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Arab painting is treated here as a significant artistic corpus in its own right. Rejecting the traditional emphasis on individual paintings, the distinguished contributors to this volume stress the integration of text and image as a more productive theoretical framework.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. This second, revised edition includes addenda and corrigenda.
"Artistic expression in the Middle East is experiencing something of a renaissance. This book provides an overview of modern and contemporary art of the Middle East and Arab world from 1945 to the present, with an emphasis on artists active today"-OCLC
The Maq'm't of al-Har'r? (d.516/122) is one of the best-known works of Arabic literature. Why and how did this impenetrable work of Mediaeval Arabic philology and linguistic acrobatics dressed up as a collection of picaresque tales, become the vehicle for such extraordinarily lively, life-like and technically competent paintings. This study of the Schefer Maq'm't manuscript looks at the work of the scribe-illustrator, Yahy? ibn Mahm'd al-W'sit? in detail. The author also suggests how the text is related to the illustrations and how it developed and altered over the centuries.
Here are 141 designs and motifs in authentic full color from classic 19th-century work by noted French historian — a visual vocabulary of Islamic decorative art.
Appraises the early periods of Islamic art within its own cultural framework and according to Islamic esthetics
In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?
Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.