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Comparison is an indispensable intellectual operation that plays a crucial role in the formation of knowledge. Yet comparison often leads us to forego attention to nuance, detail, and context, perhaps leaving us bereft of an ethical obligation to take things correspondingly as they are. Examining the practice of comparison across the study of history, language, religion, and culture, distinguished scholar of religion Bruce Lincoln argues in Apples and Oranges for a comparatism of a more modest sort. Lincoln presents critiques of recent attempts at grand comparison, and enlists numerous theoretical examples of how a more modest, cautious, and discriminating form of comparison might work and what it can accomplish. He does this through studies of shamans, werewolves, human sacrifices, apocalyptic prophecies, sacred kings, and surveys of materials as diverse and wide-ranging as Beowulf, Herodotus’s account of the Scythians, the Native American Ghost Dance, and the Spanish Civil War. Ultimately, Lincoln argues that concentrating one's focus on a relatively small number of items that the researcher can compare closely, offering equal attention to relations of similarity and difference, not only grants dignity to all parties considered, it yields more reliable and more interesting—if less grandiose—results. Giving equal attention to the social, historical, and political contexts and subtexts of religious and literary texts also allows scholars not just to assess their content, but also to understand the forces, problems, and circumstances that motivated and shaped them.
Presents pairs of related items, such as an apple and an orange or a bicycle and a motorcycle, and asks why they are similar, while offering unexpected answers.
To be sure, some brothers and sisters have relationships that are easy. But oh, some relationships can be fraught. Confusing, too: How can two people share the same parents and turn out to be entirely different? Marie Brenner's brother, Carl—yin to her yang, red state to her blue state—lived in Texas and in the apple country of Washington state, cultivating his orchards, polishing his guns, and (no doubt causing their grandfather Isidor to turn in his grave) attending church, while Marie, a world-class journalist and bestselling author, led a sophisticated life among the "New York libs" her brother loathed. From their earliest days there was a gulf between them, well documented in testy letters and telling photos: "I am a textbook younger child . . . training as bête noir to my brother," Brenner writes. "He's barely six years old and has already developed the Carl Look. It's the expression that the rabbit gets in Watership Down when it goes tharn, freezes in the light." After many years apart, a medical crisis pushed them back into each other's lives. Marie temporarily abandoned her job at Vanity Fair magazine, her friends, and her husband to try to help her brother. Except that Carl fought her every step of the way. "I told you to stay away from the apple country," he barked when she showed up. And, "Don't tell anyone out here you're from New York City. They'll get the wrong idea." As usual, Marie—a reporter who has exposed big Tobacco scandals and Enron—irritated her brother and ignored his orders. She trained her formidable investigative skills on finding treatments to help her brother medically. And she dug into the past of the brilliant and contentious Brenner family, seeking in that complicated story a cure, too, for what ailed her relationship with Carl. If only they could find common ground, she reasoned, all would be well. Brothers and sisters, Apples and Oranges. Marie Brenner has written an extraordinary memoir—one that is heartbreakingly honest, funny and true. It's a book that even her brother could love.
Sexuality and identity are the twin goddesses that lend Jan Clausen’s Apples & Oranges its grace and urgency. In the late 1980s, after more than a decade living within a strong Brooklyn lesbian community with her female lover and their daughter, Clausen travels to a war zone in Nicaragua, where she falls in love with a West Indian male lawyer. Her memoir is brimming with intimate physical and emotional details of her personal journey, but perhaps what sets it apart are the deeply informed historical and philosophical lenses through which she examines her own experience. Deeply felt, intensely thoughtful, gorgeously written, Apples & Oranges is a testament to the power and peril of desire. It is also a dazzling examination of the ways in which our search for love and happiness intersect. What does it mean to be straight? What does it mean to be queer? Jan Clausen gives us not one but many answers to these questions.
When purchasing your vehicle, you should probably expect to be lied to by everyone from the sales department to the financial department. Apples, Oranges, and Lemons is a one-of-a-kind, tell-all book about the automobile trade that reveals inside secrets they don't want you to know. There is no other book like it. It is written by the only person who could, or would. Phillip James Grismer knows the automobile industry from the inside out. He first apprenticed in a number of import auto shops, eventually rising through the ranks and opening his own facility. Grismer draws on his thirty-seven years of experience to expose how the industry really works. He provides answers on how to deal with a "lemon" while offering advice on how to make the best buy before purchasing your vehicle. Discover how the valuation and appraisal process works and how the history of your vehicle affects you and your money. Grismer's conversational style makes the information accessible while offering personal insight on the process of vehicle manufacturing and servicing. Even the most casual reader will be enlightened and entertained by the inner workings of the automobile manufacturing, sales, and service industry. But most importantly, this handy reference guide empowers the consumer to make well-informed decisions about vehicles.
Shows how analogy-making pervades human thought at all levels, influencing the choice of words and phrases in speech, providing guidance in unfamiliar situations, and giving rise to great acts of imagination.
Republic of Apples, Democracy of Oranges presents nearly 100 poets and translators from China and the U.S.—the two countries most responsible for global carbon dioxide emissions and the primary contributors to extreme climate change. These poetic voices express the altered relationship that now exists between the human and non-human worlds, a situation in which we witness everyday the ways environmental destruction is harming our emotions and imaginations. “What can poetry say about our place in the natural world today?” ecologically minded poets ask. “How do we express this new reality in art or sing about it in poetry?” And, as poet Forrest Gander wonders, “how might syntax, line break, or the shape of the poem on the page express an ecological ethics?” Eco-poetry freely searches for possible answers. Sichuan poet Sun Wenbo writes: ... I feel so liberated I start writing about the republic of apples and democracy of oranges. When I see apples have not become tanks, oranges not bombs, I know I've not become a slave of words after all. The Chinese poets are from throughout the PRC and Taiwan, both minority and majority writers, from big cities and rural provinces, such as Liangshan Yi Autonomous Prefecture and Xinjiang Uyghur, Tibet, and Inner Mongolia Autonomous Regions. The American poets are both emerging and established, from towns and cities across the U.S. Included are images by celebrated photographer Linda Butler documenting the Three Gorges Dam, on the Yangtze River, and the aftermath of Hurricane Katrina, on the Mississippi River Basin.
In only five words -- four of which are in the title -- Kate Greenaway Medalist Emily Gravett presents a delightful picture book that is "simple and stunning" (The Guardian), and "daring, original, and a joy" (Sunday Times, London).
(Vocal Selections). 11 songs from the Neil Bartram unconventional musical presenting a joyous and moving look at our surprisingly interconnected lives. These vocal selections are presented in vocal line arrangements with piano accompaniment. Includes: Apples & Oranges * The End of the Line * Footprint * Great Expectations * I'm Allergic to Cats * Julie's Song * Me & Ricky * Nothing Without You * Promise Me This * Relativity * You Will Never Know.
The New York Times–bestselling author’s Whitbread Prize–winning debut—“Winterson has mastered both comedy and tragedy in this rich little novel” (The Washington Post Book World). When it first appeared, Jeanette Winterson’s extraordinary debut novel received unanimous international praise, including the prestigious Whitbread Prize for best first fiction. Winterson went on to fulfill that promise, producing some of the most dazzling fiction and nonfiction of the past decade, including her celebrated memoir Why Be Happy When You Can Be Normal?. Now required reading in contemporary literature, Oranges Are Not the Only Fruit is a funny, poignant exploration of a young girl’s adolescence. Jeanette is a bright and rebellious orphan who is adopted into an evangelical household in the dour, industrial North of England and finds herself embroidering grim religious mottoes and shaking her little tambourine for Jesus. But as this budding missionary comes of age, and comes to terms with her unorthodox sexuality, the peculiar balance of her God-fearing household dissolves. Jeanette’s insistence on listening to truths of her own heart and mind—and on reporting them with wit and passion—makes for an unforgettable chronicle of an eccentric, moving passage into adulthood. “If Flannery O’Connor and Rita Mae Brown had collaborated on the coming-out story of a young British girl in the 1960s, maybe they would have approached the quirky and subtle hilarity of Jeanette Winterson’s autobiographical first novel. . . . Winterson’s voice, with its idiosyncratic wit and sensitivity, is one you’ve never heard before.” —Ms. Magazine