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Notre sens commun reconnaît un lien entre connaissance et information, tout en les confondant parfois. Les théories concernant l'une ou l'autre s'ignorent le plus souvent. Or les sciences cognitives nous fournissent aujourd'hui matière à les faire converger vers une théorie unifiée. Il faudra pour cela mettre à l'épreuve le postulat selon lequel le cerveau serait un organe de traitement de l'information. La connaissance et l'information sont l'une et l'autre des inventions de l'évolution biologique. Nous les suivrons des insectes aux humains, à la fois sous leur forme subjective (mentale) et sous leur forme objective (culturelle). Le concept de signe sera notre fil conducteur. Au final, la théorie s'étendra à la mémoire et à l'intelligence, animales, humaines et artificielles.
This bibliography of semiotic studies covering the years 1975-1985 impressively reveals the world-wide intensification in the field. During this decade, national semiotic societies have been founded allover the world; a great number of international, national, and local semiotic conferences have taken place; the number of periodicals and book series devoted to semiotics has increased as has the number of books and dissertations in the field. This bibliography is the result of a dedicated effort to approach complete coverage.
The investigation of language, of how (and what and why) signifiers signify, is prominent in modern critical work, but the questions being asked are by no means new. In Mervelous Signals, Eugene Vance asserts that "there is scarcely a term, practice, or concept in contemporary theory that does not have some rich antecedent in medieval thought." He goes on to illustrate the complexity and depth of medieval speculations about language and literature. Vance's study of the link between the poetics and semiotics of the Middle Ages takes both a critical and a historical view as he brings today's insights to bear on the contemporary perspectives of such works as St. Augustine's Confessions, the Chanson de Roland, Chrätien's Yvain, Aucassin and Nicolette, Spenser's The Faerie Queen, and certain aspects of the works of Dante and Chaucer and of French medieval theater.