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The book gives us a new outlook and vision to see our lives and our world through our non-mystical, non-conventional and non-dogmatic eyeglasses. A must to all people, for it has hoards of inspiration,ethics,and values..
. The Gap Theory? . String Theory? . Kabbalah? . Nephilim? . Fallen Angels? . Forbidden Archeology? . The Resurrection? . War, Inquisition and Jihad? . Dispensational Theology? . Tribulation? Can it all make sense? You have read the lies of the Da Vinci Code now read the truth of the revelation of the mystery kept secret since the world began. Romans 16:25 . "of Jesus Christ, according to the revelation of the mystery, which was kept secret since the world began," Using Scripture and recent discoveries of science, archeology and ancient literature Intelligent Design unlocks the real code and explains the true purpose of creation and life. Theodore Green explores God's design behind creation as he deals with fallen dominions, powerful ancient and historical civilizations that are the roots of Jihad, World Wars, weapons of mass destruction and even death, disease, suffering and tragedy. The book reveals shocking facts about true ancient history, creation and the miracle power of the word of God. Unlocking the code reveals a purpose to life that prepares the reader to see true threats to our society and the future. This book prepares humanity for their destiny The purpose of life should not be a Mystery. It was revealed long ago at the foundation of this Life and reverberated through out history and culture ever since. The problem is that many people have eyes but cannot see and ears but cannot hear what God, creation and life are saying. The problem is they are too busy, too indoctrinated or just don't care. Please take the time to open your eyes and understand the fellowship of the mystery then life's destiny will become clear. Eph 3:9 And to make all men see what is the fellowship of the mystery, which from the beginning of the world hath been hid in God, who created all things by Jesus Christ: BIOGRAPHY INFORMATION: God has done some great things through me as a missionary, Church founder, Preacher/bible teacher, church counselor and television director/editor of "Un Nuevo Comienzo" over the last 30 years. By trade I am a top software systems engineer for the Aerospace Industry. God has prepared me through training in logic, languages, systems and history as well as my spiritual warfare in Guatemala, Mexico, Salvador and the United States to bring this theory to Christianity as Darwin brought his theory to Atheism In this day, in this age, Christendom needs a solid, defensible theory to rally behind. This is that theory HTTP: //WWW.TRUTHWAYLIFE.COM The Kingdom Portal.
A verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality. In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms “human” and “being.” When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that “Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility.” Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.
Continuing the collaboration of over 30 years between the New York-based artists Arakawa and Madeline Gins, this book is a unique and predominantly visual exploration into architecture and its centrality to the project of human self-knowledge and self-formation, carrying philosophical argument into the realm of construction. It asks what is the nature of perception? and how does the human being relate to surrounding space? Recording and documenting what it is actually like for a person to stand within a piece of architecture, this is the first systematic study of the role the body and bodily movement play in the forming of the world. Through a series of computer-generated images of great beauty and intricacy, the reader is presented with ways of reworking the man-made world that is architecture. Going further, the book suggests a revolutionary re-invention of the planet and, by extension, the universe.
Dr. Orison Swett Marden (1848–1924) was an American author of inspirational books. He wrote primarily on the subject of being successful and founded “SUCCESS” magazine in 1897. Marden's books deal with attaining a fruitful and well-rounded life, with many of his ideas being based on the New Thought movement. First published in 1897, “Architects of Fate” is a companion to Marden's successful 1911 self-help book “Pushing to the Front”, this volume focusing on character-building and achieving success. Originally intended to motivate young people who lack a definite aim or ambition, this timeless volume is will be of utility to those searching for meaning or motivation, and it would make for an excellent addition to any bookshelf. Contents include: “Wanted—A Man”, “Dare”, “The Will and the Way”, “Success under Difficulties”, “Uses of Obstacles”, “One Unwavering Aim”, “Sowing and Reaping”, “Self-help”, “Work and Wait”, “Clear Grit”, “The Grandest Thing in the World”, “Wealth in Economy”, “Rich Without Money”, “Opportunities Where You Are”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.
In preparation for shooting the film Paris, Texas in late 1983, director Wim Wenders traveled the West equipped with a 5 x 6 medium format camera searching out subjects and locations that would bring that desolate landscape to life. For several months he drove the empty highways of Texas, Arizona, New Mexico and California, transfixed by the vastness of a country saturated with light and color and energized by the American cowboy mystique. Even in the twentieth century, it was a landscape that had lost none of its evocative, mythic power. This collection of lush, colorful photographs magnificently displays what Wenders' practiced eye sought out: dramatic and visually arresting images, haunting vistas, and the poetic dilapidation of a country touched by man but ruled by nature. An enlightening interview with the photographer reveals the many ways that Wenders, a European traveling in a distinctly American landscape, was both moved by and bemused by what he considers the heartland of the American Dream. It is this sensibility, along with Wenders enormous photographic talents, that lend this collection a unique quality, and that allow us to experience the West in a whole new, brilliantly colorful light.
By analyzing ten examples of buildings that embody the human experience at an extraordinary level, this book clarifies the central importance of the role of function in architecture as a generative force in determining built form. Using familiar twentieth-century buildings as case studies, the authors present these from a new perspective, based on their functional design concepts. Here Grabow and Spreckelmeyer expand the definition of human use to that of an art form by re-evaluating these buildings from an aesthetic and ecological view of function. Each building is described from the point of view of a major functional concept or idea of human use which then spreads out and influences the spatial organization, built form and structure. In doing so each building is presented as an exemplar that reaches beyond the pragmatic concerns of a narrow program and demonstrates how functional concepts can inspire great design, evoke archetypal human experience and help us to understand how architecture embodies the deeper purposes and meanings of everyday life.
An enlightened discussion of all relevant aspects of architecture shows the necessity for revision of commonly held assumptions about the nature of architectural history, theory, representation, and ideation; the production of buildings in the postindustrial city; and professional ethics. These topics provide the basis for the fourteen interdisciplinary papers presented here. The introductory section includes an examination of the epistemological origins of technology in the early modern European context and two alternative visions of ethics and its potential relevance for architecture. The second part presents four perspectives on important questions about how we represent buildings and the ethical values involved in that representation. "Ethics and Poetics in the Context of Technological Production" considers the role of philosophical ethics (i.e., a rational structure of categories in architectural practice) and the possibility, and desirability, of incorporating ethical reflections into the generation of architectural form. "The Architectural Uses of History and Narrative in a Technocratic World" explores alternatives for articulating an ethical attitude in forms of discourse other than philosophy and science. These papers were originally presented at the bilingual symposium "Architecture, Ethics, and Technology" held at the Canadian Centre for Architecture in Montreal in 1991.
In his bestselling The Moral Animal, Robert Wright applied the principles of evolutionary biology to the study of the human mind. Now Wright attempts something even more ambitious: explaining the direction of evolution and human history–and discerning where history will lead us next. In Nonzero: The Logic of Human Destiny, Wright asserts that, ever since the primordial ooze, life has followed a basic pattern. Organisms and human societies alike have grown more complex by mastering the challenges of internal cooperation. Wright's narrative ranges from fossilized bacteria to vampire bats, from stone-age villages to the World Trade Organization, uncovering such surprises as the benefits of barbarian hordes and the useful stability of feudalism. Here is history endowed with moral significance–a way of looking at our biological and cultural evolution that suggests, refreshingly, that human morality has improved over time, and that our instinct to discover meaning may itself serve a higher purpose. Insightful, witty, profound, Nonzero offers breathtaking implications for what we believe and how we adapt to technology's ongoing transformation of the world.
In the vast expanse of the cosmos, humanity's journey has always been marked by the pursuit of the unknown, the unrelenting quest for knowledge that propels us beyond the boundaries of our home planet. As we stand on the precipice of a new era, "Galactic Odyssey: Colonizing Space and Advancing Technologies" offers a profound exploration into the possibilities that lie before us. In these pages, we embark on a journey guided by the brilliant minds of space architects who dare to dream beyond the horizons. They are the visionary architects who envision not only habitats on distant planets but also the very future of our species. With each stroke of their designs, they shape the blueprint of humanity's expansion across the cosmos. The universe beckons us with its mysteries, and space architects answer the call. Through their innovative designs and concepts, they lay the foundation for colonies on the Moon and Mars, opening doorways to environments that challenge our understanding of habitation. They lead us to consider how we can transform the harsh landscapes of other worlds into homes for future generations. The work of these architects is not confined to bricks and mortar alone; it extends to the realm of ethical responsibility, sustainability, and the preservation of the natural balance of celestial bodies. In their pursuit of interplanetary colonization, they remind us that our actions resonate beyond our own planet and carry echoes through the universe. "Galactic Odyssey: Colonizing Space and Advancing Technologies" is not just a book about space architecture; it is an odyssey into the heart of human ambition, perseverance, and unity. It underscores our innate curiosity to explore, understand, and thrive in the face of adversity. As we read through these pages, we're reminded that the stars are not distant lights; they are gateways inviting us to step beyond our comfort zones and embark on a journey that will define the destiny of our species. So, dear reader, as you delve into the pages of this book, allow yourself to be captivated by the visions of space architects and the stories they tell. Join us in this expedition, a grand cosmic venture fueled by imagination and innovation. As we traverse the pages of "Gateways to the Stars," let us remember that the future is not only out there; it is being crafted by the architects of today who are building the bridges to our tomorrows among the stars.