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This remarkable collection of original essays by a distinguished group of American and English scholars explores attitudes toward apocalyptic thought and the Book of Revelation as they were reflected, over many centuries, in theological discourse, political activity, and artistic and literary endeavors.
An analysis of the nature of apocalyptic and millennial beliefs that reveals concerns prominent in England in the early seventeenth century had not abated after 1660.
The Book of Revelation has fired the imaginations of theologians, preachers, artists, and ordinary Christians across the centuries. The resulting number of commentaries on the book is enormous, and most studies can only touch upon, at most, a representative sample of this vast literature. As a consequence, many focus largely on the interpretation of the Apocalypse only within specific periods, such as the patristic period or during the Reformation. One result of this severe limitation given the vast literary corpus is how historical interpretations in critical commentaries of the Book of Revelations tend to prioritize authors from the modern period. In The Book of Revelation and Its Interpreters: Short Studies and an Annotated Bibliography, editors Richard Tresley and Ian Boxall fill a significant gap in the scholarly literature. At its heart is an extensive annotated bibliography, covering commentaries on the book up to 1700, including most of the early illuminated Apocalypses. Supporting the presentation of this survey of the historical interpretations of the Book of Revelation is an extended overview of Revelation’s often-colorful reception history by Christopher Rowland, together with a number of short studies on various aspects of the book. These include discussions of specific commentators, such as Sean Michael Ryan’s look at Tyconius and Francis X. Gumerlock exploration of Chromatius of Aquileia, alongside a more general treatment of Revelation’s impact on the figure of John of Patmos in an essay by Ian Boxall and the visual reception of Revelation in Natasha O’Hear’s article. The Book of Revelation and Its Interpreters provides a valuable bibliographical resource for those working in the field of Biblical Studies, history of Christianity, eschatology and apocalyptic studies. The accompanying essays orient the authors recorded in the bibliography within a larger context, offering specific examples of the Apocalypse’s capacity to speak in fresh and often surprising ways to diverse audiences throughout history.
Explores the necessity of enabling the imagination to prevail as part of an anti-reductionist approach, to philosophical theology, if we are to engage with God's action in the world.
To open a newspaper or turn on the television it would appear that science and religion are polar opposites - mutually exclusive bedfellows competing for hearts and minds. There is little indication of the rich interaction between religion and science throughout history, much of which continues today. From ancient to modern times, mathematicians have played a key role in this interaction. This is a book on the relationship between mathematics and religious beliefs. It aims to show that, throughout scientific history, mathematics has been used to make sense of the 'big' questions of life, and that religious beliefs sometimes drove mathematicians to mathematics to help them make sense of the world. Containing contributions from a wide array of scholars in the fields of philosophy, history of science and history of mathematics, this book shows that the intersection between mathematics and theism is rich in both culture and character. Chapters cover a fascinating range of topics including the Sect of the Pythagoreans, Newton's views on the apocalypse, Charles Dodgson's Anglican faith and Gödel's proof of the existence of God.
Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.
This book is based on my doctoral dissertation from the Hebrew University of Jerusalem (1996) of the same title. As a master's student, working on an entirely different project, I was well aware that many of Newton's theological manuscripts were located in our own Jewish National and University Library, but I was under the mistaken assumption that scores of highly qualified scholars must be assiduously scouring them and publishing their results. It never occurred to me to look at them at all until, having fmished my master's, I spoke to Professor David Katz at Tel-Aviv University about an idea I had for doctoral research. Professor Katz informed me that the project I had suggested was one which he himself had just fmished, but that I might be interested in working on the famous Newton manuscripts in the context of a project being organized by him, Richard Popkin, James Force, and the late Betty Jo Teeter Dobbs, to study and publish Newton's theological material. I asked him whether he was not sending me into the shark-infested waters of highly competitive scholarship, and learned that in fact there were only a handful of scholars in the world who actively studied and published on Newton's theology. At the time the group consisted mainly of Popkin, Force, Dobbs, Frank Manuel, Kenneth Knoespel, and David Castillejo.
This is the first modern biography to place Henry More’s (1614-1687) religious and philosophical preoccupations centre-stage, and to provide a coherent interpretation of his work from a consideration of his own writings, their contexts and aims. It is also the first study of More to exploit the full range of his prolific writings and a number of unknown manuscripts relating to his life. It contains an annotated handlist of his extant correspondence.