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Embassy architecture and design ranges from the humble to the stately, from the practical to the grand. Building Diplomacy is the first comprehensive photographic portrait of the official face of American diplomacy around the world. Elizabeth Gill Lui traveled to fifty countries to photograph American embassies, chanceries, and ambassadors' residences. This record of her journey includes approximately five hundred artful and eloquent interior and exterior views shot by Lui with a large-format camera. Keya Keita, Lui's daughter and partner on the project, shot a live-action documentary of embassies and the cultural milieu of each nation Lui and Keita visited. The text includes an essay by Jane Loeffler detailing the history of the U.S. Department of State's building program.America's commitment to historic preservation of properties has been realized in Buenos Aires, London, Paris, Prague, and Tokyo. The modernist tradition is showcased in Argentina, Greece, India, Indonesia, Mexico, the Netherlands, and Uruguay. Vernacular buildings adapted to diplomatic use are widespread: Lui photographed examples of adapted reuse in Ghana, Iceland, Mongolia, Myanmar, and Palau. Buildings that reflect Europe's colonial legacy are also in evidence. After the 1983 bombing in Beirut, embassy construction began to reflect increased security concerns. Embassies built after 1998, although isolated within walled compounds, are well regarded by those who work in them. The author makes a case that embassy architecture is a critical aspect of American identity on the international landscape and can be formative in defining a new cultural diplomacy in the twenty-first century.Structured geographically, Building Diplomacy portrays embassies in Africa, East Asia, Europe, the Near East, the Pacific, South Asia, and the Western Hemisphere. An appendix lists the architects and designers of the featured buildings. More information about Building Diplomacy is also available.
The Architecture of Diplomacy reveals the complex interplay of architecture, politics, and power in the history of America's embassy-building program. Through colorful personalities, bizarre episodes, and high drama this compelling story takes readers from scandalous "inspection" junkets by members of Congress to bugged offices at the Moscow embassy to the daring rescue of American personnel in Somalia by Marines and Navy Seals. Rigorously researched and lucidly written, The Architecture of Diplomacy focuses on the embassy-building program during the Cold War years, when the United States initiated a massive construction campaign that would demonstrate its commitment to its allies and assert its presence as a superpower.
Renowned biographer Anthony Seldon invites the reader into the day-to-day life of an internationally important diplomatic seat. A winning formula across the board, this book cannot fail to enthrall those interested in art, horticulture, interior design, architecture, history, diplomacy, politics, and "the special relationship", as we are given a sneak-peek into the day-to-day life, past and present, of the Residence.
In 1676-77 a single event revitalized the traditions of Roman design. That event, the union of the French Royal Academy and the Academy of Saint Luke in Rome, is given new significance in the present study. It has long been thought that the academies' fusion signaled the passing of artistic preeminence from Rome to France. Here, however, the author proposes a more complex interpretation. By demonstrating that Rome continued, in fact, to be the more innovative and influential of the two academies, Gil Smith is able to discern patterns of influence that cross geographical and temporal boundaries, and to portray late-Baroque architecture in international terms. For this Compelling portrait of a transitional period of European architectural trends, Professor Smith draws on the student competitions inaugurated at the Saint Luke Academy to commemorate its ties with the French academies. Far more important than mere "academic" work, these competition drawings reveal the nature of instruction in Rome, the influences of the academy's officers and patrons, and the nature of contemporary projects similar in program to the competitions. The design synthesis pursued in Rome until the end of the seventeenth century, particularly by Carlo Fontana, would become an important source of inspiration for prominent architects of the next century. Among others, the academy's design methodology influenced Fischer von Erlach, Filippo Juvarra, and Giles Oppenord in their search for a progressive Baroque language.
Why and how did Japan Table Tennis Association President Goto Koji invite China to participate in the World Table Tennis Championships in Nagoya, Japan, in 1971 (the Nagoya World's)? Against strong opposition at home and abroad, Goto Koji created a stage for Premier Zhou Enlai to launch Ping-Pong Diplomacy, which changed world history forever
The first book to examine how the vast gardens of Versailles were used as a setting for the receptions of ambassadors, heads of state, and other visiting dignitaries who conducted diplomatic and political business with France.
Cameroon stands as a remarkable example of nation-building in the aftermath of European domination. Split between the French and British empires after World War I, it experienced a unique drive for self-determination at the turn of the 1960s, culminating in both independence from European power and the re-unification of two of its divided territories. This book investigates the influence of foreign policy on nation-building in West Africa in the context of both the Cold War and European integration. Shedding fresh light on the challenges of bridging the political, economic and linguistic divide that France and Britain had left, Melanie Torrent explores the evolution of a nation, charting both Cameroon's importance in Franco-British relations and Cameroon's use of bilateral and multilateral diplomacy in asserting its independence. This work should be essential reading for students of African studies, International Relations and the post-colonial world.
Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany's built environment in profound ways. The economic challenges of Germany's colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.
Including chapters from some of the leading experts in the field this Handbook provides a full overview of the nature and challenges of modern diplomacy and includes a tour d'horizon of the key ways in which the theory and practice of modern diplomacy are evolving in the 21st Century.