, from museums to markets, architectural wonders to Aztec monuments. This thorough and practical travel guide includes everything you need to know to enjoy the lifestyle of Mexico City—its sights, sounds, and tastes. This Is Mexico City showcases the best museums (both traditional and off-the-beaten-path), old-school mercados, public art, food trucks, and much more. Organized by neighborhood, each section offers insider recommendations for every interest: For shoppers there are boutiques, galleries, and local artisan studios; for foodies, trendy bars, tiny taco restaurants, ice cream parlors abound. An incredible experience awaits! This Is Mexico City includes: Archaeological Sites • Architecture • Artists • Designers • For Kids • Galleries • Libraries • Monuments • Museums • Parks • Plazas • Public Art • Shopping • To Eat, Drink • To Stay
Since the mid 1970s, there has been an extraordinary renewal of interest in early modern architecture, both as a way of gaining insight into contemporary architectural culture and as a reaction to neoconservative postmodernism. This book undertakes a critical reappraisal of the notion of modernity in Mexican architecture and its influence on a generation of Mexican architects whose works spanned the 1920s through the 1960s. Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City. Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.
In this dazzling multidisciplinary tour of Mexico City, Mauricio Tenorio-Trillo focuses on the period 1880 to 1940, the decisive decades that shaped the city into what it is today. Through a kaleidoscope of expository forms, I Speak of the City connects the realms of literature, architecture, music, popular language, art, and public health to investigate the city in a variety of contexts: as a living history textbook, as an expression of the state, as a modernist capital, as a laboratory, and as language. Tenorio’s formal imagination allows the reader to revel in the free-flowing richness of his narratives, opening startling new vistas onto the urban experience. From art to city planning, from epidemiology to poetry, this book challenges the conventional wisdom about both Mexico City and the turn-of-the-century world to which it belonged. And by engaging directly with the rise of modernism and the cultural experiences of such personalities as Hart Crane, Mina Loy, and Diego Rivera, I Speak of the City will find an enthusiastic audience across the disciplines.
This innovative history argues that we can understand important facets of the Mexican Revolution by analyzing the architecture designed and built in Mexico City during the formative years from 1920 to 1940. These artifacts allow us to trace and understand the path of the consolidation of the Mexican Revolution. Each individual building or development, by providing indelible evidence of the process by which the revolution evolved into a government, offers important insights into Mexican history. Seen in aggregate, they reveal an ongoing urban process at work; seen as a "composition," they reveal changes over time in societal values and aspirations and in the direction of the revolution. This book focuses on structure, change, and process for this remarkable city "in the true image of the gigantic heaven." The changes described in Fuentes' narrative are man-made, not wrought by impersonal or natural forces except on the rare occasions of earthquake and flood. Patrice Elizabeth Olsen views Mexico City as an artifact of those who created it—representing their ardor, humanity, and religion, as well as their politics. Individual chapters detail the expression of revolutionary values and aims in the physical form of Mexico City's built environment between 1920 and 1940, examining direction and meaning in terms of who is given license to design and build structures in the capital city, and equally important, who is excluded. Through the reshaping of the capital the revolution was extended and institutionalized; physical traces of the process of negotiation that enabled the revolution to be "fixed" in the Mexican polity appear in the city's skyline, parks, housing developments, and other new construction, as well as in modifications to existing colonial-era buildings. In this manner, the author argues, Mexico City's urban form crystallized as a product of the revolution as well as a part of the revolutionary process, as it has been of other conquests throughout its history.