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Excerpt from Applied Decoration for Historic Interiors: Preserving Composition Ornament Increased concern about the environment may well render the toxic methylene chloride strippers obsolete in the near future. Manufacturers have already produced safer strippers based on dimethyl esters, and further research will probably yield other alternatives to chlorinated solvents. Slower acting solvent-type strippers may well be safer to the underlying composition ornament, but additional research and use are needed before making definitive statements. In summary, most damage to compo occurs during the removal of layers of paint; this is a critical process and should not be attempted without consulting a conservator and should not be undertaken by painting contractors unless they are highly skilled and have had extensive experience in this very delicate procedure. Proper disposal of residual chemicals and debris must b undertaken to avoid contaminating the environment with solvents and lead, and such disposal is, in fact, now required by federal, state, and local ordinances. The company responsible for removing chemical waste should be licensed to dispose of it, otherwise the property owner may be held accountable if disposal laws are violated. Refinishing compo ornament usually follows stripping. According to historic evidence uncovered and depending on the existing and desired appearance of the room, compo can be stained, painted, gilded, marbleized, or glazed. Paint types may include distemper, alkyd oil, or latex. A thin coating is recommended so the intricate surface detail is not clogged. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A non-technical guide about caring for, adapting, expanding, and preserving older buildings.
"The papered and bordered wall was an important feature of American interiors during the 18th, 19th, and early 20th centuries. Paper hangings, both imported and of domestic manufacture, were more widely used than many of our restored buildings might lead us to believe." This book attempts to catalog and describe the variety, as well as accounting for restoration and preservation of pieces as part of the historical record. --Amazon.
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.