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Catalogue des aquarelles et pastels par Barye, Boudin, Cals, Corot, Daumier, Delacroix, Goya, Jongkind, Manet, Millet, Rousseau, dessins par Barye, Cals, Corot, Daumier, Decamps, Delacroix, Diaz, Fromentin, Goya, Jongkind, Millet, Monnier, Ribot, Rousseau, Troyon, gravures par Bonington,Bracquemond, Buot, Corot, Daubigny, Delacroix, Desboutin, Fortuny, Seymour Haden, bronzes par Barye. dont la vente aura lieu Galerie Georges Petit les lundi 8 et mardi 9 mai 1899

Armand François Paul Comte Doria

Published: 1899

Total Pages: 178


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Excerpt from Collection de M. Le Comte Armand Doria: Catalogue des Aquarelles Et Pastels par Barye, Boudin, Cals, Corot, Daumier, Delacroix, Goya, Jongkind, Manet, Millet, Rousseau Il ne szzflit pas de profiter du talent d'un artiste, [(faut tâchcr d'ètre utile à l'artiste lui-mème. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
At the end of the 19th century, a group of young Glasgow-based painters established an international reputation for realism and plein-air landscape painting. Led by James Guthrie, John Lavery, Arthur Melville, George Henry, and E. A. Hornel, the Glasgow Boys, as they came to be known, shared an enthusiasm for strong, fresh colors, naturalistic subject matter, and a willingness to travel outside Scotland for subjects and settings. Their enthusiasm for naturalism was equaled only by their dislike of the Scottish arts establishment. In this widely acclaimed book, Roger Billcliffe describes not only the work of the individual artists but also their rejection by local collectors and officialdom before European success caused their work to become much in demand. First published 20 years ago, the book rekindled interest in the group and their work. Now redesigned with more than 200 illustrations in color, it introduces the collective to a new generation of readers and collectors.
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