Download Free Architectural Glass Art Book in PDF and EPUB Free Download. You can read online Architectural Glass Art and write the review.

"Author Andrew Moor begins by answering the most basic questions: What is glass art? How are the different materials distinctive? How and by whom is glass art made and installed? What is the artist's role? What do terms such as "float glass," "kiln glass," "flash glass," and "dichroic glass" mean? The book then presents a detailed survey of glass types and styles, from the simplest clear glass to the most complicated colored, carved, etched, and painted works of art." "Architectural Glass Art takes the reader through all the techniques and styles available today. Illustrations not only focus on the works themselves, but show how glass art is incorporated into public and private spaces as an integral part of a building's structure and style. Each chapter includes a special feature on a highly regarded international glass artist; discussions of their innovative designs are accompanied by examples of their work." "Architectural Glass Art is an invaluable resource and inspiration for students, designers, artists, and architects - everyone interested in the latest developments in the contemporary, artistic uses of glass."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.
In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called 'iconic' architecture by supposed 'star' architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the 'have-nots' are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue.
From the Gothic to the contemporary, glass has transformed the structural, formal and philosophical principles of artchitecture. In The Glass State, Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1988 as part of Francois Mitterand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buidings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions.
This timely new book is aimed at the professional market and covers an important new architectural development: colour has become big in contemporary building. Architectural icons have traditionally been monochrome, but colour has become increasingly important, and developing technologies have allowed large expanses of coloured glass to be used structurally. This beautiful new book from glass authority Andrew Moor profiles the emergence of colour in architecture, both internal and external, selecting the very best vibrantly colourful buildings from around the world, built and unbuilt. The book is divided into two main sections, Architecture and Art, within which various key design philosophies and techniques are explored, such as Screen Printed Enamels, Film, Lamination, and Sandblasting. Exponents of these trends from all over the world are represented, including architects Will Alsop (UK), Sauerbruch and Hutton (Germany), and Jamie Carpenter (USA) ...
This handbook provides all the necessary information to create high quality prints on glass, beginning with relatively basic processes and introducing more creative methods such as kiln glass and hot glass.
Architectural Glass Art is an invaluable resource and inspiration for students, designers, artists, and architects - everyone interested in the latest developments in the contemporary, artistic uses of glass.