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"Studies the illustration of Revelation in manuscripts from the ninth to the fifteenth century. Examines how twenty-five of the most important illustrated Apocalypses illustrate the biblical text and interpret it for diverse audiences"--Résumé de l'auteur.
The visionary nature of the Apocalypse—the biblical book of Revelation—along with its detailed descriptions of the end of the world have long made it ideal for illustration. Illuminated texts of the Apocalypse were particularly popular in thirteenth-century England, and the copy in the collections of the J. Paul Getty Museum, with its lively narrative miniatures, stands as a testament to the artistic heights achieved during that period. In this richly illustrated book, all eighty-two of the manuscript's images are reproduced in color for the first time. They are accompanied by a full commentary. A general introduction to the history of thirteenth-century English illustrated Apocalypse manuscripts is followed by a succinct study of the artistic context of the Getty's manuscript, as well as a consideration of its style and date. The rest of the commentary is devoted to a stylistic and iconographic analysis of the manuscript's images; there is also a complete translation of the text.
An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.
The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
For almost 5000 years, the pyramids and similar structures in Mexico and Cambodia have taunted scholars with their cryptic secrets and astronomical significance--who built these world wonders and how? Buried in ancient Hebrew texts, undiscovered and largely ignored by scholars, lies a wealth of information about a mysterious and little known race of giants, called the Nephilim--sons of God who coupled with mortals, and their children--the true builders of the pyramids and other great monuments of ancient history. The true identity of the builders is only half the story--by scientifically examining age-old prophecies, author Patrick Heron was able to discover the true purpose of the pyramids. His astonishing findings, thoroughly and engagingly explained in The Nephilim and the Pyramid of the Apocalypse, address the importance of the pyramids and their significance in predicting the coming Apocalypse. These pyramids hold the answer to the question man has been asking since the beginning of time: when and how will the world end? It may be sooner than you think.