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This text is an introduction to the full range of standard reference tools in all branches of English studies. More than 10,000 titles are included. The Reference Guide covers all the areas traditionally defined as English studies and all the field of inquiry more recently associated with English studies. British and Irish, American and world literatures written in English are included. Other fields covered are folklore, film, literary theory, general and comparative literature, language and linguistics, rhetoric and composition, bibliography and textual criticism and women's studies.
The Hebrew Bible, or Christian Old Testament, contains some of the finest literature that we have. This biblical literature has a place not only in the synagogue or the church but also among the classics of world literature. The stories of Jacob and David, for instance, present the earliest surviving examples of literary characters whose development the reader follows over the length of a lifetime. Elsewhere, as in the books of Esther or Ruth, readers find a snapshot of a particular, fraught moment that will define the character. The Hebrew Bible also provides quite a few high points of lyric poetry, from the praise and lament of the Psalms to the double entendres in the love of poetry of the Song of Songs. In short, the Bible can be celebrated not only as religious literature but, quite simply, as literature. This book offers a thorough and lively introduction to the Bible's two primary literary modes, narrative and poetry, foregrounding the nuances of plot, character, metaphor, structure and design, and intertextual allusions. Tod Linafelt thus gives readers the tools to fully experience and appreciate the Old Testament's literary achievement. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
While books on pedagogy in a theoretical mode have proliferated in recent years, there have been few that offer practical, specific ideas for teaching particular biblical texts. To address this need, Teaching the Bible, a collection of ideas and activities written by dozens of innovative college and seminary professors, outlines effective classroom strategies—with a focus on active learning—for the new teacher and veteran professor alike. It includes everything from ways to incorporate film, literature, art, and music to classroom writing assignments and exercises for groups and individuals. The book assumes an academic approach to the Bible but represents a wide range of methodological, theological, and ideological perspectives. This volume is an indispensable resource for anyone who teaches classes on the Bible.
Essays in this volume focus on subtle, not-so-obvious, unrecognized cases of citation and allusion as well as on unrecognized 'translations' from other languages. Individual authors address unapparent cases and the methodological considerations on which their status as 'genuine' can be established.
This comprehensive and systematic text approaches the Bible from a literary/historical perspective and studies it as a body of writing produced by real people who intended to convey messages to real audiences.
Master Bible scholar and teacher Marc Brettler argues that today's contemporary readers can only understand the ancient Hebrew Scripture by knowing more about the culture that produced it. And so Brettler unpacks the literary conventions, ideological assumptions, and historical conditions that inform the biblical text and demonstrates how modern critical scholarship and archaeological discoveries shed light on this fascinating and complex literature. Brettler surveys representative biblical texts from different genres to illustrate how modern scholars have taught us to "read" these texts. Using the "historical-critical method" long popular in academia, he guides us in reading the Bible as it was read in the biblical period, independent of later religious norms and interpretive traditions. Understanding the Bible this way lets us appreciate it as an interesting text that speaks in multiple voices on profound issues. This book is the first "Jewishly sensitive" introduction to the historical-critical method. Unlike other introductory texts, the Bible that this book speaks about is the Jewish one -- with the three-part TaNaKH arrangement, the sequence of books found in modern printed Hebrew editions, and the chapter and verse enumerations used in most modern Jewish versions of the Bible. In an afterword, the author discusses how the historical-critical method can help contemporary Jews relate to the Bible as a religious text in a more meaningful way.
"A modern classic....Thrilling and constantly illuminating."—Michael Dirda, Washington Post Book World Through a distinguished career of critical scholarship and translation, Robert Alter has equipped us to read the Hebrew Bible as a powerful, cohesive work of literature. In this landmark work, Alter's masterly translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Winner of the PEN Center USA Literary Award for Translation and the Koret Jewish Book Award for Translation, a Newsweek Top 15 Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.
This book brings together researchers to discuss and apply different methodologies to biblical texts and their relevance for feminist and gender studies. It represents, on the one hand, a continuation of the discussions that have been put to the test by the pioneers of feminist and gender studies, but on the other, introduces new theories and approaches to take the debate further and to challenge accepted biblical interpretations and ideologies that reinforce patriarchal domination and injustice. The volume offers proof that feminist theory has not lost its appeal to young scholars, and there is still enough potential for innovative and important research in the field of feminist and gender studies.
The biblical Book of Ruth is a love story, apparently personal and simple " of love between women and between man and woman " told in poetic imagery and style. Barely hiding within this immediate beauty are the archetypal depths which reveal nothing less than the eternal mystery of a love which brings about redemption and individuation both personal and transcendent, human and divine. Dr. Kluger wrote the original interpretation as part of the requirements of the first graduating class of the Jung Institute in Zürich. He later updated his work, but the thesis remains the same: the return of the feminine principle in the Bible. To this end, he examines the fate and role of the feminine as she travels from ancient times through various goddesses to the person of Ruth, and her destiny as restoring the original totality of masculine and feminine in equal, interacting, balance. In counterpoint to the scholarly style of her father " while in unison with his interpretations " Nomi Kluger-Nash has written a woman's subjective reactions to the story of Ruth, Naomi and Orpah. To this associative style she brings further amplifications from Kabbalah into the meaning of these women who carry aspects, both light and dark, of the Shekhinah, the feminine presence of God.