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An Armchair Traveller's History of Apulia is the story of the heel of Italy - Puglia - as told by past and present day travellers. It has beautiful landscapes, cave towns and frescoed grotto churches, wonderful old cities with Romanesque cathedrals, Gothic castles and a wealth of Baroque architecture. And yet, while far from inaccessible, until quite recently it was seldom visited by tourists. This portrait of Apulia concentrates on the Apulian people down the ages. Conquerors, whether Messapians, Greeks, Romans, Arabs, Lombards, Byzantines, Normans, Angevins, Germans or Spaniards, have all left their mark on the region in a cultural palimpsest that at first sight bewilders, but which hugely repays investigation. Arranged in short chapters, the narrative travels from north to south, making it an ideal companion for exploring Apulia by car. The Gazetteer, which is cross-referenced to the main text, highlights cities, churches, cathedrals, castles and sites of historical importance to the visitor. For travellers on the ground or students at their desks, this elegant, cloth-bound book will prove invaluable.
This small book describes a fifteen days car trip you can take in Apulia and the neighboring regions. The itinerary starts from the town of Ortona a Mare in Abruzzo. It goes through several cities of Apulia, and then to Matera, a stunning city in Basilicata, vibrant with history, cave hotels, and authentic Italian food. The time to visit Matera is now. The ancient town in Basilicata could be Italy's next great attraction. The itinerary then returns to Apulia and touches other several cities, to arrive in Alberobello, known for its trulli, whitewashed stone huts with conical roofs - the hilltop Rione Monti district has hundreds of them. It continues with other towns in Apulia and the Gargano peninsula, with its National Park, home to the last remaining part of the oak and beech Forest Umbra that once covered most of central Europe. It passes through Termoli, to end up again in Ortona al Mare. It also describes a possible visit to the Tremiti Islands from Termoli, and how to get there. There are several ferry companies providing transportation services to these islands, the service is available from different ports, with or without the possibility of bringing your car with you. Using Google to find the right solution for your needs is at least confusing if you don't understand Italian. It took me, Italian born in Italy, a full day to figure out what is available and when, and what websites are the ones you should use. In the guide, I present for you the outcome of my research. Many of what you see in Google can be at the top of the results page just because the company that has the website is buying advertising from Google, not because they are the most relevant and essential. The guide includes a chapter on the food and wine of Apulia. A list of local recipes is present; the links to the original recipes are active in the digital editions.
In most cases, the story of the churches i salso the story of the land that hosts them. This is the reason why by walking across and ancient portal one may enter a universe that already knew about pagan rites bifore Byzantine and Catholic rites spread.
Puglia is one of the most extraordinary parts of Italy. Inhabited for over 8,000 years, this region has experienced almost every type of civilization known to the European world. This book focuses on the little known but important Islamic contribution to the architecture of Puglia, a contribution which was centered in the once Muslim city of Lucera and subsequently came to be of significance for the building of Christian cathedrals and churches in this beautiful region, little known to the outside world.
The broad valley of the Bradano river and its tributary, the Basentello, separates the Apennine mountains in Lucania from the limestone plateau of the Murge in Apulia in southeast Italy. This book aims to explain how the pattern of settlement and land use changed in the valley over the whole period from the Neolithic to the late medieval.
In most histories of Italian art we are conscious of a vast hiatus of several centuries, between the ancient classic art of Romewhich was in its decadence when the Western Empire ceased in the fifth century after Christand that early rise of art in the twelfth century which led to the Renaissance.This hiatus is generally supposed to be a time when Art was utterly dead and buried, its corpse in Byzantine dress lying embalmed in its tomb at Ravenna. But all death is nothing but the germ of new life. Art was not a corpse, it was only a seed, laid in Italian soil to germinate, and it bore several plants before the great reflowering period of the Renaissance.The seed sown by the Classic schools formed the link between them and the Renaissance, just as the Romance Languages of Provence and Languedoc form the link between the dying out of the classic Latin and the rise of modern languages.Now where are we to look for this link?In language we find it just between the Roman and Gallic Empires.In Art it seems also to be on that borderlandLombardywhere the Magistri Comacini, a mediæval Guild of Liberi Muratori (Freemasons), kept alive in their traditions the seed of classic art, slowly training it through Romanesque forms up to the Gothic, and hence to the full Renaissance.
"The professional architectural monthly" (varies).