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Considered by many to be the world's first novel, The Tale of Genji by Murasaki Shikibu is a masterpiece of narrative fiction rich in plot, character development, and compositional detail. The tale, written by a woman in service to Japan's imperial court in the early eleventh century, portrays a world of extraordinary romance, lyric beauty, and human vulnerability. Appraising Genji is the first work to bring the rich field of Genji reception to the attention of an English-language audience. Patrick W. Caddeau traces the tale's place in Japanese culture through diaries, critical treatises, newspaper accounts, cinematic adaptation, and modern stage productions. The centerpiece of this study is a treatise on Genji by Hagiwara Hiromichi (1815–1863), one of the most astute readers of the tale who, after becoming a masterless samurai, embarked on a massive study of Genji. Hiromichi challenged dominant modes of literary interpretation and cherished beliefs about the supremacy of the nation's aristocratic culture. In so doing, he inspired literary critics and authors as they struggled to articulate theories of fiction and the novel in early modern Japan. Appraising Genji promises to enhance our understanding of one of the greatest literary classics in terms of intellectual history, literary criticism, and the quest of scholars in early modern Japan to define their nation's place in the world.
The Tale of Genji, written one thousand years ago, is a masterpiece of Japanese literature, is often regarded as the best prose fiction in the language. Read, commented on, and reimagined by poets, scholars, dramatists, artists, and novelists, the tale has left a legacy as rich and reflective as the work itself. This sourcebook is the most comprehensive record of the reception of The Tale of Genji to date. It presents a range of landmark texts relating to the work during its first millennium, almost all of which are translated into English for the first time. An introduction prefaces each set of documents, situating them within the tradition of Japanese literature and cultural history. These texts provide a fascinating glimpse into Japanese views of literature, poetry, imperial politics, and the place of art and women in society. Selections include an imagined conversation among court ladies gossiping about their favorite characters and scenes in Genji; learned exegetical commentary; a vigorous debate over the morality of Genji; and an impassioned defense of Genji's ability to enhance Japan's standing among the twentieth century's community of nations. Taken together, these documents reflect Japan's fraught history with vernacular texts, particularly those written by women.
An illustrated guide to one of the most enduring masterworks of world literature Written in the eleventh century by the Japanese noblewoman Murasaki Shikibu, The Tale of Genji is a masterpiece of prose and poetry that is widely considered the world’s first novel. Melissa McCormick provides a unique companion to Murasaki’s tale that combines discussions of all fifty-four of its chapters with paintings and calligraphy from the Genji Album (1510) in the Harvard Art Museums, the oldest dated set of Genji illustrations known to exist. In this book, the album’s colorful painting and calligraphy leaves are fully reproduced for the first time, followed by McCormick’s insightful essays that analyze the Genji story and the album’s unique combinations of word and image. This stunning compendium also includes English translations and Japanese transcriptions of the album’s calligraphy, enabling a holistic experience of the work for readers today. In an introduction to the volume, McCormick tells the fascinating stories of the individuals who created the Genji Album in the sixteenth century, from the famous court painter who executed the paintings and the aristocrats who brushed the calligraphy to the work’s warrior patrons and the poet-scholars who acted as their intermediaries. Beautifully illustrated, this book serves as an invaluable guide for readers interested in The Tale of Genji, Japanese literature, and the captivating visual world of Japan’s most celebrated work of fiction.
In The Tale of Genji and Its Chinese Precursors: Beyond the Boundaries of Nation, Class, and Gender, Jindan Ni departs from a “nativist” tradition which views The Tale of Genji as epitomizing an exclusively Japanese aesthetic distinct from Chinese influence and Buddhist values. Ni contests the traditional focus on Japanese essentialism by detailing the impact of Chinese literary forms and presenting the Japanese Heian Court as a site of dynamic and complex literary interchange. Combining close reading, the archival work of Japanese and Chinese scholars, and comparative literary theory, Ni argues that Murasaki Shikibu avoided the constraint of a single literary tradition by drawing on Chinese intertexts. Ni’s account reveals the heterogeneity that makes The Tale of Genji a masterpiece with enduring appeal.
Offering a concise, entertaining snapshot of Japanese society, Manners and Mischief examines etiquette guides, advice literature, and other such instruction for behavior from the early modern period to the present day and discovers how manners do in fact make the nation. Eleven accessibly written essays consider a spectrum of cases, from the geisha party to gay bar cool, executive grooming, and good manners for subway travel. Together, they show that etiquette is much more than fussy rules for behavior. In fact the idiom of manners, packaged in conduct literature, reveals much about gender and class difference, notions of national identity, the dynamics of subversion and conformity, and more. This richly detailed work reveals how manners give meaning to everyday life and extraordinary occasions, and how they can illuminate larger social and cultural transformations.
Murasaki Shikibu’s eleventh-century Tale of Genji is the most revered work of fiction in Japan. This book explores Genji’s reception over the years and its place in Japanese culture.
People of all times and in all cultures have produced and consumed fiction in a variety of forms, not only for entertainment, but also to spread knowledge, religious or political beliefs. Furthermore, fiction has taken part in reflecting and shaping the cultural identity of communities as well as the identity of individuals. This volume aims to explore the concept and the use of fiction from different epochs, in different cultures and in different forms, both ancient and more recent. It covers a broad field of interests, from ancient literature, art, philosophy and theater to Bollywood productions, television series and modern electronic media. Twenty-three scholars from ten countries and from different areas and fields of interests in the Humanities assembled in Stockholm on a conference in August 2012 to exchange views on "Fiction in Global Contexts". This volume presents the results of their discussions. It contains fresh perspectives on issues and topics such as: the nature of fiction fiction and its relationship to "truth" the demand for and the function and uses of fiction the development of fiction from ancient to modern times different forms of fiction fiction in social contexts or in a gender perspective
The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.
This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature.
Growing up in a fractious household in working-class Brooklyn, my mother dreamt of living in France, of experiencing “civilization.” As for myself, molded by the gloomy obsessions of the adults around me, I sought refuge as a child in a Japanese anime titled Lady Oscar, and its story of a woman forced into the role of military officer for the royal guard at Versailles. Very personal in tone, A Bloody Song examines the enduring mystery of “time travel”, leading from an adult’s awakening into the enchanted world of childhood and back again. It explores the major themes and imagery in the celebrated anime Lady Oscar and comments on those of The Rose of Versailles, the manga it is based on. The essay also proposes to examine these motifs through a comparative study of Nobel-prize winning Kazuo Ishiguro’s The Remains of the Day. Divided into eight distinct parts, or themes, A Bloody Song offers a glimpse into the rich, ancient culture and literature of Japan via one of its most famous animes and mangas. In this way, it aims to elucidate the adult themes concealed within the dark, fairytale realm of a cherished girlhood series. My main reason for revisiting this world is this: to save a favourite animated character from feeling abandoned. As I once did. As we all sometimes do. “I enjoyed [the read]—simultaneously very academic and well-written.” —Morris Berman, author of Neurotic Beauty: An Outsider Looks at Japan “The best tribute to a favorite manga and anime is to analyze it, delving into its influences, insights, and impact. Caroline Kerjean does this beautifully in her personal, passionate, powerful essay about Rose of Versailles (Lady Oscar).” —Alisa Freedman, Professor of Japanese Literature and Film, University of Oregon and Editor-in-Chief of the U.S.-Japan Women's Journal “I was impressed by Kerjean's clear, graceful writing and the wonderful diversity of sources she brings to bear on her topic.” —Wendy Steiner, author of The Trouble with Beauty “There is quite a lot to say about this wonderfully rich and evocative book!” —Nathalie Nadaud-Albertini, CREM, Université de Lorraine “Wonderful book. I was especially struck by Kerjean's explanation of koi. I know the feeling...” —Andrew Feenberg, author of Nishida, Kawabata and the Japanese Response to Modernity