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Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature.
Employing Northrop Frye's system of archetypal literary criticism - the use of romance, tragedy, irony and satire, and comedy - Brian Larsen offers a compelling summary of the essential governing framework and means of exchange between literature and theology. Characters in the Fourth Gospel are examined through a specific archetype, and, reciprocally, these characters illuminate and inform important theological aspects of their respective archetypes: Jesus and romance (hero story); Pilate and tragedy; the Jews and Thomas and irony; and Peter and comedy. This volume further clarifies the understanding of Frye's archetypesand identifies the key variable between each one: the relationship between (1) a belief or ideal and (2) experience or reality. Helping to advance dialogue between literature, biblical studies and theology, and providing insightful readings for a number of Fourth Gospel characters and texts, Larsen's examination will appeal to those seeking a new perspective on the themes of the New Testament or those seeking theological insights into literature.
Challenging the widely accepted classification of the canonical gospels as biographies or historiographies, the author argues that they should be classified as collections of folk literature from early Christianity. Drawing on comparative register analysis and re-introducing literary and sociolinguistic insights from the twentieth-century form critics, this insightful study challenges readers to rethink the significance of gospels for understanding Jesus’s historical context and relevance for modern readers. The gospels are not merely designed to inform readers about the life of Jesus but also to push readers into accepting or rejecting his teaching. It is a must-read for anyone seeking a deeper understanding of the gospel genre and the intentions of the evangelists who compiled them.
The Gospel of John has long been recognized as being distinct from the Synoptic Gospels. John among the Apocalypses explains John's distinctive narrative of Jesus's life by comparing it to Jewish apocalypses and highlighting the central place of revelation in the Gospel. While some scholars have noted a connection between the Gospel of John and Jewish apocalypses, Reynolds makes the first extensive comparison of the Gospel with the standard definition of the apocalypse genre. Engaging with modern genre theory, this comparison indicates surprising similarities of form, content, and function between John's Gospel and Jewish apocalypses. Even though the Gospel of John reflects similarities with the genre of apocalypse, John is not an apocalypse, but in genre theory terms, John may be described as a gospel in kind and an apocalypse in mode. John's narrative of Jesus's life has been qualified and shaped by the genre of apocalypse, such that it may be called an 'apocalyptic' gospel. In the final two chapters, Reynolds explores the implications of this conclusion for Johannine Studies and New Testament scholarship more broadly. John among the Apocalypses considers how viewing the Fourth Gospel as apocalyptic Gospel aids in the interpretation of John's appeal to Israel's Scriptures and Mosaic authority, and examines the Gospel's relationship with the book of Revelation and the history of reception concerning their writing. An examination of Byzantine iconographic traditions highlights how reception history may offer a possible explanation for reading John as apocalyptic Gospel.
Were the biblical Adam and Eve historical figures, or are the early events described in Genesis primarily symbolic in nature? Behind the debate of a historical Adam is the age-old debate about evolution and the agreement between Scripture and science. With an introduction that outlines the history and main points of every viewpoint from Darwinism to Young Earth Creationism, this book then clearly outlines four primary views on Adam held by evangelical Christians. Contributors include Denis O. Lamoureux, John H. Walton, C. John Collins, and William Barrick. Each focuses his essay on answering the following questions: What is the biblical case for your viewpoint, and how do you reconcile it both with modern science and with passages and potential interpretations that seem to counter it? In what ways is your view more theologically consistent and coherent than other views? What are the implications of your view for the spiritual life and public witness of the church and individual believers, and how is your view a healthier alternative for both? This book allows each contributor to not only present the case for his view, but also to critique and respond to the critiques of the other contributors, allowing you to compare their beliefs in an open forum setting to see where they overlap and where they differ. Concluding reflections by pastor-scholars Gregory A. Boyd and Philip Graham Ryken highlight the significance of the topic in the faith of everyday believers. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
This innovative study attempts a comprehensive reading of the Fourth Gospel so as to make sense of its theology, anthropology and history. The most valuable insights of structuralism and reader-response criticism have been taken up, without ignoring what those methods ignore, namely, questions intrinsically related to the Fourth Gospel itself. Moreover, a just appreciation of the text requires the reader to recognize that particular historical situations affect the nature of any narrative.
What if reading Genesis 2–3 in its ancient Near Eastern context shows that the creation account makes no claims regarding Adam and Eve's material origins? John Walton's groundbreaking insights into this text create space for a faithful reading of Scripture along with full engagement with science, creating a new way forward in the human origins debate.
John's Gospel is an innovative study which shows how the current plurality of literary methodologies can be used effectively to illuminate the text of the fourth gospel. Dr Stibbe, the well-respected author of three previous volumes on St John, uses the methods of structuralism, deconstructionism and narrative criticism in his interpretation. A detailed introduction makes his book accessible to the non-specialist. The book is an invaluable guide to John's Gospel for all those interested in the Bible as literature. It is important reading for all theologians, students of theology and ministers of religion.