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This book builds on Suleiman's earlier research on the link among the Arabic language, identity and conflict, which he explored at some length in 'The Arabic Language and National Identity' and 'A War of Words'. The present study builds on his interest in the symbolic realms of signification, and Suleiman approaches the Arabic language as a marker of identity and as a factor in sociopolitical conflict in society.
Who are the Arabs? When did people begin calling themselves Arabs? And what was the Arabs' role in the rise of Islam? Investigating these core questions about Arab identity and history by marshalling the widest array of Arabic sources employed hitherto, and by closely interpreting the evidence with theories of identity and ethnicity, Imagining the Arabs proposes new answers to the riddle of Arab origins and fundamental reinterpretations of early Islamic history. This book reveals that the time-honoured stereotypes which depict Arabs as ancient Arabian Bedouin are entirely misleading because the essence of Arab identity was in fact devised by Muslims during the first centuries of Islam. Arab identity emerged and evolved as groups imagined new notions of community to suit the radically changing circumstances of life in the early Caliphate. The idea of 'the Arab' was a device which Muslims utilised to articulate their communal identity, to negotiate post-Conquest power relations, and to explain the rise of Islam. Over Islam's first four centuries, political elites, genealogists, poetry collectors, historians and grammarians all participated in a vibrant process of imagining and re-imagining Arab identity and history, and the sum of their works established a powerful tradition that influences Middle Eastern communities to the present day.
WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, long before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and then left unemployed on the margins of society. In that time, Arabness was a mark of cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Oscar's son, the Jewish Arab journalist Massoud Hayoun whom Oscar raised in Los Angeles, finds his voice by telling his family's story. To reclaim a worldly, nuanced Arab identity is, for Hayoun, part of the larger project to recall a time before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that is now nearly lost. When We Were Arabs showcases the gorgeous prose of the Eppy Award–winning writer Massoud Hayoun, bringing the worlds of his grandparents alive, vividly shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines over which we do battle.
As the Gulf assumes an ever more important identity in the global political economy, we see the emergence of a new popular and political culture underpinning its increasingly self-confident national identities. This volume explores the new dynamism of the Gulf, reflected not just in high-rise buildings and booming stock markets, but also manifested in the realms of art, ideas and expression, and their relationships with political authority. Contributors include figures instrumental to the emergence of these new identities, including artists, broadcasters and cultural commentators.
"Examines a crucial period in Arabic literature which has received insufficient attention previously--the pre-modern writers of the 19th century . . . whose journalism and fiction not only shaped contemporary opinion but also subtly molded the contours and boundaries of discourse for the generations that followed."--Michael Beard, University of North Dakota Dynamic and original, this study of the formation of modern Arab identity discusses the work of "pioneers of the Arab Renaissance," both renowned and forgotten--a pantheon of intellectuals, reformers, and journalists whose writing until now has been mostly untranslated. Against the backdrop of European imperialism in the Arab world, these literati planted the roots of modernity though their experiments in language, rhetoric, and literature. In both fiction and nonfiction they generated a radically new sense of Arab identity. At the same time, Sheehi argues, they created the terrain that produced an Arab preoccupation with "failure" and a perception of Western "superiority"--the terms intellectuals themselves used in the 19th century in diagnosing their cultural crisis. Neglected by historians, this ambivalent and contradictory state of consciousness is at the heart of the ideology of Arab identity, Sheehi says, and it describes a variety of subjective positions that Arabs would adopt throughout the 20th century. It became the intellectual quicksand for the Arab world's confrontation with colonialism, capitalist expansion, and individual state formation. Using psychoanalytic and post-structuralist theory, Sheehi looks at texts by writers such as Butrus al-Bustani, Ahmad Faris al-Shidyaq, Muhammad al-Muwaylihi, and Muhammad Abduh. His analysis deconstructs popular and academic perceptions--especially prevalent after 9/11--that Arabs have failed to internalize modernity. Indeed, he says, Christian secularists, Islamic modernists, and romantic nationalists alike have produced a body of knowledge and shared an epistemology that constitute modernity in the Arab world. Starting in Middle Eastern literature and intellectual history and ending in postcolonial studies, this groundbreaking work offers a sophisticated counter-theoretical framework for understanding and reevaluating modern Arabic literature and also the history and historiography of Arab nationalism.
This wide-ranging examination of Arab society and culture offers a unique opportunity to know the Arab world from an Arab point of view. Halim Barakat, an expatriate Syrian who is both scholar and novelist, emphasizes the dynamic changes and diverse patterns that have characterized the Middle East since the mid-nineteenth century. The Arab world is not one shaped by Islam, nor one simply explained by reference to the sectarian conflicts of a "mosaic" society. Instead, Barakat reveals a society that is highly complex, with many and various contending polarities. It is a society in a state of becoming and change, one whose social contradictions are at the root of the struggle to transcend dehumanizing conditions. Arguing from a perspective that is both radical and critical, Barakat is committed to the improvement of human conditions in the Arab world.
This book examines the role played by Arab-Palestinian culture and people in the construction and reproduction of Israeli national identity and culture, showing that it is impossible to understand modern Israeli national identity and culture without taking into account its crucial encounter and dialectical relationship with the Arab-Palestinian indigenous 'Other'. Based on extensive and original primary sources, including archival research, memoirs, advertisements, cookbooks and a variety of cultural products – from songs to dance steps – From the Arab Other to the Israeli Self sheds light on an important cultural and ideational diffusion that has occurred between the Zionist settlers – and later the Jewish-Israeli population – and the indigenous Arab-Palestinian people in Historical Palestine. By examining Israeli food culture, national symbols, the Modern Hebrew language spoken in Israel, and culture, the authors trace the journey of Israeli national identity and culture, in which Arab-Palestinian culture has been imitated, adapted and celebrated, but strikingly also rejected, forgotten and denied. Innovative in approach and richly illustrated with empirical material, this book will appeal to sociologists, anthropologists, historians and scholars of cultural and Middle Eastern studies with interests in the development and adaptation of culture, national thought and identity.
What does it means to be Palestinian in the diaspora?This collection of 100 personal reflections on being Palestinian is the first book of its kind. Reflecting on Palestinian identity as it is experienced at the individual level, issues of identity, exile, refugee status, nostalgia, belonging and alienation are at the heart of the book. The contributors speak in many voices, exploring the richness and diversity of identity construction among Palestinians in the diaspora.Included are contributions from Palestinians living in the Anglo-Saxon diaspora, mainly the UK and North America. They come from a variety of professional backgrounds: business people, lawyers, judges, fiction writers, poets, journalists (press, TV and radio), film-makers, diplomats and academics. Men and women, young and old, Christians and Muslims offer essays, as do Palestinians from different generations (first, second and third generations). This mix of professional, gender, faith and generational categories ensures that a variety of voices are heard.The editor sets the scene with an Introduction, and his Epilogue deals with issues of identity, exile and diaspora as concepts that give sense to the personal reflections.Key FeaturesThe first book to gather personal reflections on what it means to be PalestinianContributes to the debate on what it means to be PalestinianAsks what the diaspora is for PalestiniansLooks at how being Palestinian varies across gender, generation, religious affiliation and professional interest.FROM APF:Is being Palestinian a 'pain in the neck', or a 'sentence to suffer gladly'? Does Palestinian identity reside in cross-stitch embroidery, sweet knafeh and the poetry of Mahmoud Darwish, or defending the rights of oppressed communities around the world? Does being Palestinian in diaspora mean anything at all? In this ground-breaking volume, the first of its kind, 102 contributors from North America and the United Kingdom reflect in their own words on what it means to be Palestinian in diaspora. Exploring how Palestine is both lost and found, bereaved and celebrated in diaspora, and the tangled ties between 'home' and 'homeland', Being Palestinian takes the reader on an intimate journey into the diaspora to reveal a human story: how does it feel when you cannot find Palestine under 'P' in the encyclopaedia your father brings home? Why grow fig and orange trees in the Arizona desert? What does it mean to know every inch of a village that no longer exists? Touching, troubling but full of character and wit, the reflections in Being Palestinian offer a radically fresh look at the modern Palestinian experience in the West.
An original study of the Qur'anic foundations of women’s identity and agency, this book is a bold call to Muslim women and men to reread and reinterpret the Qur'an and to discover within its revelations an inherent affirmation of gender equality. Barazangi asserts that Muslim women have been generally excluded from full participation in Islamic society, and thus from full and equal Islamic identity, primarily because of patriarchal readings of the Qur'an and the entire range of early Qur'anic literature. Based on her study of the sacred text, she argues that Islamic higher learning is a basic human right, that women have equal authority to participate in the interpretation of Islamic primary sources, and that women will realize their just role in society and their potential as human beings only when they are involved in the interpretation of the Qur'an. Barazangi offers a curricular framework for self-teaching that could prepare Muslim women for an active role in citizenship and policymaking in a pluralistic society by affirming the self-identity of the Muslim woman as an autonomous spiritual and intellectual human being.